Tethys Talks Tura … 500 years ago

Could have as easily been talking turkey in the sense of ‘To speak frankly about the basic facts of a matter’.

Black and white covers of the various Phantacea comics and graphic novels

Black and white covers of the various Phantacea comics and graphic novels published in 2013

Plus, it is apple-approaching Zmas Day hereabouts, or would be if the Weirdom of Cabalarkon is still around; if indeed the Hidden Continent of Sedon’s Head still is … In which case the title could read “Tethys Talks Turkey all sorts of centuries ago”.

(Double-click for enlargements.)

Jordan Tethys, aka the legendary 30-Year Man, was (is?) the self-described hero of “The Thousand Days of Disbelief”.

Cosimo Tura (c. 1430 – 1495) was an Italian early-Renaissance painter. London’s National Gallery has a bunch of his artwork. Now, so does pHantaBlog.

"The Thousand Days of Disbelief", 2010 cover collage prepared by Jim McPherson

Unpublished cover, black and white version, for “The Thousand Days of Disbelief“, 2010 collage prepared by Jim McPherson

In this excerpt, taken from “Contagion Collectors”, the Legendarian‘s talking to APM All-Eyes, a Byronic Master Deva, about Morgan Abyss, the Melusine Master of Weir, who was  occupied by Pyrame Silverstar circa 4824/5 Years of the Dome.

It kind of belies his claim to be 1000-Daze’s hero since he doesn’t make it beyond his fatal encounter with Pyrame-Morgan’s other visitor in the first chapter of “The Death’s Head Hellion”.

Tura's Caliope, painted ca 1470, shot at the National Gallery in London by Jim McPherson, August 2017

Once known as “An Allegory of Spring”, this painting appeared on the cover of “The Death’s Head Hellion

No matter, he’d obviously been around long enough prior to said encounter to have painted her:

“I can see I opened a can of worms. And I don’t mean the ones sticking out from under your cap. What do you think she’s up to?”

“Morgan Abyss? Funnily enough I saw a picture of her the last time I was on the Outer Earth. I’ve heard it called ‘An Allegory of Spring’ but I spoke to the artist, an Italian fellow by the name of Cosimo Tura, and he said it was of Calliope, the Muse of Epic Poetry. He’d been commissioned to do a bunch of paintings of the Nine Muses and said Calliope’s quill was standard for images of her.”

Toothy fish to Calliope's right atop throne

Toothy fish to Calliope’s right on throne

“As well as images of you.”

“Too true. Anyhow, what wasn’t standard was Master Morgan’s throne, all those toothy dolphins, or whatever they are. Morg had a throne just like that; one she’d had handmade by her own fish-folks, Melusine craftsmen the lot.” She gave him one of those looks of hers – a very unsettling look given how many eyes she could manifest. “Or craftswomen of course.” This seemed to satisfy her so he felt free to carry on.

Toothy fish to Calliope's left atop throne

Toothy fish to Calliope’s left on throne

“Even weirder, it looks to me like he copied his Calliope from one of my own paintings, one that still hangs in Cabalarkon. Don’t ask me how he learned of it. He claimed it came to him in a dream, which might be the weirdest thing yet. And you don’t have to take my word for it either. Unless he bit the big one in the last few months, he’s still alive. Maybe you could get more out of him. I’m no devil.”

“So you keep insisting. But what’re the chances of any of us even bothering? We don’t visit Italy when we’re out there; isn’t in our bailiwick. Besides, that isn’t what I asked.”

“No, you asked me to what I think Morg’s up to in that painting. Except it isn’t a matter of thinking, is it? It’s a matter of historical record …

Cosimo Tura's St Jerome as shot in London's National Gallery in August 2017 by Jim McPherson

Cosimo Tura’s St Jerome as shot in London’s National Gallery in August 2017

Well, it is and isn’t.

Certainly would be if you’d read “The Death Head Hellion”, which of course you still can; purchase it, too. And “Contagion Contagion”, the second mini-novel extracted from “The 1000 Days of Disbelief”, Book Two of the epic “Thrice-Cursed Godly Glories” fantasy trilogy.

Tura's Virgin with Child as shot in London's National Gallery in August 2017 by Jim McPherson

Tura’s Virgin with Child; apparently the angels are playing a celestial organ, not a tower of power

But what’s with Tura’s toothy throne fish? Decided to have a closer look when visiting London’s National Gallery in August 2017. Now that the Nat allows pictures I decided move on up to the front of the queue and zoom right in on some of them.

Close up of throne fish near Calliope's left leg with cave behind it, shot by Jim McPherson in London's National Gallery in August 2017

One of Tura’s throne-fish; behind it is a cave with someone (Jordan Tethys?) scribbling on a slate

What did I spot behind bottom most throne fish by Calliope’s left foot but a cave or entrance way of some sort (to the Hidden Headworld?) and a man scribbling on a tablet or pad of paper.

The placard says it’s a blacksmith in a cave but surely to PHANTACEA it’s got to be Jordan Tethys scribbling away on his getaway slate.

Close up of Tura's angels playing a celestial organ, taken in London's National Gallery by Jim McPherson, 2017

Close up of Tura’s angels playing a celestial organ

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While we’re here. Rather, while I was there, I took a few more Turas.  Might as well leave them here until I figure out what else to do with them.

Thumb Up on Trafalgar Square plinth,photo taken by Jim McPherson, August 2017

2017’s occupant on the changeling plinth in front of London’s National Gallery

Finally, for now, am forced to say  ‘thumb up’ for London’s National Gallery for allowing pictures inside and having a solitary thumb up statue on a massive plinth outside it in Trafalgar Square.

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Golden Fish Lightpost spotted and shot in London near Thames embankment by Jim McPherson, August 2017

A threesome of not so toothy fish (dolphins?) on a light stand near the Thames embankment a few blocks away from Trafalgar Square; spotted and shot in late August 2017

Should mention that Tura’s throne fishes seem to be contagious.

Have a couple of more shots: the first of a light stand down from Trafalgar Square near the Thames embankment and the second of a flower container in Hyde Park across the street from  Lancaster Gate.

Dolphin-type grinned out of a concrete flow contained spotted and shot in Hyde Park near Lancaster Gate in late August 2017 by Jim McPherson

Dolphin-type grinning out of a concrete flower container spotted and shot in Hyde Park near Lancaster Gate in late August 2017

They don’t have Tura’s toothiness, true, but it’s hard not to argue that they were inspired by Calliope in the National Gallery a few blocks away one way or the other.

As for what else was outside the National Gallery that day in late August 2017, how about a Golden Golem and, yes, the Grim Reaper?

One of a number of 'street performers' spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017 by Jim McPherson

One of a number of ‘street performers’ spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017

(Perhaps not the best fellow to be visiting given what had happened to the famous fellow represented atop the big tower in the centre of Trafalgar Square in 1805.

One of a number of 'street performers' spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017 by Jim McPherson

One of a number of ‘street performers’ spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017

(Or what happened not all that far away thanks to an intentionally wayward lorry driven up onto a sidewalk on London Bridge a couple of months earlier in June.)

In theory if you can’t get them to move then you have to toss them a coin, minimum of a pound Sterling. Wasn’t a game I played.

Besides there were plenty of worthies outside the Nat and I wasn’t about to toss all of them a pound.

Had already donated a fiver to the gallery in order to keep it otherwise free.

A pair of not so toothy fish (dolphins?) spotted and shot on a light stand near the Thames embankment a few blocks away from Trafalgar Square as spotted and shot in late August 2017 by Jim McPherson

A pair of not so toothy fish (dolphins?) spotted and shot on a light stand near the Thames embankment a few blocks away from Trafalgar Square in late August 2017

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Zmas Day … Seasonal Sharing

Tis the season …

Here’s the rest of it:

For everyone who came by the Phantacea Publications table at Van Expo last weekend and expressed disappointment that we weren’t taking debit or credit cards, here’s the link you wanted: http://www.phantacea.info/phorder1.htm#contents. The automated lynx to order encrypted PDFs are built into the table proper: http://www.phantacea.info/phorder1.htm#table. As per usual the email link will require verification that you’re human, but that doesn’t take more than a few seconds.

Unfortunately there’s no way to order anything with just a single click. However, there are other lynx at the bottom of every page that have that capacity. Plus, Phantacea Publications’ distribution system should work anywhere in the world. Just ask your local bookseller to call up the book by title and/or author. Won’t be able to order autographed copies anywhere else, though. Details of postage costs will come by return email within a day or two.

Oh, and this is the link to the actual eye in the sky: http://www.phantacea.info/seren3.htm#samePage

What season, you might ask? At which point I might answer, well, in “Decimation Damnation” it was called Zmas Day. Might also share this:

Serendipitously enough, they were speaking about shape-shifting on Tempo (CBC Radio 2)  just as I was about to type … Plus this:

Want more? Happy to share this, too

Screen shot ordering lynx taken from http://www.phantacea.info/#update

Tricky way of demonstrating fact that pH-Webworld‘s been updated for Sharing Season 2017

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Even Hirst at his Excessive Worst is better than …

Reviews were all but universally terrible but, being in Venice while the exhibit was running, at two locales simultaneously, proved too much for Jim McPherson, the creator/writer of the Phantacea Mythos, to resist in September 2017.

Have three posts that first appeared on pHantacea on pHacebook, plus a couple of bonus shots. Commentary mostly taken from Phantacea Publications Facebook Page.

Scroll down for reiteration of images and comments …

Banner outside the entrance to the gallery, shot by Jim McPherson in Venice, September 2017

Shot in Venice, September 2017, the plaza is called the same as the gallery, Palazzo Grassi

Colossus somewhat unimaginatively called 'Demon with a Bowl (Exhibition Enlargement); shot in Venice Italy by Jim McPherson in September 2017

Damien Hirst’s colossal conceit is somewhat unimaginatively called ‘Demon with a Bowl (Exhibition Enlargement). Henceforth shall be referred to as Colossus

<== To the left is a shot of the banner for “Treasures from the WRECK of the Unbelievable. Damien Hirst” exhibit running in September 2017. Spotted and shot by Jim McPherson outside the Palazzo Grassi in Venice Italy.

It’s the second venue for the show but the first visited. Exhibit ran from 09/04/2017-03/12/2017

==> According to the brochure that came with admission, the image to the right (which needs a good clicking to fully appreciate its sheer, laugh-out-loud immensity) is somewhat unimaginatively called ‘Demon with a Bowl (Exhibition Enlargement).

Hirst Colossus, taken from second level of Palazzo Grassi gallery by Jim McPherson, September 2017

Colossus adjusted to bring out contours better, taken from the second level of the gallery inside the Palazzo Grassi

Sooth further said, enlargement is something of an understatement. For one thing, even in the narrative it’s just (?) an outlandish copy of a much more sensibly sized golem: “It seems … the figure served as a guardian to the home of an elite person.” In ancient Mesopotamia, also according to accompanying brochure.

<== To the left is a frontal view of the supposedly Mesopotamian Colossus as taken from the second level of the Palazzo Grassi. Some tinkering with the levels on Photoshop has brought out, for the better, the demon’s contours.

Hirst's demon taken from the gallery's third level

Back shot of Hirst’s Colossus taken from the third level of the gallery and looking downward

The squiggles and encrustations are artistic conceits perhaps left in to indicate the original lay “… submerged in the Indian Ocean for some two thousand years before the site was discovered in 2008.”

==> To the immediate right is a back shot of the colossus looking down, down, down from the 3rd level of the Palazzo Grassi. Once again the conceit of the artist, not to mention the demon’s forgers, is that the original was found underwater, hence the coral and other encrustations.

Hirst's sea monster seen through window and shot by Jim McPherson in Venice, September 2017

Sea Monster seen through the window on an upper floor of the Palazzo Grassi. It appears to be rising out of the Grand Canal

<== Looking through window on an upper floor of the Palazzo Grassi in September 2017 and what does one see but a sea monster rising out of Grand Canal. Note the Ca Rezzonico palazzo on the other side. It comes highly recommended for its massive gallery of Eighteenth Century Italian artwork.

Upshot of Colossus taken by Jim McPherson in September 2017 in Venice Italy

Shot looking up at Hurst’s Colossus from the ground level

==> To the right and again looking up, way up, from the ground level is a shot put on Facebook just to see if its censors were watching.

Supposedly the Colossus was and is anatomically correct. Or at least as proportionately correct as a 60-foot bronze behemoth could be.

(Again according to the brochure, it’s a facsimile of the original, which wasn’t at the Palazzo. Might have been at the other venue, Punta della Dogana, across the Grand Canal a few stops south of the San Samuele vaporetto dock.)

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Encrusted Mickey Mouse, photo of a wall slide taken by Jim McPherson, September 2017

Evidently Mickey, Goofy and, yes, even a scene from Jungle Book (?) were hauled out of the depths after spending two thousand or so years submerged

<== Have to ask, if it sank nearly two thousand years ago: What’s Mickey doing on the Unbelievable? Time warp, perhaps? Could be Disney partially funded Hirst’s extravaganza and wanted some of their characters to join in the very expensive fun.

Which sounds like something only a cynical dullard would say. Sorry about that, Damien.

Shot of underwater shot of a unicorn's skull and horn, taken by Jim McPherson, September 2017

Supposedly an underwater shot of a unicorn’s skull and horn

==> As for the shot to the immediate right of his paragraph, is that really what’s become of the skull and horn of a unicorn after two thousand years?

Might it be a Raven’s Head type from the Phantacea Mythos? For comparison have lynx to the covers for Forever & Forty Days – The Genesis of PHANTACEA and Phantacea Revisited 1: The Damnation Brigade, both of which have Raven’s Head on the cover.

Underwater Colossus, shot of a shot, taken by Jim McPherson, 2017

Presumably the original Colossus taken while still submerged

<== Colossus doesn’t look quite so large in this slide. Could there be two of them? Contextually speaking it’s more likely this is the original.

Shot of a shot of an idol taken undersea with diver's bubbles, Jim McPherson, 2017

Goddess idol taken underwater complete with diver’s bubbles; suggestive of D-Brig’s Sea Goddess

In terms of the Phantacea Mythos, can’t be Catastrophe (Headless Ramazar, the Apocalyptic of Sudden Destruction, a head shot of whom shows up a cpuple of paragraphs down), from the comics and novels, notably “The War of the Apocalyptics“. Too underdressed.

==> Tempted to say the shot of a shot to the upper right represents Thalassa D’Angelo, unless it’s Thalassa Thanatos, D-Brig’s Sea Goddess, notably from the obverse cover of pH-3, artwork by Ian Bateson​ 1978.

Too bad there’s only a hint of a third eye on the sunken idol. Like the bubbles, though.

Andromeda screams as Jaws leaps out of rock to eat her, taken by Jim McPherson, 2017

Andromeda’s chained to a rock screams while Jaws leaps out of ground intent upon eating her

<== Jaws butts in on the Kraken. Andromeda doesn’t look too pleased either way.

Five covers from Phantacea comics or graphic novels, artwork by Ian Bateson except for pH-5 which Ian finished over Verne Andru's original black and white cover

Plenty more on the Phantacea Comic Book series and graphic novels can be found here: http://www.phantacea.com/one2six1.htm#logo

Wasn’t the best shot taken so darkened the background and greyed up some of the sides in hopes of bringing out characters better.

==> Something of Sea Goddess’s skinniness in Hirst’s Andromeda, too. Except D-Brig’s Sea Goddess would just state-shift into her watery element and get away instead of wasting time screaming.
As for what she could then do to either Jaws or the Kraken should she decide to come back … well, best leave that to your imagination.
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Close up of Hirst's Andromeda Screaming, part of the blue diorama based on myth of Perseus, shot by Jim McPherson, 2017

Andomeda is (silently) screaming so hard she turned the whole oversized diorama blue.

Diorama entitled Andromeda and the Sea Monster, shot taken by Jim McPherson, September 2017

Background darkened to bring out the three main characters of Andromeda, Jaws and the Kraken; the whole diorama really is blue for whatever reason

<== The elaborate diorama is not only huge it really is blue. As per shots later, and one put up last week, Andromeda really isn’t headless. She is chained, however, and does seem to have an extra hand in this shot.

==> Needs to do a Nihila and break loose pretty damn soon. Jaws and the Kraken look ravenous and could care less about social media.

Datong Harmonia, the Unity of Panharmonium, superimposed over Siqueiros's New Democracy, prepared by Jim McPherson, mid-200s

Datong Harmonia, the Unity of Panharmonium, superimposed over Siqueiros’s New Democracy (Nueva Democracia) as photographed in Mexico City’s Bellas Artes Palazio in mid-200s

<== Reference above is to what’s become of Datong Harmony as of Tantalar 5980. Google up Nueva Democracia for the unadulterated Siqueiros or just hit here: https://www.google.ca/search?q=nueva%20democracia&dcr=0…:

Demonic Head by Damien Hirst, shot by Jim McPherson, 2017

Severed head of a demon supposedly dredged up then cleaned prior to going on display

==> Only one mobile head in the Phantacea Mythos and that’s Bodiless Byron. He isn’t called the Unmoving One because he can’t get around — he can, by sheer force of will.

He’s called Unmoving Byron because no part of his face moves when he speaks, via a form of thought transference, through his mouthpieces … Sedona Spellbinder in The War of the Apocalyptics and APM All-Eyes in Hidden Headgames

Head supposed excavated in 1932, shot by Jim McPherson at the 'Unbelievable' exhibit in Venice,

Different shot of Damien Hirst’s demonic head. Brochure says it was excavated in the Tigris Valley back in 1932

<== Although definitely demonic I’m not sure this huge head would even fit atop the headless Colossus let alone if it really belongs there.

The accompanying brochure says it was tentatively identified as Pazuzu, a googleable Mesopotamian demon, and that it was unearthed in 1932 in the Tigris Valley. (Pazuzu had something to do with the horror movie entitled “The Exorcist”, may have even been the possessive devil who drove the girl to such head-turning extremes.)

Skull and long horn by Damien Hirst and co, shot by Jim McPherson, 2017

Dried out and scrubbed clean skull and horn might have belonged to a unicorn according to exhibit brochure

==> Also not sure if this really would pass for the skull and extended horn of a ravendeer in the Phantacea Mythos. Then again the exhibit’s claim that it belonged to an actual unicorn is arguably even more fanciful.

Skull and long horn by Damien Hirst and co, shot by Jim McPherson, 2017

Another view of a dried out and scrubbed clean skull and horn might have belonged to a unicorn according to exhibit brochure

<== Another view of the unicorn’s skull and broken horn unearthed (unwatered?) near the sunken wreckage of the Unbelievable. Skull looks like something you’d rub and expect three wishes from the genie wafting out of it.

Full wraparound cover for pH-40, artwork by Ian Fry and Ian Bateson, ca 1990

Full wraparound cover for pH-40, artwork by Ian Fry and Ian Bateson, ca 1990

NOTE:  The best in-colour, pictorial example of a ravendeer — Raven’s Head? — appears on the cover of 1990’s “Forever & 40 Days – The Genesis of PHANTACEA. Raven’s Head the character has her biggest role to date in Decimation Damnation.

In pHanta-pHact she appears in all of the 19/5980 novels and mini-novels. She even does a cameo, in her multitude, near the end of Hidden Headgames. It’s in Dec-Dam, the opening entry in Phantacea Phase Two, that she shows the petulant side of her nature.

Still encrusted 'Diver', so-called, by Damien Hirst; scanned in from a postcard bought at 'Unbelievable' exhibit in Venice, 2017

Still encrusted ‘Diver’, so-called, by Damien Hirst; scanned in from a postcard bought at ‘Unbelievable’ exhibit in Venice, 2017

<== Yehudi Cohen, D-Brig’s Untouchable Diver, is another long-serving character who reappears in Dec-Dam (after vanishing, then inexplicably, during Helios on the Moon“). He has a much more significant role than Raven in Games.

Hirst's Medusa scanned in from a postcard bought at 'Unbelievable' exhibit, September 2017

According to the brochure, among the fourteen venomous serpents represented are the African rock python, horned viper and coral snake

Have to say, though, that Hirst’s Diver, so-called, looks more female than male. Still, it’d be remiss not include it in post re treasures of the ‘Unbelievable’.

==> As for Hirst’s Medusa, the accompanying brochure claims that “fourteen of the world’s most venomous snakes … crown the Gorgon’s petrified features.”

Might have to add this one to the longtime pHanta-pHeature Medusa’s I have met.

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End post … for now!

A Photoshop collage prepared by Jim McPherson, 2017, using graphics mostly taken from Web

A Photoshop collage prepared by Jim McPherson, 2017, using graphics mostly taken from Web

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McPhersonal Mask Wall — Then and Now

Not sure I like the embed feature on FB for this sort of thing. Best scroll down and I’ll copy and paste the rest of the original posting(s) from pHantacea on pHacebook dated October 30 & 31, 2017.

Obviously both were posted to mark Halloween as well as the imminent anniversary of All Death Day on the Hidden Continent of Sedon’s Head (assuming it’s still around).

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2009 Mask Wall showing five occupants that are still there

pHant Central’s Wall mask is a lot more crowded these day but this lot (taken in 2009) are still on it, though the big fellow only half in this shot has moved to the other side of speaker on adjacent wall above book shelf

Mask bought in Mexico, mid 1990s, known as Double Mouth for reasons's obvious to look at

Mexican Double Mouth wearing Panamanian Bird Cap (for pinheads)

Date for shot to paragraph left is Sept 30, 2009. The Harpo type is an original. The Toothy fellow to his right is from Panama whereas the big blue nose is a Punchinello Comedia del Arte mask purchased in 2008 during first visit to  Venice, where he’s very popular. Has been for centuries.

Also from Sept 2009 series of snaps, Double-Mouth’s bird cap came from a heritage house on the outskirts of Panama City. Needless to say, him having two mouths there’s no point in talking out of both sides of either/or when he can do it with both mouths at the same time.

Not sure where the frond fan came from but a frond is Baaloch Hellblob, Sinistral Sloth’s power focus, even though he uses Viceroy Ibal’s Evil Eye in “Hidden Headgames

Ecuadorian Maximon Type bought in 1998 that broke in suitcase

The fellow in the rain hat came from Ecuador in 1998. Clearly didn’t fare very well in suitcase upon return

2012 mask wall in pHant Central

Mask Wall has filled out considerably since 2009. Shot taken in 2012 looks somewhat unfocused for some reason.

Main mask in 2009 shot was bought in Ecuador in the late 90s. Reckon he was originally a Maximon type, assuming Incas had a Maximon type. Clearly he didn’t fare well in suitcase on return flight. Always found it interesting that Inca is a word jumble for Cain, whom no one was allowed to kill if memory serves.

Above right: 2012 mask wall. The fellow at the very bottom is from Costa Rica. Violated $50.00 limit to buy him. Fortunately he was lacquered because Canada Customs took him out of bag to test for mites and insect larvae.

2005 Mask Wall in Jim McPherson's pHant Central

First shot found of pHant Central’s Mask Wall in Digital Library. It’s from 2005. Might be more in Photo Albums but didn’t feel like looking

They didn’t do that with coconut heads, two of which came from Puerto Vallarta whereas the little coco-head (coke-head) beside blue nose came from other side of Mexico in a different Puerto, Morales.

Date on photo to the left is Oct 5, 2005. The two masks wearing hats are originals bought in Zihuatanejo Mexico in mid 90s. The ape figure wears a hat these days whereas the goatish Furie figure with the long horns is from Guatemala.

Any wonder why Wilderwitch stays away from Jervis Murray when he’s in Dervish mode? He’s now hiding behind Double Mouth. A couple more like him are in the Fur Mask row here.

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Here’s the earlier post on pHant Central’s Mask Wall, also embedded using Facebook coding. It’s dated 30 October 2017. As per 2011’s “Janna Fangfingers“, All-Death Day occurred on Maruta 1, 5494, the equivalent of our November 1, 1494.

On that date, thanks to the Unities of Chaos and Order — who, as we only found out (for sure) in “Helios on the Moon“, were doing Sedon’s bidding, hence its subtitle ‘Sedon’s Purge’ — there were more Dead Things Walking on the Inner Earth of Sedon’s Head than there were Living Beings Talking.

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October 2017 Mask Wall in Jim McPherson's pHant Central, taken in October 2017

pHant Central’s Mask Wall in 2017, taken shortly after return from second time in Venice, hence the two new masks

Mask wearing a hat suggestive of Mars Bellona, pHant's Apocalyptic of War

One of the four original masks, bought in Zihuatanejo, Mexico, in early to mid 1990s

To immediate left, pHant Central’s Mask Wall encroaching on book shelf in October 2017.

Note the gargoyle photo on third shelf from bottom and the solitary eyeball above it. Many of masks wear sunglasses and hats to protect themselves from sheer brightness of computer they look at all day.

The box atop the speaker contains the manuscript for “The Moloch Manoeuvres“, which Phantacea Publications doesn’t feel like publishing for some reason. (Might it have something to do with Jim McPherson not wanting to edit something that long, let alone chop anything sizable out of it?)

Monster mask bought in Playa del Carmen, Mexico, suggestive of Count Molech

Mask bought in Playa del Carmen, Mexico, in late 90s or early 20-Noughts that’s suggestive of Count Molech near the end of “The Moloch Manoeuvres”

Mask to the upper right bought in Zihuatanejo Mexico, in mid-90s. Couldn’t resist buying because it so clearly resembled Mars Bellona, the Apocalyptic of War, from pH-3, as he first appeared in Phantacea Publications at least 15 years earlier. Mask was one of four that started the whole collection.

Maximon mask bought in Guatemala in early 2000s

Mask of Maximon, who despite looking white is a modern day Mayan deity

Mask to the upper left looks like what becomes of Count Molech near the end of ‘The Moloch Manoeuvres’. And yes, there are two different spellings … Molech refers to a highly unconventional stage magician in Rome Italy in January 1938 whereas the Moloch refers to the Moloch Sedon, who doesn’t even appear in the book.

Mask wall in late October 2017

Another shot of pHant Central’s Mask Wall as it was in late October 2017

May do in a couple of the follow-up pH-Webworld serials, however; more here.

The mask to the upper right is Maximon, the modern day Mayan deity of Conspicuous Consumption as well as Decadent Delights. Probably got his broken nose (hence the bandage) in transit from Guatemala sometime in 90s.

Five covers from Phantacea comics or graphic novels, artwork by Ian Bateson except for pH-5 which Ian finished over Verne Andru's original black and white cover

Plenty more on the Phantacea Comic Book series and graphic novels can be found here: http://www.phantacea.com/one2six1.htm#logo

Note the middle section of pHant Central’s Mask Wall in late October 2017. The three-faced golden mask in lower centre and the bronze, jawless mask to its right and up a row were picked up in Venice back in Sept 2017.

Finally, just in case you doubted it, here’s a shot of the obverse side of pH-3, artwork by Ian Bateson, 1978. It was a flip-floppy — a comic that contained two storylines: Helios on the Moon and, on the flip-side half, that of the Damnation Brigade as they appeared during the War of the Apocalyptics.

All of the latter has been collected in 2013’s Phantacea Revisited trade paperback.

 

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Tit-Bottom — Fuseli at Tate Britain

Way back in the Winter 2005 update of pH-Webworld there appeared a few graphics re Phantacea’s Rainbow, Gloriel D’Angelo Dark.

Collage featuring Gloriel - D-Brig's Radiant Rider; prepared by Jim McPherson, 2005

An almost version of this collage, as prepared by Jim McPherson in the mid 20-Noughts has been on pH-Webworld for just as long

Fuseli's Titania and Bottom, shot at the Tate Britain by Jim McPherson, 2017

Actually called ‘Titania and Bottom’, it was done by Henry Fuseli circa 1790

Two of the collages utilized an image cut out from Henry or Heinrich Fuseli’s ‘Titania and Bottom’, the post-titular Tit-Bottom.

One of the collages and a doctored shot of said Tit-Bottom are to either side of this paragraph.

Even though she showed up, howsoever briefly, in both “Helios on the Moon” and “Decimation Damnation“, some might consider D-Brig’s Radiant Rider an underused character.

Might be right, too.

Close up of Titania from the Fuseli painting shot in Tate Britain by Jim McPherson, 2017

Faerie Queen Titania and companions to the right of dancer and ass-headed Bottom

Sooth as always said, at least out here on pHantaBlog, Jim McPherson, the creator/writer of the Phantacea Mythos, henceforth referred to as ‘I’ or ‘me’, might agree with you as well. However, she is mentioned in “Hidden Headworld”, which might be out by the time you read this.

Talk about briefly, here’s the extent of it:

So, not Sedon: ordinary mortals, albeit ones capable of manifesting gargoyles (grotesques) off their eye-staves, daring to take on Death’s Angels and those who’d come up here with the Diver via All of Incain. Among them, much to his shock and queasy knees, were five members of what was left of his very own Damnation Brigade, including the wondrous Gloriel, Radiant Rider, arguably their most singly powerful member.

Why were they involved? Were they actually joining forces with Sed’s men? What no doubt possessive madness was making them willing to die in a futile effort to fight them off?

Then Blind Sundown and Raven’s Head split in two … dozens of times!

The date, BTW, was the 14th of Tantalar 5980, which is about as far into “Wilderwitch’s Babies” as Games goes.

Some of Fuseli's faerie children shot at the Tate Britain by Jim McPherson, 2017

Isolation shot from bottom left hand corner of Tit-Bottom (presumably) featuring some faerie children

Fuseli’s a personal favourite. ‘Great Night‘, from the front covers of “The Death’s Head Hellion” and “Decimation Damnation” is one of his. So is the ‘Night Hag‘ from pH-Webworld‘s Summer 2004 entry on Primeval Lilith, who appears a whole lot more often than Gloriel.

Close up bottom right of Titania and Bottom, taken by Jim McPherson in the Tate Britain, 2017

The faerie creatures at the right hand corner of Tit-Bottom

This is one of them.

Eggs were eminently edible. Baaloch Hellblob was only egg-shaped; was also Sinistral Sloth of Satanwyck. Then again the Highchair of Hell shouldn’t have been akin to a griddle either. It was hot; too hot for sitting. Demons were notoriously flammable. Lord Lazy had never moved so fast. Recovered, uneaten. Look up at Highchair.

“Now what?” he demanded of its occupant, a mass of darkness in a female shape.

“Ass-end of Hell?” said occupant wondered. “Does that make this its Hell-Mouth?”

Bottom? Ass-head? Guess I’ll leave it at that.

Full Cover Mockup for "Hidden Headgames", prepared by Jim McPherson, 2017,

Full Cover Mock-up for “Hidden Headgames”; proper font and background images to be added prior to publication

 

 

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House Head’s home going under

Hasanclef, 2003 … Have some lynx.

One’s a rollover in the Header here: http://www.phantacea.info/fallof03.htm#logo. There’s a comment on it further down the page (http://www.phantacea.info/fallof03.htm#graphics), wherein Hasanclef is spelled Hasankeyf, that makes mention of the coming dam, albeit fourteen years ago.

Tyrannosaurus Rock Rex (Coyote 9) was also taken there (http://www.phantacea.info/spring04.htm#coy9). If you’d care to linger on either page, even after all this time there are some very informative coyotes re early years of Phantacea Publications

Mention of a number of other structures being moved. Wonder if this fellow’s getting a reprieve. Doubt it somehow.

Ruins of a building in Hasankeyf, Turkey, shot by Jim McPherson, 2003

Hasan House Head shot in Hasankeyf Turkey in 2003 by Jim McPherson; probably underwater by now

Looks good with three eyes, too

Hasankyef House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

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Mercenary Martens Martyred at CERN

Warning: May contain disturbing images. Also gratuitous political commentary.

Scan from FT 350

Excerpt from a letter printed in Fortean Times 350 – February 2017

According to a letter printed in Fortean Times 350 (February 2017): “… the scientists/physicists at CERN are preparing to open wormholes connecting dimensions in the Universe despite pleas form Christian evangelicals who warn that this will release demonic entities into our world since Satan commands the Second Heaven.”

A month later FT 351 shows us the remains of a stone dead stone marten killed at CERN; said remains now being displayed at the Natural History Museum of Rotterdam. Evidently this marten sacrificed himself in November 20 of last year. The previous April another marten did a ditto.

Scan of part of article that appeared in March 2017 issue of Fortean Times re marten martyrs

Scan of part of article that appeared in March 2017 issue of Fortean Times re marten martyrs

Fortean analysis suggests CERN is under assault from evangelicals using marten mercenaries in an effort to prevent the Big Nasty popping through CERN’s dimensional portholes and thereby instigating End Times. This thus far not working they elected a twittery twat to end the world on their terms.

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Contacted pHantaBlog occasional reader living in vicinity of Geneva for comment. Got this back:

Locally the “stone martin” or “beach martin” is called a fouine. We have had trouble with fouines crawling into our car engines and eating electrical cables and brake lines. To the best of my knowledge they didn’t know that we worked at …, although it’s true that if they understand diplomatic plate numbering schemes that they could have figured it out.

Scan of full article from Fortean Times March 2017 issue re Fried Foutines

Scan of full article from Fortean Times March 2017 issue re Fried Foutines

The fouine on display at the museum in Rotterdam is one of two that were fried in CERN LHC-related electrical power stations over the past couple of years or so. There was also an incident of a bird (apparently a bird) dropping the remnant stub of a baguette into transformer in a place that was only accessible from above.

But I don’t actually believe that the local fauna is rising up against CERN. More likely they’re rising up against the large number of mega department blocks being built to feed the insatiable demand for housing around Geneva.

“Insatiable demand for housing around Geneva.” Sure that shouldn’t read Vancouver?

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Still no sign of Psycho — except on the Simpsons

Well, it worked last time up, so let’s try another …

Haven’t watched anything on Fox, not even football, for decades. Still this really is Psycho. Which is also the name of a Phantacea Mythos character, albeit as a brain in a box, last seen in “Nuclear Dragons“.

Having, thanks to his sister, Aranyani Nightingale, who first appeared nearly forty years ago in Phantacea 1 (September 1977, see back cover shot of Aran and a few others as drawn by Dave Sim way back then) avoided becoming a light snack, he’ll be back in quest of the rest of his body whenever “Destination Damnation” gets published.

“Hidden Headgames” will come out before it, though, later in year.

Seems there isn’t a handy shot of Psycho Saul Ryne from the PHANTACEA comic book series readily available. Remind with a comment below and there soon will be.

 

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Midwinter Meanderings Minus Maximon … also Minus Zero

In case you missed it yesterday on pHantaJim‘s pHacebook page …

January 12, 2017

Cold Snap-Shots – January 2017

Photo of Maximon Mask bought in 2003 probably in Guatemals

1. Photo of Maximon on pHantaJIm‘s mask wall, shot in early January 2017

Shot of person emerging from English Bay at Jericho Beach, photo by Jim McPherson, 170101

2. Jericho Beach Vancouver New Years Day 2017 Polar Person emerging from English Bay, RVYC, West End and North Shore mountains in background

Maximon Mask (1) thought it was too cold outside to come off the wall and go for a walk to Jericho Beach on New Years Day, so went bare-faced by myself. He was right about the cold, and the road-ice made for treacherous footing, but I made it down there in the early afternoon.

I don’t do polar bear swims but someone else did (2).

Shot of Jericho Beach's scary tree, taken by Jim McPherson, 170101

3. Shot of Herb Mire, Jericho Beach’s scary tree, taken 170101

Was old pal Herb Mire (3) shivering under his blanket of snow.

Kits Point arch, taken by Jim McPherson on 170112

4. Arch at Kits Point, with skaters, taken on 170112; arch is reminiscent of Poseidon’s Gate on Naxos in the Cycladic Islands of Greece

Might have been; still looked like he was stalking someone. Or was it something? Ducks on the frozen pond? A coyote in the underbrush trough, perhaps?

A week later a one-day rainstorm washed away a lot of the snow and melted most of the ice. The cold came back the next day, though, and shows no sign of leaving any time soon.

5, Vancouver's frozen over Kits Pool, shot by Jim McPherson on 170112

5, Vancouver’s frozen over Kits Pool, shot on 170112

So I went down to Kits Point to see if the teleportal (4) to Naxos, in the Cyclades, was working yet. It wasn’t. Weird how it never is whenever I try it.

Vancouver's Grouse Mountain shot across English Bay from Kits Point by Jim McPherson on 170101

6. Vancouver’s Grouse Mountain shot across English Bay from Kits Point on 170101

No one was swimming in Kits Pool (5). Mind you, no one was skating on it, either. Mountains looked nice (6).

Mexico, here I come!

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NOTE 1: More on Maximon can be found on Jim McPherson’s Travels page: El Retorno del Maximon;

Mock up for Helmoon Back Cover, 2013, prepared by Jim McPherson in 2013 using the Delphi Spinx

Mock up for Helmoon Back Cover, 2013, prepared by Jim McPherson in 2013 using the Delphi Sphinx

NOTE 2: Herb Mire, unnamed at the time, has appeared on pHantaBlog previously. Serendipitously it was posted on January 13, 2015, two years ago today: Marauding Mire Monster Shot.

Sphinx shot in the Delphi Museum, taken in 2012 by Jim McPherson

Sphinx shot in the Delphi Museum turns out to have been from the island of Naxos originally

NOTE 3: According to Wikipedia, what I was told was called Poseidon’s Gate, when I went to Naxos in 2004, is actually what’s left of the entrance to Apollo’s Temple.

Finally, since this is pHantaBlog, not pHantaJim‘s blog, I was surprised to discover that the Delphi Sphinx I used in one of my mock-ups for the back cover of “Helios on the Moon” is actually a Naxian sphinx.

Nothing on Wikipedia page as to why it ended up in the Delphi museum in time for me to get a shot of it in 2012.

Poseidon Gate on Naxos, shot by Jim McPherson, 2004, on island of Naxos in the Cyclades

Poseidon Gate shot on island of Naxos in 2004 turns out to be what’s left of the entrance to the Apollo Temple according to Wikipedia

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Catastrophic Comedy Break

Headless man with headless monkey walk into a room, unaccredited comic panel taken from Facebook

Unattributed comic book panel taken from Facebook feed in late 2016

The above, unaccredited panel from a comic book showed up recently on a Facebook feed. Reminded instantly of this sequence from “The War of the Apocalyptics“.

Here Nakba Ramazar, the headless Apocalyptic of Sudden Disaster, is speaking to his cousin, Dand Tariqartha, Devalord of Subcranial Temporis. It’s early Tantalar 5980 (December 1980):

Ramazar pulled a flip pad out of the breast pocket of his highwayman-style overcoat. He also pulled out a pair of spectacles. After a second’s hesitation he returned the glasses to his pocket.
“Don’t know why I keep those things around.” he mumbled, flipping open the notebook. “Haven’t got a nose to perch them on nor the eyes to see through, have I?”
“So it would appear, yet you speak and have no mouth. How do manage that?”
“Promise not tell anyone, Dand the Dandy Deadbeat Dad, and I’ll let you in on our scintilla of a secret.”
“Upon my inviolable oath as a highborn son of Lazareme, mightiest of the Great Gods.”
“Two-be-headed Vultyrie’s a ventriloquist.”
“And here I thought she was just a mindless schlemiel.”
“That too.”

Sundown and Raven's Head confront Ramazar and the Vultyrie in Temporis

Artwork from pH-5, 1980, by Vince Marchesano

His fellow devils call Ramazar Catastrophe. Shown here with the Vultyrie fighting Blind Sundown and Raven’s head in a blog-familiar sequence from Phantacea 5, artwork by Vince Marchesano, 1990, he often comes up with some good lines.

In this scrap of dialogue, also from War-Pox, he’s back in the Sedon’s Sphere and railing against his fate to said sphere’s Sedon:

“It’s not fair, grandfather. Nobody told me I’d be up against cathonitizers. All I wanted was for things to get back to normal; create the occasional disaster whenever I grew low on ammunition; go to parties; make more azuras and the occasional deviant when I feel up to it; basically just have some fun.
“But, no, Murder had to have her unspeakable children and I had to protect her. Now here I am back in your dumb, depressing Dome again. I tell you, it’s just not right.”
“Don ’t fret so, Disaster. You might cause a meteor shower. Wait a mini-minute ! I’ve just had a thought.”
“Better than having a baby, I suppose.”
“Tell you what, come spring maybe we will have a party. Just for you. Shooting stars, how ’s that for a theme? Play your cards right and you might have the distinction of being the first one shot.”
“I’d rather be on the firing squad, if you don’t mind.”

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