Back Blurb Flag-Poled

Back Cover Text for “Helios on the Moon”

Don’t expect any salutes but reckon tentative-it deserves a run-up anyhow.

Text will override Ricardo Sandoval’s bas-relief figures on Helios as Sol, All of Incain, Moon Memory as Luna, the Unity of Order, Doc Defiance, Cosmicaptain Starrus, the Indescribable Mr No Name and Mnemosyne as Strife.

Comments welcome at bottom.

Back cover, minus text, for "Helios on the Moon"; artwork by Ricardo Sandoval, 2014s

Background images for back cover of “Helios on the Moon”; text and obligatory boxes at bottom to be added; artwork by Ricardo Sandoval, 2014

The Dual Entities return to their own timeline determined to make life for everyone not just vastly better but perfect.

Heads are sure to roll.

Scientists first detected signals coming from somewhere out in space in early 1978. Their excitement was palpable. Finally they had proof humanity wasn’t alone in the cosmos. Then, about a month after their initial detection, the source was pinpointed. Elation immediately gave way to near-panic. The beams were coming from the Earth’s moon!

In an extraordinary session of the Security Coun­cil, the United Nations agreed to meet this off-worldly intrusion aggress­ively. The result, the UNES Liberty, is already in moon orbit when, on the Thirtieth of November 1980, the launching of the Cosmic Express takes place on Centauri Island.

At the same time, on the far off Utopia of New Weir, three Great Goddess preside over the latest session of the Courtroom of the Visionary. Meanwhile, on the Hidden Continent of Sedon’s Head, the Death Gods of the Frozen Lathakra prepare to welcome home the entirety of their fragmented family, devils almost to a one.

From the creator/writer of the Phantacea Mythos comes the culmination of the ‘Launch 1980’ story cycle, plus a surprising addendum to “Goddess Gambit”, the final book in ‘The Thrice-Cursed Godly Glories’ fantasy masterpiece.

Covers and/or splash panels reflecting action recounted in "Helios on the Moon"

Front covers for pH-2 and pH- 4Ever&40 graphic novel bracketing splash panel from pH3; artwork by Gordon Parker, 1978; Peter Lynde, 1978; and the two Ians, Fry and Bateson, 1990

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Marketing Muddle


Here’s a line from “Feeling Theocidal“, the first book in ‘The Thrice-Cursed Godly Glories’ epic trilogy that ended last year with the release of “Goddess Gambit“.

5 collages prepared for the Goddess Gambit web page

A variety of collages prepared by Jim McPherson for the Goddess Gambit web page

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The speaker is Tralalorn, the demon child (at least according to Mithras, whom she’s addressing in 4376 YD). As becomes clear in “Nuclear Dragons“, she’s the one who ‘devolved’ Pandora Mannering and Augustus Nauroz in 5920 YD.

She thereby rendered them the perpetual children, Hush ‘n’ Gush (among many other names and nicknames), they still were in 19/5980 when ‘Gambit’ and the ‘Launch 1980’ story cycle are set:

“Muddle the puddle, daddy, that unkind of hurt the squirt.”

Hush and Gush, art by Ian Fry ca 1989

The faerie tricksters also known as Young Life and Young Death, as sketched out by Ian Fry circa 1989

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There’s also this, from the same source:

The third eye in the Steg’s forehead bulged, whereupon it tore out of the Sari Witch and into the Master’s prison pod. Which promptly detonated, hurtling Helena onto her backside. Despite the dampness of the garden’s ground, the Master was more muddled than muddied.

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Which (finally) brings us to a link sent in by an off-blog correspondent: http://www.theguardian.com/books/2013/aug/27/self-publishing-showcase-tasha-harrison/print

Not sure what to make of her experiences. I for one think she’s underselling her output. All the years and all the time she put into writing her books and she’s reduced to selling them as e-books for 99p a pop.

Even if she sold 2000 of them at 35%, as she claims in the article, that doesn’t amount to much, maybe 700 pounds sterling. (Not a bad return on nothing, I suppose, if you consider writing and ancillary tasks nothing.)

She does make a couple of good points, though. As a fellow marketing muggle (pardon the reference to Harry Potter movies), I certainly appreciate this one: “Overall, finding the time to market my books and write the next one is the biggest challenge – there just aren’t enough hours in the day.”
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Yet it has to be done. Or as I say to myself over and over again as I try to figure out how best to market “Nuclear Dragons”:

‘One way or another I shall muddle through.’

Potential b/w ad for Nuclear Dragons, prepared by Jim McPherson, artwork by Ian Bateson 2013

Potential b/w ad for “Nuclear Dragons”, artwork by Ian Bateson, 2013, rendered grey for b/w reproductions

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