Mock up done on Photoshop of potential front cover for “Hidden Headgames”
Black and white version of potential front cover for “Hidden Headgames”
Took awhile to get to it, took even longer to get a presentable version of same, but here goes. Comments welcome at bottom.
As for the images that went into the cover collage, once again the background is of the Borealis Brolly spotted online and shot in Finland by Tina Tormanen,
It paired up nicely with another photo of the Northern Lights, this one shot in Iceland by Tom Mackie in 2014. The former was taken from the Web whereas the latter was scanned in from the May 2015 issue of Fortean Times.
Photograph by Tom Mackie in Iceland, 2014, scanned in from the May 2015 issue of Fortean Times; Nihila artwork by Verne Andru, 2012; banner prepared by Jim McPherson, 2015
The main reference is to a sequence that first appeared at the end of 2012’s “Goddess Gambit“. It reappeared, and indeed carried on, in 2014’s “Helios on the Moon“. It’s back in “Hidden Headworld”, albeit this time (at least at first) from Fisherwoman’s perspective after Freespirit Nihila jettisoned her.
The female figure representing the fused duo was spotted online. It was taken at the 2015 Burning Man festival held in Death’s Valley toward the end of August every year. (At least I assume it’s still being held.) Not sure who took it, but assume the original was entitled “The Burning Woman”.
At the end of 2012’s “Goddess Gambit“, Freespirit Nihila took over Fisherwoman for awhile. This act of desperation came into play again during 2014’s “Helios on the Moon“. In “Hidden Headgames” we pick on their stories after they separate.
Hieronymus Bosch apparently visited Satanwyck (Sedon’s Temple) towards the end of the Headworld’s Fifty-Fifth Century. In terms of the Phantacea Mythos, this is his version of its Prime Sinistral or a surrogate sitting on the Highchair of Hell
Added a gradient to her and doubled the borealis brollies surrounding her for the text version of this collage. As for the Bosch, it’s from the Garden of Earthly Delights. It currently resides in Madrid’s Prado Museum, though it might have moved by the time you read this.
One might recall that a young man called Bosco was one of the dreadfully contagious Outer Earthlings collected during the course of “Contagion Collectors“, the second mini-novel extracted from “The 1000 Days of Disbelief“.
Apparently he visited Sedon’s Temple (Satanwyck, Hell on Earth) while he was on the Inner Earth in his mid-twenties.
T Rex shot in Alberta’s Drumheller Bad Lands. Might be an Albertasaurus. Representative of Saurlord Klizarod Rex of Sedon’s Head’s Lake Lands, part of his left eyebrow, area sometimes called Sedon’s Sweat Glands for fay-fairly-silly reason
Wide-mouth, highly venomous serpent used, in terms of the Phantacea Mythos, to represent Daemonicus-Smiler, the Forgettable Fiend
Evidently a bird demon was occupying the Highchair of Hell at the time. Chronologically speaking, that probably makes her Sinistral Lust (Beguiling Belialma) or one of her lackeys.
She was certainly a playful shape-shifter in her time, some of which was highlighted during the course of ‘The Thrice-Cursed Godly Glories‘ epic trilogy. Was way beyond it, too.
As the saying often heard during the open-ended saga of “Wilderwitch’s Babies” goes, in September 1953 Lady Lust came to town (Vancouver Canada), leaving Mother Maternity behind.
As per all of the above, one therefore has to allow Bosco some degree of leeway in his depiction of her. Ordinarily Hell’s Belle was much more appealing to behold. Just ask Abe Chaos (Unholy Abaddon) and his father, the Great God Everyman (Thrygragos Lazareme), about that.
If you can find them, that is. Which, come to think of it, you probably wouldn’t want to do.
The lava lake filling the caldera of Sedon’s Peak is mostly made up of molten Brainrock. Anvil the Artificer uses it to make devic power foci like the Trigregos Talismans
Even though neither the Drumheller (Alberta) Tyrannosaurus (unless it’s an Albertasaurus) or the wide-mouth, highly venomous serpent have three eyes, they’re meant to represent, respectively, Saurlord Klizarod Rex (the devil-god worshipped by Saudi Tethys, the stomping Steg Sari from “Feeling Theocidal“) and none other than the Forgettable Fiend (Smiler-Daemonicus). Both appear in “Hidden Headgames”, the latter more so than the former.
The lava lake has to be the caldera of Sedon’s Peak, filled as it is with molten Brainrock. Anvil the Artificer (Tvasitar Smithmonger, the devic Prometheus) uses it to make devils their power foci, aka Tvasitar Talismans. Its fumes are also good for debraining demons.
Tibetan skull with three eyes probably meant to represent Yima, King Death. Used to represent King Harvest (Yama Nergal), the Mithradites’ Grim Reaper who features in all three parts of “Hidden Headgames”
(Good for devils, who take over their subtle matter bodies; bad for the demons. Mind you, being mostly all body and no soul, they aren’t very bright to start with.)
Last heard from in “Goddess Gambit” he returns in “Hidden Headgames”. So does his erstwhile girl friend, the Mirror Mentalist (Klannit Thanatos), who goes on to make such a nuisance of herself in “Decimation Damnation“.
The fancy Tibetan skull with the three eye-holes may well be a representation of Yima, an Asian God of Death. He’ll double, almost precisely, for Yama Nergal, the Mithradites’ Grim Reaper, also known as King Harvest.
In this regard, here’s a quote taken from “Acquiring Nihila”, the third part of “Hidden Headgames”:
“Unlike the unspeakable spooks, who looked uniformly two-eyed anthropomorphic, as if they were once human or humanoid bipedal, Death’s (hooded) skull had a third eye-hole. Presumably he presented as much considerately, just in case the Diver had any doubts about his race. If devils could be considered a race, that is, and not an entirely inhuman life form.”
Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times