These greens aren’t edible; hopefully, they’re editable

It’s happened again. Caught it in time, this time, but still …

Artwork by Ricardo Sandoval, 2014

Helios on Moon tested at 300%. Note lack of green. That means it passed 2014 Acrobat test.

Artwork by Ricardo Sandoval, 2014

Helios on Moon cover tested at 240%. Note the green. That means it failed. Yet it’s still available from same POD printer. Go figure.

In case you were wondering why “Decimation Damnation” didn’t come out on or about Midsummer’s Day 2016, check this out.

<<==  A year and a half ago Ricardo Sandoval produced a print cover for Helios on the Moon. It passed the 300% overall coverage test on Acrobat.

==>> Times change. It wouldn’t today because the POD company I use now requires covers must first pass a 240% overall coverage test.

Collage by Jim McPherson, 2016

Note the green. First choice cover tested at 240% failed.

Cover collage by Jim McPherson, 2016

Again, note the green. Would have failed in 2014, so back to square one.

Cover collage Jim McPherson, 2016

Cover collage initially prepared for second entry in Wilderwitch’s Babies saga “Destination Damnation”

As per here, I had to abandon my first choice print cover for DecDam. Then my craftily reworked second choice <<== did not pass the Acrobat test at 240% total overall coverage.

Small conciliation, it would not have passed the 2014 test either. ==>>

<<== So I tried out the cover I initially intended for the follow-up entry in the as yet open-ended saga of Wilderwitch’s Babies.

Cover collage originally prepared for "Destination Damnation" by Jim McPherson, 2016

Even at 300% the DestDam cover was only a borderline pass.

(Likely title, in case you were wondering, “Destination Damnation”)

It was only marginally better. ==>>

Here’s the requirement:

“When the Output Preview window is open you can move your cursor over the PDF and view the CMYK values in your file.

“This is a good time to verify that the barcode used is 100% black only and that your cover does not have large areas of color that exceed 240% Total Area Coverage.

“If concerned about excessive color density you can select the box at the bottom of the window labeled “Total Area Coverage”, select a maximum limit and all offending areas will be highlighted.”

Concerned I was; concerned I still am. But I’m submitting Revision 4 anyhow. Stay tuned. If gasket blows, well, at least I’ve got comparatively affordable medical insurance.

Cover collage prepared by Jim McPherson, July 2016

The fourth revision of the cover collage for “Decimation Damnation”. Collage prepared by Jim McPherson, July 2016

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Duelling coverage

Collage entitled Daemonic Desperation, prepared by Jim McPherson, June 2016

Right centre: colourized version of Dancing Witch from the Legend of Tam O’Shanter, artwork by John Faed, 1819-1902; Ancient Night by Henry Fuseli, 1741-1825; revenant between them by Pieter Pourbus, 1523-1584, shot in Bruges 201`2; cameo Sedon shot in Bruges, 2012, same as statue of hooded woman in middle of image; other images taken from Web

As per Serendipity and … here, finally learned where the girlish face featured in the otherwise unidentified photo montage on the last post came from. It’s purloined from a National Geographic cover from June 1985. The girl photographed by Steve McCurry in 1984 was Sharbut Gula, then 12. More on that here.

Tentative cover for "Decimation Damnation", graphic prepared by Jim McPherson, June 2016

Daemonic Desperation graphics transposed to tentative cover for “Decimation Damnation” mini-novel

The photo montage used was shot in a public gallery in Vienna, Austria, in 2010 but didn’t shoot the information plaque. Result? Had to rework the tentative cover and poster at bottom of page painstakingly prepared for DecDam over a month ago. Hence delay.

Still like the eyes, as per immediately, but  can’t decide if cover collage is usable. Maybe make up mind tomorrow.

Tentative full cover for "Decimation Damnation"

Took out the face, save for the hair and eyes, of the Afghan Girl and filled in space with Daemonic Desperation graphics. Like result a lot … but may not use it.

So what do you think? Comments appreciated below.

Black & white version of revised poster for Wilderwitch's Babies, prepared by Jim McPherson mostly using his own images, 2016

Black & white version of revised poster for “Wilderwitch’s Babies” as used on the print version of “Decimation Damnation”, the first mini-novel taken from that as yet open-ended saga. More notes here: http://www.phantacea.com/witchBabsPage.htm#graphics

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ISBN must mean … yep, it’s officially “Decimation Damnation”

One thing about living in Canada, ISBNs cost zilch. Now if only the Canadian dollar would reach a sensible level, Wilderwitch’s Babies 1 could begin to see the printed page:

Hello Mr. McPherson,
I have assigned to your novel :
Decimation Damnation (book) = ISBN 978-1-927844-15-1
Decimation Damnation (digital) = ISBN 978-1-927844-16-8
Decimation Damnation (pdf) (electronic book) = ISBN 978-1-927844-17-5
Since you are a Canadian author/publisher, you are required to send copies of your publications to Library & Archives Canada. This is the Legal Deposit process.
Here is information on Legal Deposit:
http://www.bac-lac.gc.ca/…/legal-d…/Pages/legal-deposit.aspx
Thank you,

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Potential Dust Cover for "Wilderwitch's Babies 1", collage prepared by Jim McPherson ca 2008

2008 version of cover for “Wilderwitch’s Babies 1 — Decimation Damnation”

2005 working cover for Wilderwitch’s Babies. Thinking it might be too dark. Still fond of eye-stave gargoyles on back and the angry house-head on front.

Statue shot by Jim McPherson in backyard of Leighton House, London, England, late 1990s

Sundown type with spear and snake but on a horse, not Raven’s Head, statue shot in backyard of Leighton House in London, England, late 1990s

Cut-out of the eyeless face used in the cover collage; taken from a wooden plaque shot in Montreal in April 2000 by Jim McPherson

Cut-out of the eyeless face used in the cover collage; taken from a wooden plaque shot in Montreal in April 2000 by Jim McPherson

1. Wilderwitch with fearsome soul-self extracted from a wooden plaque spotted and shot in Montreal in April 2000;
2. house-head spotted and shot in Hasankeyf Turkey in 2003 then given blue eyes (also here: http://www.phantacea.info/fallof03.htm#logo);
3. Sundown figure on corner of house-head is a statue spotted and shot in backyard of Leighton House in London sometime in late 1990s;
4. gargoyles and caduceus on back from, I believe, Paris circa 2004;
5. Tuareg figure scanned in from the Vancouver Sun at some point. Even if this guy appears white, it’s reminiscent of Trinondevs of Weir.

========
More cliffheads link from here
; more on the cover collages here.

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

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“Decimation Damnation” cover collages

Cover collage prepared by Jim McPherson, 2005

Variation of a cover collage prepared for what’s now called “Decimation Damnation” ca 2005

Here’s another take on the cover for “Decimation Damnation“, a web-serial that appeared in its entirety on pH-Webworld (aka Phantacea on the Web) starting around twelve years ago. (Might have been called “The Weirdness of Cabalarkon” then, at least for awhile.) New version won’t be the same, though.

BTW, it came in at 170 pages but an as yet unwritten Auctorial Preamble and a Character Companion (some of which is here) will enlarge that.

Potential Dust Cover for "Wilderwitch's Babies 1", collage prepared by Jim McPherson ca 2008

2008 version of cover for “Wilderwitch’s Babies 1 — Decimation Damnation”

Might go back to it if I go with a collage cover along the lines of the 1000 Days mini-novels.

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Wooden plaques spotted and shot by Jim McPherson in Montreal, 2000

Wooden plaques spotted and shot by Jim McPherson in Montreal, 2000; no information on the artist’s name

Isolation shot of the wooden plaque used in cover collage, photo manipulation by Jim McPherson

Isolation shot of the wooden plaque used in cover collage

Both parts of the Wilderwitch figure were taken from a snap shot in Montreal in April 2000. The wood plaques are all by the same guy; unfortunately there are no names I can find on them.

Her “fearsome” soul-self is in foreground; not looking very fearsome I’m sorry to say, but the lack of eyes does make it kind of spooky.

As an aside, and hopefully without giving too much away, what happens to Blind Sundown when he is given crablike, ommatophorous eye-stalks is anything but ducky. It’s truly beyond either fearsome or spooky.

========

Caduceus with gargoyles collage prepared by Jim McPherson

Utopian Warriors of Weir manifest gargoyles atop their eye-staves; Mel-Illuminatus manifests a healer’s caduceus; graphic combines both

A hairpin shaped like a caduceus, image taken from web

A hairpin shaped like a caduceus like the one Mel-Illuminatus manifests atop her dinky eye-stave in the mini-novel

Two gargoyles atop Notre Dame, photos by Jim McPherson, 2004

Two gargoyles shot atop Paris’s Notre Dame Cathedral in 2004 by Jim McPherson

The caduceus is actually a hairpin. Not sure where it came from but the gargoyles are definitely from the Notre Dame cathedral in Paris. They were taken in 2004, when you could still walk up steep — I’d call them precipitous — stairs to the gargoyle level. Not sure sure whether you can do that anymore.

========

Hasankyef House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Part of the Hasankeyf ruins, shot in Turkey by Jim McPherson, 2003

Part of the Hasankeyf ruins in Turkey, 2003; suggestive of a House Head; also seen here: http://www.phantacea.info/fallof03.htm

Early version of DecDam front cover, prepared by Jim McPherson, ca 2003/4

Possibly the earliest version of DecDam’s front cover

Giving the stone, house-head ruin from Hasankeyf eyeballs must have been fun.

Can’t recall whose they were but flipping the shot does make it look almost human.

Not sure I like the text name at top of page on the tentative front covers shown but might keep it just for variety.

However, compared to the second cover at top of page, do prefer the pink background to Mythos area and the vaguely purplish overall background in first graphic.

Similar images are used on the related Serendipity and … entry as well as the entry for Mel-Illuminatus in Witches page on pH-Webworld..

========

A couple more aspects of the covers at top of page are highlighted here.

Welcoming portal for pH-Webworld as of Spring 2015

Entry port for pH-Webworld, first appeared in the 2015 Spring update

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Come 27 September 2015, the Word on the Street is Phantacea

Phantacea Publications logo utilizing a Sun-Moon wooden Carving spotted and shot by Jim McPherson, 2014

Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times

Suffering from aphantacea or a deepening desire to add to your thickening trove of PHANTACEA products?

Jim McPherson, the creator-writer of the Phantacea Mythos, shall be manning the Phantacea Publications table at Vancouver’s Word on the Street book fair in and around the VPL’s Library Square on Homer Street on Sunday, 27 September 2015.

Click baby blue highlight for details regarding PHANTACEA Mythos print publications.

Virtually all of this material will be available at extraordinary shows-only prices of $10.00 per novel and/or graphic novel, plus $5.00 per mini-novel and/or original Phantacea comic books (while supplies last).

Promo prepared for upcoming release of Helios on the Moon by Jim McPherson, 2014

Double-click to enlarge; the better to read if you do. Artwork is from the two Phantacea Revisited graphic novels.

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Belatedly Noted: Nuck Drags Recommended (for reading, not smoking, though they are hot)

Seems Stevo recommended “Nuclear Dragons“,  the second entry in the Launch 1980 story cycle, way back in December 2013. Seems also pHantaJim, Blogmeister didn’t find out about it until today:

Front cover for Nuclear Dragons, artwork by Ian Bateson, 2013; banner at top added by Jim McPherson, 2014, for digital versions of the novel

Crystallion leads Hell’s Horsemen against Centauri Island


Stevo’s Monthly Picks (Read-Only Folder)  –  December Book Recommendations (182 views): http://forums.delphiforums.com/stevo1/messages?msg=189.1

Nuclear Dragons by Jim McPherson, creator/writer, and Ian Bateson, cover artist (Phantacea Publications, $20.00)

The Launching of the Cosmic Express took place on Centauri Island at the end of November 1980. It was destroyed … Or was it? No matter. Its destroyers thought it was. And they’re not done yet.

Who or what can stop them? The Menace on the Moon? Silver-armoured Signal System? Supra-Clones? Loxus Abraham Ryne, the eighty year old head of SPACE (‘The Society for the Prevention of Alien Control of Earth’)? A couple of middle-aged, newly-minted supranormals named Doc Defiance and Mr. No Name?

A twenty-seven year old who neither knows who his parents were nor what an Amoeba Man was? An obesity who knows far more than he should but is disinclined to share that knowledge with anyone, not even his own son? Or maybe, just maybe, a notorious little trickster who has been seven years old for something like sixty years!

Truth told: How can anyone stop Nuclear Dragons!

(Also in the series: “The War of the Apocalyptics”)


Stevo also recommended “Goddess Gambit” but pHantaJIm heard about that not all that after when it came out.

Phantacea Publications logo utilizing a Sun-Moon wooden Carving spotted and shot by Jim McPherson, 2014

Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times

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pHanta-Sites pHinally pHone pHriendly

Of course Webmeister Oz always insisted they were but Google Analytics begged to differ. Actually it didn’t beg anything. It just generated an email and sent it to Oz.

More here.

Welcoming portal for pH-Webworld as of Spring 2015

Entry port for pH-Webworld, first appeared in the 2015 Spring update

BTW, pH-Webworld has been online since 1996. It’s where Jim McPherson, the creator/writer of the Phantacea Mythos, deposits most of the notes and graphics he comes up with re his characters, concepts and storylines.

The Serendipity and Phantacea entries should not be missed. Additional worthwhile lynx can be found from the Glossary page as well as, as one might expect, both the Menu and Features pages.

Happy reading, even if it is on your phone and not a big TV or computer screen.

 

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Helios on the Moon Press Release

Poster to accompany Helios on the Moon press release; utilizes cover from both Phantacea Revisited graphic novels and the three full-length novels making up the Launch 1980 story cycle, prepared by Jim McPherson, 2014

Poster prepared to accompany Helios on the Moon press release; utilizes covers from both Phantacea Revisited graphic novels and the three full-length novels making up the Launch 1980 story cycle

PRESS RELEASE                                                   FOR IMMEDIATE RELEASE

Jim McPherson’s long term project to novelize the Phantacea comic book series culminates with “Helios on the Moon”

VANCOUVER, BC: “Helios on the Moon”, the climactic entry in the ‘Launch 1980’ story cycle, doesn’t just pick up where its predecessors, “The War of the Apocalyptics” and “Nuclear Dragons”, left off. It fills in the blanks they left behind, then blazes onto its own startling conclusion of Phantacea Phase One.

A multi-character extravaganza that’s cosmic in scope, yet very much earth-centric, it takes off with the Cosmic Express on the Thirtieth of November 1980, veers to the far-off planetary Utopia of Weir then, finally, rages back to both sides of the Whole Earth ten days and many lost lives later.

This is the rest of the stunning storyline only touched on during the two Phantacea Revisited graphic novels: “The Damnation Brigade” and “Cataclysm Catalyst”. With a surprise addendum to “Goddess Gambit”, Book Three of ‘The Thrice-Cursed Godly Glories’ epic trilogy, this is the rest of the story as it happens on the Moon, beyond and, indeed, below it.

And if you think Jim McPherson’s Phantacea Mythos is only going through a phase, you’re right. But what a fantastic phase it is.

For more information contact:

Phantacea Publications
74689 Kitsilano RPO, 2768 West Broadway, Vancouver BC, V6K 4P4
Primary website: http://www.phantacea.com

Phantacea Publications logo utilizing a Sun-Moon wooden Carving spotted and shot by Jim McPherson, 2014

Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times

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Modern mythology meshed with the ancient

Recall this fellow (http://phantacea.com/blog/?p=695) from the Louvre museum in Paris? It’s most of two thousand years old.

Mithras slays the bull, image taken from web

Mithras slays the bull, image taken from web

Unfortunately it may not be in the Louvre anymore — at least Jim McPherson, the creator/writer of the Phantacea Mythos, couldn’t find it when he was there in June 2014. (Plenty of his shots from Paris are on pHanta-pHlickr starting here, with commentary from your faithful blog-meister.)

However, aka Generic, as opposed to geriatric, Sol and Generic Luna live on here …

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

and here …

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

The two fellows in opposite corners at the top of both collages are, yes, Helios the Sun God and Mnemosyne the Moon Goddess as they looked all those centuries ago in Imperial Roman times.

(Generic Luna is sometimes erroneously called Selene. She’s not to be confused with the Silver Signaller who uses Selene as her code name, though that’s the latter day Greek goddess where she got it from.)

In terms of the Phantacea Mythos, Helios and Mnemosyne are two of its cornerstone characters, without whom there would be no such a thing. (pH-Webworld = Modern Age Mythology.) They’re the the time-tumbling Dual Entities; of whom much, much more can be found here, with even more lynx.

As for the six internal collages themselves, more on them currently links from here; double click to enlarge in a separate window. Just bye the bye, both collages have been added to the ever-growing heading banners of, you guessed it, pHantaBlog.

You can also buy the buy “Helios on the Moon“, the climactic entry of the ‘Launch 1980’ story cycle and, indeed, of Phantacea Phase One itself. Order online, with credit card, here or direct from the publisher here.

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Three fronts and a back

“Helios on the Moon”, the climactic entry in the ‘Launch 1980’ epic fantasy, is almost ready for print.

(Lynx to many excerpts from the novel, yet another breathtakingly exciting ensemble piece from Phantacea Publications, are here; more on the trilogy is here and here.)


The back cover looks and reads well but still can’t decide on front. What’s your favourite? Kindly make your choice and add a comment at bottom of page.

The front cover depicts what’s become of Thunder and Lightning Lord Yajur, the onetime Unity of Order, 500 years after his last appearance in “Janna Fangfingers“. He’s advancing menacingly on the Male Entity, Heliosophos (Helios called Sophos the Wise).

The She-Sphinx, All of Incain, is beside Helios. The UNES Liberty is in lunar orbit with Planet Earth in the background. The Liiberty was mentioned in “Nuclear Dragons“. All appeared throughout ‘The Thrice-Cursed Godly Glories’ trilogy, but made her biggest splash in “Feeling Theocidal“.

The Dual Entities have never appeared, at least not explicitly, in any of the Phantacea Mythos novels thus far released by Phantacea Publications. They are, however, among the Cornerstone Characters in Jim McPherson’s Phantacea Mythos (of whom much more is here).

The first front cover is as provided by the artist, Ricardo Sandoval.

Front and back artwork by Ricardo Sandoval, 2014; text and layout by Jim McPherson

Potential covers, with spine, for Helios on the Moon, the multiple character, 2014 Phantacea Mythos mosaic novel that concludes the Launch 1980 fantasy epic


The second front cover incorporates the outer space background used in the mock-up used most recently on pHantaBlog here. The She-Sphinx, All of Incain, is also whiter than in other two covers.


The third front cover goes back to the first sphinx but meshes the Earth from the first and the outer space of the second.


The back cover text now reads:

The Dual Entities return to their own timeline determined to make life perfect for everyone.

Heads are bound to roll!

Scientists first detect signals coming from outer space in early 1978. Finally there is proof humanity isn’t alone. A month later, they pinpoint the source. Elation gives way to near-panic. The beams are coming from the Earth’s moon!

The United Nations’ Security Council agrees to meet this off-worldly intrusion aggressively. The result, the UNES Liberty, is already in lunar orbit when, on the Thirtieth of November 1980, the launching of the Cosmic Express takes place on the Outer Earth’s Centauri Island.

At the same time, three Great Goddesses preside over an extraordinary session of the Courtroom of the Visionary in the far off Utopia of New Weir. Meanwhile, on the Inner Earth of Sedon’s Head, the Hidden Continent’s most revered Death Gods prepare to welcome home the entirety of their fragmented family, devils almost to a one.

From the creator/writer of the Phantacea Mythos comes the culmination of the ‘Launch 1980’ story cycle. Plus, a surprise addendum to “Goddess Gambit”, the concluding novel in ‘The Thrice-Cursed Godly Glories’ fantasy masterpiece.

As for who’s depicted under the text on the back cover, that’s here.

Back cover, minus text, for "Helios on the Moon"; artwork by Ricardo Sandoval, 2014s

Background images for back cover of “Helios on the Moon”; text and obligatory boxes at bottom to be added; artwork by Ricardo Sandoval, 2014

 

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