Tit-Bottom — Fuseli at Tate Britain

Way back in the Winter 2005 update of pH-Webworld there appeared a few graphics re Phantacea’s Rainbow, Gloriel D’Angelo Dark.

Collage featuring Gloriel - D-Brig's Radiant Rider; prepared by Jim McPherson, 2005

An almost version of this collage, as prepared by Jim McPherson in the mid 20-Noughts has been on pH-Webworld for just as long

Fuseli's Titania and Bottom, shot at the Tate Britain by Jim McPherson, 2017

Actually called ‘Titania and Bottom’, it was done by Henry Fuseli circa 1790

Two of the collages utilized an image cut out from Henry or Heinrich Fuseli’s ‘Titania and Bottom’, the post-titular Tit-Bottom.

One of the collages and a doctored shot of said Tit-Bottom are to either side of this paragraph.

Even though she showed up, howsoever briefly, in both “Helios on the Moon” and “Decimation Damnation“, some might consider D-Brig’s Radiant Rider an underused character.

Might be right, too.

Close up of Titania from the Fuseli painting shot in Tate Britain by Jim McPherson, 2017

Faerie Queen Titania and companions to the right of dancer and ass-headed Bottom

Sooth as always said, at least out here on pHantaBlog, Jim McPherson, the creator/writer of the Phantacea Mythos, henceforth referred to as ‘I’ or ‘me’, might agree with you as well. However, she is mentioned in “Hidden Headworld”, which might be out by the time you read this.

Talk about briefly, here’s the extent of it:

So, not Sedon: ordinary mortals, albeit ones capable of manifesting gargoyles (grotesques) off their eye-staves, daring to take on Death’s Angels and those who’d come up here with the Diver via All of Incain. Among them, much to his shock and queasy knees, were five members of what was left of his very own Damnation Brigade, including the wondrous Gloriel, Radiant Rider, arguably their most singly powerful member.

Why were they involved? Were they actually joining forces with Sed’s men? What no doubt possessive madness was making them willing to die in a futile effort to fight them off?

Then Blind Sundown and Raven’s Head split in two … dozens of times!

The date, BTW, was the 14th of Tantalar 5980, which is about as far into “Wilderwitch’s Babies” as Games goes.

Some of Fuseli's faerie children shot at the Tate Britain by Jim McPherson, 2017

Isolation shot from bottom left hand corner of Tit-Bottom (presumably) featuring some faerie children

Fuseli’s a personal favourite. ‘Great Night‘, from the front covers of “The Death’s Head Hellion” and “Decimation Damnation” is one of his. So is the ‘Night Hag‘ from pH-Webworld‘s Summer 2004 entry on Primeval Lilith, who appears a whole lot more often than Gloriel.

Close up bottom right of Titania and Bottom, taken by Jim McPherson in the Tate Britain, 2017

The faerie creatures at the right hand corner of Tit-Bottom

This is one of them.

Eggs were eminently edible. Baaloch Hellblob was only egg-shaped; was also Sinistral Sloth of Satanwyck. Then again the Highchair of Hell shouldn’t have been akin to a griddle either. It was hot; too hot for sitting. Demons were notoriously flammable. Lord Lazy had never moved so fast. Recovered, uneaten. Look up at Highchair.

“Now what?” he demanded of its occupant, a mass of darkness in a female shape.

“Ass-end of Hell?” said occupant wondered. “Does that make this its Hell-Mouth?”

Bottom? Ass-head? Guess I’ll leave it at that.

Full Cover Mockup for "Hidden Headgames", prepared by Jim McPherson, 2017,

Full Cover Mock-up for “Hidden Headgames”; proper font and background images to be added prior to publication

 

 

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Feel Theo at the Tate Britain

Well, not literally, but close.

Harryhausen's Perseus Strangling Medusa, photo taken in the Tate Britain by Jim McPherson, 2017

Perseus using his shield as a mirror in order to avoid looking directly at the Medusa. Shades, once again, of “Feeling Theocidal” , though it didn’t happen exactly that way when he, a deviant, tangled with his devic half-dad, a Great God, at the end of Feel Theo. Looks like the Amateramirror, with the Susasword on the ground . — taken at the Tate Britain by Jim McPherson in late August 2017

Harryhausen's Pegasus, taken at the Tate Britain by Jim McPherson, 2017

Chrysaor Attis, from “Feeling Theocidal“, was known as the Universal Soldier, but he was also many of the heroes of mythology, including Perseus. At least he was according to the Phantacea Mythos. He called his ride ‘Peg‘.  Not very imaginative of him but, hey, when you’re a product of imagination you can’t expect to have much of one yourself. — taken by Jim McPherson at the Tate Britain in late August 2017.

A lot of 2008’s “Feeling Theocidal“, Book One of ‘The Thrice-Cursed Godly Glories epic trilogy, was at least partially inspired by the Perseus cycle of myths.

In pHantacea-pHact its deviant protagonist, Chrysaor Attis, who was born circa 2000 BCE on the Inner Earth of Sedon’s Head, was once Perseus himself.

He rode a pterippus by the name of Peg, not Pegasus. He wielded the Six Great Godly Objects including a golden sword known as the Susasword and a shield-cum-mirror known as the Amateramirror.

Like their sister object, the Crimson Corona, which causes the Untouchable Diver no end of trouble in “Hidden Headgames”, they shone with the telltale glow of Brainrock when in use.

What isn’t as well known in terms of Greek Mythology is their connection not only to each other but to Medusa herself:

Chrysaor was the brother of the winged horse Pegasus and son of Poseidon and the Gorgon Medusa. When Medusa was decapitated by Perseus, both Chrysaor and Pegasus were born at the same time. Little is known about Chrysaor; he was considered a stout-hearted warrior, and his name means “he who bears a golden sword”.

… from Chrysaor – Greek Mythology (https://www.greekmythology.com/Myths/Creatures/Chrysaor/chrysaor.html)

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Another model of Medusa made by Ray Harryhausen and shot in the Tate Britain by Jim McPherson, 2017

Harryhausen’s Medusa, a model for his 1981 film ‘Clash of the Titans’. The model’s behind glass. The painting in background is John Martin’s “Great Day of his Wrath”. Phantacea’s Medusa (Mater Matare, from “Feeling Theocidal“, “The War of the Apocalyptics” and the comic books did not have a serpentine tail. More re pHant’s Medusas here: shot at Tate Britain by Jim McPherson in late August 2017.

Harryhausen's Medusa, shot by Jim McPherson at the Tate Britain, 2017

Close up of one of Harryhausen’s Medusa models. Again it was behind glass, but still looks nasty.

Don’t recall if this was mentioned in Feel Theo but do recall that Attis’s half-parents were the time-tumbling Dual Entities (Heliosophos and Miracle Memory) whereas his devic half-parents were Thrygragos Varuna Mithras and his Ewe for Aries Fitna Marutia (also Kanin Marut, Kore-Discord).

{She grew up (down?) to become none other than Strife, a possessive ‘virus’ last seen in “Nuclear Dragons“, the second entry in the epic Launch 1980 fantasy trilogy.}

One of Harryhausen's sketches of Scylla, photo by Jim McPherson, 2017

Harryhausen’s version of Scylla. As per “Hidden Headgames”, Aortic Merthetis gave the future Fisherwoman that as a first name when she found her, a newborn, in the Belly of the Beast (Island Leviathan) in 5918 Year of the Dome. In terms of our time count that’s almost a hundred years ago now. The eye-stalks are called ommatophores. John Sundown ended up wearing a pair near the end of “Decimation Damnation“. They were a trap. Rather, they were intended to be a trap for him. More here re that.

Isn’t much of an assumption to suggest Attis was named by the Entities, who being from the (then) future knew their myths. Had even lived one, his Second, as Phoenician-born Cadmus, founder and long-serving king of Grecian Thebes.

(Heliosophos, the Male Entity, believed he was in his Seventh Lifetime around 2000 Year of the Dome, our 2000 BC. His time as Cadmus, also brother of Europa, hence the continent’s name, took place 500 years later, around 2500 YD, our 1500 BC. Time-tumblers do that sort of thing.)

Somehow doubt Ray Harryhausen would have known about the Phantacea Mythos when he did ‘Clash of the Titans‘ in 1981, though Phantacea One did come out in 1977. (As boldly stated on its front cover, the release of “Hidden Headgames” marks the {gulp!} 40th anniversary of the Phantacea Mythos in print.)

Still, with these shots, it’s hard to ignore the connection. All the more so when Pyrame Silverstar, another of the main devic characters in Feel Theo is about to make a big time return to the print canon with the release, later on this month, of said “Hidden Headgames”.

Model of a skeletal warrior by Ray Harryhausen, shot in Tate Britain by Jim McPherson, 2017

Model of a skeletal warrior prepared by Ray Harryhausen for his film, 1981’s Clash of the Titans. Note the Medusa head on its shield. It’s a skeletal gorgon. Taken by Jim McPherson at the Tate Britain in August 2017

Pyrame’s hardly the only familiar pHace to pHanta-pHans who’s back in Games. Sooth as always said, at least on pHantaBlog, virtually everyone who appears in Games has done so before.

Tate Placards re Harryhausen Exhibit, taken by Jim McPherson, 2017

Placards quoting Harryhausen re his sketches of Charybdis and Scylla

That includes the fabulous, ever-fishifying Fisherwoman, whose birth name was Scylla Nereid. As also per “Goddess Gambit” and towards the end of “Decimation Damnation“, unless you’re a fan of monsters she’s vastly better looking than Harryhausen’s Scylla.

Still, yet again, when you walk into a free show at the Tate Britain, in August 2017, barely a couple of months before Games is due to go on sale, you not only have to start shooting (photographs) you have to do a pHantaBlog on a few of them.

So have a few more to finish. Have to say, as a last word, the bronze looks more like his Charybdis than his Scylla.

Harryhausen Bronze nominally of his Scylla, taken at Tate Britain, 2017

Looks more like his sketch of Charybdis. Since Arisandesam, the Conqueror Worm, once Sinistral Gluttony of Satanwyck, has a brief mention in “Hidden Headgames” might use in future to represent him/her.

Placard quoting Harryhausen, taken by Jim McPherson at the Tate Britain, 2017

Note Harryhausen’s explanation as to why ‘Force of the Trojans’ was never made

Harryhausen's sketch of Charybdis, taken by Jim McPherson at the Tate Britain, 2017

Harryhausen’s sketch of Charybdis, made as part of a pitch for a movie tentatively entitled ‘Force of the Trojans’ that never got made

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Croatian Covers 4 Hidden Headgames

So why’s the fact it’s raining in Dubrovnik, after ferocious thunder storms last night and more in forecast, make us happy Jim McPherson, the creator/writer of the Phantacea Mythos, carted his Mini-Mac with him while on a ‘not writing, traveling’ sabbatical?

Backcover for "Hidden Headgames"

Headgames back cover pieced together on a rainy day in Dubrovnik, Croatia

Because we get this for pHantaBlog. Too bad his mini-mac didn’t have the right font on it or all the links for background images. Means print version won’t be identical but it’ll be close.

Text probably won’t be changing. It’ll just fit together better:

The creator of the Phantacea Mythos presents three intertwined novellas leading up to and into “Wilderwitch’s Babies”

Set entirely on the Inner Earth of Sedon’s Head, ‘Hidden Headgames’ tells untold tales of a wide swath of characters who came to feature in “The Thrice-Cursed Godly Glories” and “Launch 1980” epic fantasies.

Who was behind Crystallion, Hell’s Horsemen and their Nuclear Dragons? How could the Dual Entities survive ‘Helios on the Moon’? What became of Cosmicar 6?

Vignettes, verisimilitudes and at least one vampire setting up and carrying on “Phantacea Phase Two”

Full Cover Mockup for "Hidden Headgames", prepared by Jim McPherson, 2017,

Full Cover Mockup for “Hidden Headgames”; proper font and background images to be added prior to publication

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Finally, a front cover option for Hidden Headgames

Mock up done on Photoshop of potential front cover for "Hidden Headgames", cover collaage prepared by Jim McPherson, 2017

Mock up done on Photoshop of potential front cover for “Hidden Headgames”

Black and white version of Potential Front Cover for Hidden Headgames. prepared by Jim McPherson, 2017

Black and white version of potential front cover for “Hidden Headgames”

Took awhile to get to it, took even longer to get a presentable version of same, but here goes. Comments welcome at bottom.

As for the images that went into the cover collage, once again the background is of the Borealis Brolly spotted online and shot in Finland by Tina Tormanen,

It paired up nicely with another photo of the Northern Lights, this one shot in Iceland by Tom Mackie in 2014. The former was taken from the Web whereas the latter was scanned in from the May 2015 issue of Fortean Times.

Photograph by Tom Mackie in Iceland, 2014, scanned in from the May 2015 issue of Fortean Times; Nihila artwork by Verne Andru, 2012; banner prepared by Jim McPherson, 2015

Photograph by Tom Mackie in Iceland, 2014, scanned in from the May 2015 issue of Fortean Times; Nihila artwork by Verne Andru, 2012; banner prepared by Jim McPherson, 2015

Northern lights with distinctive umbrella shape; photo attributed to Tina Tormanen, taken from Web

From Tina Tormanen’s “Magical Photos” as spotted on the web

The main reference is to a sequence that first appeared at the end of 2012’s “Goddess Gambit“. It reappeared, and indeed carried on, in 2014’s “Helios on the Moon“. It’s back in “Hidden Headworld”, albeit this time (at least at first) from Fisherwoman’s perspective after Freespirit Nihila jettisoned her.

The female figure representing the fused duo was spotted online. It was taken at the 2015 Burning Man festival held in Death’s Valley toward the end of August every year. (At least I assume it’s still being held.) Not sure who took it, but  assume the original was entitled “The Burning Woman”.

Graphic entitled Nihila Nereid -- Borealis Brolly, prepared on Photoshop by Jim McPherson, 2017 using images taken from the Web

At the end of 2012’s “Goddess Gambit“, Freespirit Nihila took over Fisherwoman for awhile. This act of desperation came into play again during 2014’s “Helios on the Moon“. In “Hidden Headgames” we pick on their stories after they separate.

Hieronymus Bosch's Prince of Hell from the Garden of Earthly Delights

Hieronymus Bosch apparently visited Satanwyck (Sedon’s Temple) towards the end of the Headworld’s Fifty-Fifth Century. In terms of the Phantacea Mythos, this is his version of its Prime Sinistral or a surrogate sitting on the Highchair of Hell

Added a gradient to her and doubled the borealis brollies surrounding her for the text version of this collage. As for the Bosch, it’s from the Garden of Earthly Delights. It currently resides in Madrid’s Prado Museum, though it might have moved by the time you read this.

One might recall that a young man called Bosco was one of the dreadfully contagious Outer Earthlings collected during the course of “Contagion Collectors“, the second mini-novel extracted from “The 1000 Days of Disbelief“.

Apparently he visited Sedon’s Temple (Satanwyck, Hell on Earth) while he was on the Inner Earth in his mid-twenties.

The Drumheller (Alberta) T-Rex, image taken from Web

T Rex shot in Alberta’s Drumheller Bad Lands. Might be an Albertasaurus. Representative of Saurlord Klizarod Rex of Sedon’s Head’s Lake Lands, part of his left eyebrow, area sometimes called Sedon’s Sweat Glands for fay-fairly-silly reason

Highly venomous serpent with wide open mouth, image taken from Web

Wide-mouth, highly venomous serpent used, in terms of the Phantacea Mythos, to represent Daemonicus-Smiler, the Forgettable Fiend

Evidently a bird demon was occupying the Highchair of Hell at the time. Chronologically speaking, that  probably makes her Sinistral Lust (Beguiling Belialma) or one of her lackeys.

She was certainly a playful shape-shifter in her time, some of which was highlighted during the course of The Thrice-Cursed Godly Glories epic trilogy. Was way beyond it, too.

As the saying often heard during the open-ended saga of “Wilderwitch’s Babies” goes, in September 1953 Lady Lust came to town (Vancouver Canada), leaving Mother Maternity behind.

As per all of the above, one therefore has to allow Bosco some degree of leeway in his depiction of her. Ordinarily Hell’s Belle was much more appealing to behold. Just ask Abe Chaos (Unholy Abaddon) and his father, the Great God Everyman (Thrygragos Lazareme), about that.

If you can find them, that is. Which, come to think of it, you probably wouldn’t want to do.

Caldera of the Kilauea volcano, image taken from Web

The lava lake filling the caldera of Sedon’s Peak is mostly made up of molten Brainrock. Anvil the Artificer uses it to make devic power foci like the Trigregos Talismans

Even though neither the Drumheller (Alberta) Tyrannosaurus (unless it’s an Albertasaurus) or the wide-mouth, highly venomous serpent have three eyes, they’re meant to represent, respectively, Saurlord Klizarod Rex (the devil-god worshipped by Saudi Tethys, the stomping Steg Sari from “Feeling Theocidal“) and none other than the Forgettable Fiend (Smiler-Daemonicus).  Both appear in “Hidden Headgames”, the latter more so than the former.

The lava lake has to be the caldera of Sedon’s Peak, filled as it is with molten Brainrock. Anvil the Artificer (Tvasitar Smithmonger, the devic Prometheus) uses it to make devils their power foci, aka Tvasitar Talismans. Its fumes are also good for debraining demons.

3-eyed Ornamental Skull from Tibet, image taken from Web

Tibetan skull with three eyes probably meant to represent Yima, King Death. Used to represent King Harvest (Yama Nergal), the Mithradites’ Grim Reaper who features in all three parts of “Hidden Headgames”

(Good for devils, who take over their subtle matter bodies; bad for the demons. Mind you, being mostly all body and no soul, they aren’t very bright to start with.)

Last heard from in “Goddess Gambit” he returns in “Hidden Headgames”. So does his erstwhile girl friend, the Mirror Mentalist (Klannit Thanatos), who goes on to make such a nuisance of herself in “Decimation Damnation“.

The fancy Tibetan skull with the three eye-holes may well be a representation of Yima, an Asian God of Death. He’ll double, almost precisely, for Yama Nergal, the Mithradites’ Grim Reaper, also known as King Harvest.

In this regard, here’s a quote taken from “Acquiring Nihila”, the third part of “Hidden Headgames”:

“Unlike the unspeakable spooks, who looked uniformly two-eyed anthropomorphic, as if they were once human or humanoid bipedal, Death’s (hooded) skull had a third eye-hole. Presumably he presented as much considerately, just in case the Diver had any doubts about his race. If devils could be considered a race, that is, and not an entirely inhuman life form.”

Phantacea Publications logo utilizing a Sun-Moon wooden Carving spotted and shot by Jim McPherson, 2014

Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times

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Unhiding more Heads

As “Hidden Headgames” moves closer to print, have some more interior images, colour to b/w.

Colour version of the Hidden Headgames Interior Cover, prepared by Jim McPherson, 2017

Colour version of the Acquiring Nihila graphic with Hidden Headgames title

Black and white interior cover for Hidden Headgames, prepared by Jim McPherson, 2017

As combination of long-serving graphics on pH-Webworld – Including Tsishah Twilight, Siqueiros’s ‘New Democracy” and three-eyed Pyrame type blowing on globe

The full cover version of the interior  cover featuring the overall “Hidden Headgames” title, as well as the titles for its three constituent story sequences: “The Forgotten Fiend”, “Pyrame’s Progress” and  “Acquiring Nihila”.

The images that went into these graphics have all been used previously on pH-Webworld. Most made up the tentative cover for “Tsishah’s Twilight“, which wasn’t so much abandoned as never got finished.

Current plans remain for a full-length novel of that title, although it won’t come out before “Daemonic Desperation“, the next mini-novel excerpted from the open-ended saga of “Wilderwitch’s Babies“.

Tentative Cover for "Tsishah's Twilight", prepared by Jim McPherson in 2004 using images taken from the web

Tentative Cover for “Tsishah’s Twilight”, prepared by Jim McPherson in 2004 using images taken from the web

Jim McPherson also prepared an alternative poster more so than cover for “Hidden Headgames”. It took out the two heads representing Shahiyeda and her mother, Sorciere (Solace Sunrise become Sundown), from “The Vampire Variations” web-serial.

Variation on Interior Cover for "Hidden Headgames", prepared by Jim McPherson, 2017

Variation on Interior Cover for “Hidden Headgames”, minus the overall title. It adds representations of the fauna, Pusan Wanderlust, and the Female Entity, Miracle Maenad, both of whom feature in Games

Collage made up Icelandic Northern Lights face, Venice's female faun and Mexico City's Mnemosyne stature, prepared by Jim McPherson, 2017

The Miracle Memory figure is from Mexico City’s Bellas Artes Opera House, the female faun was spotted and shot in Venice, 2008, whereas the face in the Northern Lights was shot in Iceland and taken from Web.

They were replaced with a shot reminiscent of Pusan Wanderlust taken in Venice back in 2008 and a relatively recent shot (2016) from outside Mexico City’s Bellas Artes Opera House suggestive of the Female Entity, Phantacea’s Miracle Memory.

The background in both cases were the astonishing Northern Lights Show taken in Iceland that showed up in Fortean Times 327 and formed the basis for a nifty entry in Serendipity and ...

It’s coupled with Verne Andru’s equally nifty Nihila, as taken from the cover of 2012’s “Goddess Gambit” whereas the bare-breasted Nihila figure was spotted and shot inside the aforementioned Bellas Artes opera house in Mexico City.

Page 25 from pH-5, Verne Andrusiek artwork, 1980

First appearance of Freespirit Nihila from Phantacea 5, Verne Andrusiek artwork, 1980

Datong Harmonia, the Unity of Panharmonium, superimposed over Siqueiros's New Democracy, prepared by Jim McPherson, mid-200s

Datong Harmonia, the Unity of Panharmonium, superimposed over Siqueiros’s New Democracy (Nueva Democracia) as photographed in Mexico City’s Bellas Artes Palazio in mid-200s

By the famed muralist, David Alfaro Siqueiros (1896-1974) it’s been representing Datong Harmonia, Freespirit Nihila’s precursor, on pH-Webworld for a number of years. (Nihila herself debuted in 1980’s Phantacea Five, as reprinted in “Phantacea Revisited 2: Cataclysm Catalyst“, artwork by Verne Andrusiek, nowadays Verne Andru.)

The three-eyed woman blowing on the globe was also taken in Mexico City during a stopover there in 2005. It’s highly suggestive of Pyrame Silverstar, a featured character in “Feeling Theocidal“, though she also appeared in “The Death’s Head Hellion“.

Black and white version of the Hidden Headgames interior cover without the title,prepared by Jim McPherson, 2017

Variation of the “Hidden Headgames” interior cover, albeit w/o the title

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Lovely Lily — Lethal Lilith

In “Decimation Damnation“, the first mini-novel extracted the open-ended saga of ‘Wilderwitch’s Babies‘, we met Miss Murk, Mad for Mud Magpies. She had a number of other names or designations, possibly even Queen Gomorrah, of Sodom and Gomorrah fame.

A Hiawatha Tiger Lily, photo by Jim McPherson, 2017

Hiawatha Tiger Lily shot in the pHantaGarden, July 2017, double-click for surprise head looking at you

Her real name, though it takes awhile to confirm during “Hidden Headgames” (mostly because Pyrame Silverstar, who wants her back, denies she really is who she really is), is Lilith, as in Primeval Lilith, the Demon Queen of the Night.

As per “Helios on Moon“, she was Miracle Memory’s rival for the affections of Heliosophos, the Male Entity, when he was the second biblical Adam, also known as Alorus Ptah in the Phantacea Mythos. That made her the mother of Cain, Slaver of Abel.

Montage prepared by Jim McPherson, 2015; lettering reads "Lovely Lily -- Lethal Lilith"

Montage that reads “Lovely Lily — Lethal Lilith” is meant to be representative of Demon Queen Lilith, who appears, howsoever-briefly, in the final two parts of “Hidden Headgames”

Also made her the Lovely Lily to, in all likelihood, the real King Sodom

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Unhiding Graphics

Entry first appeared on pHantacea on pHacebook 17-07-17. So many sevens has to make it a lucky publication, right? Actually I’d be happy if it just sold well.

Double-click on image to take you to the commentary. Might night to belong to Facebook, though.

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Here’s another post, from a couple of days before, Just in case you were curious about what publication’s up next.

Phantacea Publications logo utilizing a Sun-Moon wooden Carving spotted and shot by Jim McPherson, 2014

Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times

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That’s Europa Heliopolis, not the continent or Jupiter’s moon, at least not entirely

Graphic reads "Annuling Nihila", prepared by Jim McPherson

2012 composite graphic prepared by Jim McPherson utilizing artwork for Verne Andru and Pacheco, as spotted and shot in Merida ca 2010. Nihila will be reappearing in “Hidden Headgames” this year (2017)

Lower insert taken from pHantacea on pHacebook using the embed feature. Something of an announcement to note herein. More once “Hidden Headgames” gets nearer to its release date.

In the meantime have another graphic ==> and a different set of lynx connecting the one below.

Freespirit Nihila appears in the sequence promised below, which marks the return of Europa Heliopolis to the Phantacea Mythos after a fifteen to twenty year absence.

Hit here for a couple of mentions of Europa during the “Aspects of Amoebaman” web-serial and here for a 5980 spoiler that may or may not have made it to “Decimation Damnation“.

Something like it will certainly make it to “Hidden Headgames”, however.

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Cathead Coming

Kind of nifty. Like the three eyes. Not so sure about the cat’s head, though there is a Cathead in the Phantacea Mythos, hence why it’s on pHantaBlog.

Goes by the Illuminary given name of Cathune Bubastis. She’s the Apocalyptic of Drought and, yes, she does have three eyes. She’s also the brood sister of Pyrame Silverstar and the devil child Tralalorn, who might actually be a self-determinedly never-aging demon child.

Based on an Egyptian Goddess from the second millennia BC, if not earlier, Drought  has a linchpin role in “The Forgotten Fiend”. (Hit here if you’ve forgotten who he is,) Or does she? Hmm …

Fiend’s a story sequence originally written to lead into “The War of the Apocalyptics“.
It’s one of the three now interlinked ‘preludes’ or extended vignettes that conspired to form “Hidden Headgames”. In its case that’s mostly because it got tired hunkering down inside PHANTACEA computers with nowhere else to go since the early 90s.

BTW, the other two sequences are “Pyrame’s Progress” and “Acquiring Nihila”. The latter’s titular character appeared throughout “Goddess Gambit“. Plus, somewhat less pivotally, showed up ‘bigly’ in “Helios on the Moon“.

The titular character in the former mainly features in “Feeling Theocidal“, where Tralalorn also struts her stuff. And her Chimera.  Pyrame also has fairly significant roles in both “The Death’s Head Hellion” and “Contagion Collectors“.

Headgames is coming in late Spring, early Summer 2017 from Phantacea Publications.

Not sure how well this will work if you’re not also on Facebook, but hit the play button and see for yourself. If it doesn’t click into psychedelic action immediately, the ‘https’ link beneath image should get you to the ‘woo’ animation.

 

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