Pinning for Phantacea

No need to pine for Phantacea. Got plenty here and here and here

Pinning, though, is another matter altogether, as per this comparatively recent post on pHantacea on pHaceBook.

Skip graphic to get transposed info on images pinned to pHant’s Pinterest pages over past few months.

There’s also this, added a couple of days later:
Here’s all of the followup text; :

Mog Mob is a term rediscovered while rereading “The Vampire Variations“, the last web-serial ever posted on pH-Webworld. Some of the synopses remain online  but none of the story sequences do.

As for Mog Mob, it does not refer to a gang of cats. It refers to Circe Switchers (shape-shifters, face-dancers). The ‘mog’ comes from transmogrify.

Pin entitled Crows, pin taken from web

Although the pic is entitled Crow, for pHant purposes it’s the Hecate-Hellion’s Morrigan, one of whom was Mystery Might

The story itself is (mostly) set on Apple Isle in 5938 Year of the Dome. Our heroes are SOS: the Society of Saints. There must be close to 30 of them, they all appear in the Heliodyssey sequences, and even more turn up in the two Variations serials.

<== Despite the pHaceBook caption copied here, after further reading of original serial, am convinced it’s of Manitoulin, the Cheyenne Shaman who brought up Sedon St Synne and his eventual wife Louise born Riel then, after the Simultaneous Summonings of 19/5920, John ‘Blind‘ Sundown and his eventual wife, twice over, Solace ‘Sorciere‘ Sunrise.

Graphic entitle Morrigu, hit top link for more on artist, pin taken from Phantacea on Pinterest

Here’s another Morrigan. Actually called Morrigu, the link references her and her Battle God sisters Badb and Macha. PHANTACEA variations of all three play parts in “The Vampire Variations” web-serial. From the Sixth Brood or Litter of Thrygragos Lazareme, they register in pH-Webworld‘s Search Engine as both Morrigu and Battle Goddesses

==> The other Morrigan-type captioned on this graphic, actually entitled ‘Morrigu’, could also be a reference to the way Valkyries communicate with crows, particularly during “Feeling Theocidal” (Feel Theo), Book One of The Thrice-Cursed Godly Glories fantasy epic put out by Phantacea Publications between 2008 and 2012.

Speaking of Feel Theo, the titular Theo is Thrygragos Varuna Mithras. He doesn’t actually feel like killing himself. Rather, he’s fully prepared to kill his Great God brothers, Thrygragos Byron and Thrygragos Lazareme, if they don’t bow down and submit to his primacy on the Hidden Headworld.

Funnily enough — make that not funnily enough for far too many characters in the book — they aren’t.

A painting by Arthur Knapp entitled 'Boundless Time'

The link goes here. It’s just a shot of Augustus Knapp’s painting, though the reference should be to Manly P Hall’s “Secret Teachings Of All Ages“, the extremely handsome book for which Knapp produced it. pHanta-pHans would be more interested in who it inspired” Djinn Domitian, Mithras’s Trumpeter. See Note 4 for a different link and one that takes you here re “Hidden Headgames“.

<== He has his allies, however. One of them is his herald, his Trumpeter, Djinn Domitian. The leontocephalic Heliodromus of Mithras, which also makes him his messenger or angel.

Devils tend to call him the Masochist. Which is apt given he’s one of those ‘don’t shoot the messenger’ types who often seems to get shot. (Good thing he’s immortal.) Or badly beat up.

Selcuk's Eyeball in Hands

For what it’s worth, pin-link, attributed to Selcuk, goes here. Most devils (Master Devas) in the Phantacea Mythos have a third eye. There are a couple of cyclopes, though. Two of them (Trawl the Taskmaster and Viceroy Ibal) appear or are mentioned in “Hidden Headgames“. Baaloch Hellblob, Sinistral Sloth of Satanwyck, wields Pandemonium’s former Grand Vizier’s Evil Eye.

In Feel Theo it’s the Moloch Sedon himself who provides the biggest beating. In “Hidden Headgames” (Games), well, we aren’t told explicitly, not at first, only that, as the Scarlet Sorceress (Methandra Thanatos) put it to the Forgettable Fiend (Smiler), he “… looks like something a snow tiger would drag in after a polar bear was finished with it.” 

==> Games also provides us with our first extended visit to Satanwyck (Hell on Earth, Sedon’s Temple) since “Janna Fangfingers“, who (the character, not the title) also appears in The Vampire Variations” (Vam-Var).

It’s been the realm of Sinistral Sloth (Baaloch Hellblob) since the French Revolution. (As also per Vam-Var, some of the ramifications of just that, the French Revolution, make their way to Temporis as well.)

A Lilith-like figure taken from Web; no further information on site

Primeval Lilith, called Lich Lilith in The Vampire Variations“, which was mostly written in the late 1990s, is another famously fantastical character adopted and adapted through the decades of Phantacea Publications. Some lynx go from here; others from here. Her main entry is here. As for this pin, it goes here, though doesn’t bother telling you who produced it. Oddly, neither does it google.

Its capital city is Pandemonium, a word that can be translated as “the domain of all demons” (also daemons in not just the Phantacea Mythos). Since 1990’s graphic novel, “Forever & 40 Days — the Genesis of PHANTACEA” (4ever), its acknowledged ruler has been Dark Sedon himself.

<== However, long prior to Sedon taking it over on pHant‘s version of Ragnarok, it had a king and a queen. Their traditional names are the same as their Phantacea names: Daemonicus and Lilith. Lynx to much more on them are here.

In Games, one of them doesn’t want to accept their days of ruling from the Highchair of Hell are over. (Actually, in Games, there seems to be only one Highchair left.). Needless to say Hellblob doesn’t see it that way.

The two sides of Demon Queen Lilith, seductress and monster

Version of the Demon Queen Lilith apparently photo-shopped by someone named Cantas. It seems to capture her dual nature fay-fairy-fairly accurately. After Miracle Memory’s extensive story-telling re her in “Helios on the Moon“, pHant‘s lovely but lethal Lily is currently coming into her own during the opening entries of Phantacea Phase Two: namely, “Decimation Damnation” and “Hidden Headgames“.

==> Nevertheless, when he encounters what’s become of the other daemonic royal, he (Sinistral Sloth) doesn’t have any problem acknowledging that, properly speaking, it doesn’t belongs to him. Hmm:

“A mass of darkness had congealed on the Highchair of Hell. Darkness had form, a very dark form but clearly – ha, ha – humanoid. Darkness had a pink face and three eyes. With six pink fingers, each of them too long by at least a joint, Darkness had been playing a set of panpipes. Darkness ceased playing them. Darkness smiled.

Louis the 14th of France, possibly with a Trinondev eye-stave; image spotted on Web

Clearly this pin is suggestive of not just the Sun King, Louis XIV of Versailles, France, but of Herr Hel Helios, the Male Entity, who has been in Phantacea Publications since its beginnings in 1977. He even had a book named after him. Indeed, the entire series of web-serials set in 19/5938 are entitled “Heliodyssey“. Note the staff he’s holding. Very reminiscent of an eye-stave.

“A couple of seconds passed before he realized Darkness had far more right to sit there than he ever did; that in fact the Highchair of Hell belonged to him, always had. Whereupon, in what had been his throne room for nearly three centuries, the Prime Sinistral of Satanwyck went to his knees, laid the Evil Eye on the floor between them and scuttled backwards even more cravenly until it was safely out of his reach.”

<== Just as light is the opposite of dark, in many respects Heliosophos is the opposite of the Moloch Sedon.

That he, in the Fifth Lifetime, helped create the All-Father of Devazurkind, whom he quickly came to believe was the Devil Himself, and has been trying to exterminate him ever since, provides one of the eternal hooks of the Phantacea Mythos.

Witch Queen Hecate as the Triple Goddess, unaccredited image taken from Web

Witch Queen Hecate as the Triple Goddess inspired pHant‘s demon-loving Hecate Hellions. Their “Mother Superior” has throughout the centuries been known as The Morrigan. The first named Hecate appeared in “Feeling Theocidal“. A number are listed and described here. Lots of little eyes in this pin but no information on who did it (Jo Freyr?)

==> Sedon is hardly Helios’s only eternal enemy. Even though Master Devas (pHant‘s devils) can humanize his forever companion, for good or ill, Miracle Memory, he’s never been too pleased with Sed’s equally immortal, devazur descendants either.

Demons can also at least partially animate the Female Entity, who’s otherwise mostly computer, though she often seems more leaden when she only has hold of one of them. Indeed as far back as when he was Alorus Ptah, the second biblical Adam, he had Memory build the twin Sphinxes, Andy and Ginny, to confine demons, not devils.

Aspects of this story were told in both 4ever and Feel Theo. It was in the latter that we met the first named Hecate as well as witnessed how Lethal Lily’s Daemonicus escaped from a frolicking Gynosphinx.

Did so rather smellily to say the least. Which was how we met that Hecate, who just happened to be occupied by Future Harmony (much later Freespirit Nihila) at the time;

Ginny paused, dropped a load. Trailing behind them, beside him, the witch [Hecate] with him [Thrygragos Lazareme] pooper-scooped it up.

A live model Medusa, pinned fromg the Web

pHant’s got plenty of Medusas. There’s a feature on them, with plenty more lynx, here. The pin itself takes you to here. Doesn’t tell you who prepared it, though.

“It’s the wrong one, the king not the queen.” Hecate growled, in her own snarl. His firstborn already back inside her, she bared a breast anyhow; let the little shit suckle.
“He’ll have to do.”
“My daughter?”
“I’ll keep her. You want her back; it may cost you your entire expeditionary team. Then again it may not.”

Hirst's Medusa scanned in from a postcard bought at 'Unbelievable' exhibit, September 2017

Damien Hirst’s Medusa, spotted and shot in Venice, September 2017, According to the brochure, among the fourteen venomous serpents represented are the African rock python, horned viper and coral snake

“Hey,” Mother Nature’s manure-man, momentarily detaching its lips from Hecate’s left nipple, demanded to know: “Where was I?”
“In heaven, honey,” Hecate responded.

<==> Also in Feel Theo, and also coming out of Ginny the Gynosphinx, by then calling herself All the Invincible She-Sphinx of Incain, was also the first time in non-comic book form that we met Mater Matare, aka the Medusa, the Apocalyptic of Death.

Which seems as good a place as any to leave off this pHantaBlog.

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Peculiar Perspectives: “The Streets of London, late August/September 2017”

Have some possible avian-humans doing a remarkable, considering what they’re made of, air-dance near Marble Arch. Have as well a couple of horsey heads, the complete text — with some minor additions — of the pHantacea on pHaceBook post for 27 November 2017, and a few extra scans from same trip that haven’t as yet found a permanent pHantaHome.

Pictures and text by Jim McPherson, the creator/writer of the Phantacea Mythos.


Complete text, with lynx and some additional notes, reads:

Statue of masked, but apparent avian-humans sun-dancing, spotted and shot in Hyde Park, on Bayswater about where it joins Oxford Street in London, next to Marble Arch, photo by Jim McPherson, late August 2017

Statue of masked, but apparent avian-humans sun-dancing, spotted and shot in Hyde Park, on Bayswater about where it joins Oxford Street in London, next to Marble Arch

<== Jim McPherson, the writer/creator of the Phantacea Mythos, has been wanting to write ‘Tsishah’s Twilight‘ for a number of years.

So he started re-reading “The Vampire Variations“, the final web-serial to appear on pH-Webworld.

He’s doing so on account of, well, the demon Tsishah wears whenever she’s appeared in the 5980/81 story sequences, notably “Decimation Damnation” and “Hidden Headgames“.

Sun dancers against sun; photo by Jim McPherson, August 2017, taken in London England

Same Sun-dancers, albeit against sky on a sunny day in London England, late August 2017

==> Even though said demon isn’t wearable as yet, it seems an abundance of hollow-boned avian-humans do appear in said serial.

(As per near bottom of post, they’re the ones who hide their perhaps daemonic feathers between-space when they’re not using them to fly about in and out of the Weird.)

Which got him thinking about some sights he spotted and shot in London, England, back in late August/September 2017.

Shot of Marble Arch taken by jim McPherson, Aug 2017

Marble Arch , London, one time site of the Tyburn Gallows

<== The first two (above) are of bird men air-dancing. They were taken near Marble Arch, the onetime location of the Tyburn Gallows.

Immediately across the street from them (below) was this incongruously enormous horse head, no body, no signage as to why it was even there.

Speakers Corner Balancing Act statue, strong man and elephant with stronger trunk, taken by Jim McPherson, 2017

Talented elephant and strong man statue standing on a traffic island in London, England, near Hyde Park Corner tube station station.

==> Down at another corner of Hyde Park, across from the Hyde Park underground station, was this talented fool one-hand-balancing an acrobatic elephant by his, unless it was her, very strong trunk.

Was on a traffic island and after a couple of feints, said photographer decided it wasn’t worth life and limb trying to dodge extremely speedy, London through-way traffic trying to get closer. Maybe next time.

Huge Horse Head beside Marble Arch, taken by Jim McPherson in late August 2017

Not sure what this huge horse’s head is doing beside Marble Arch across street from the Dancing Avians but it made for an irresistible shot

<== The huge horse head spotted on a construction site next to Marble Arch is reminiscent of a horse’s head spotted and shot in the British Museum earlier on first London stay that trip.

Horse Head in the Greeks in Italy section of the British Museum

Horse Head in the Greeks in Italy section of the British Museum

==> The one in the British Museum was up in the ‘Greeks in Italy’ display. It was marked as being made some time between 700 and 250 BC. There were a few more nifty horse heads in museum, include one of sunny Helios’s and another of loony Selene’s, both of whom are characters in the Phantacea Mythos.

Garuda-type (avian-human) spotted and shot in Regent's Park, London, England

Garuda-type (avian-human) spotted and shot in Regent’s Park, London, England

(Selene, not to be confused with Miracle Memory, is a Silver Signaller who mostly appears in “Nuclear Dragons“. Helios, on the other hand, has appeared throughout the 40 years of PHANTACEA.

Talented elephant and strong man statue standing on a traffic island in London, England, near Hyde Park Corner tube station, shot and altered by Jim McPherson, 2017

Talented elephant and strong man statue standing on a traffic island in London, England, near Hyde Park Corner tube station, with background whited-out

As the Male Entity, he’s even had a book named after him (“Helios on the Moon“) whereas the entirety of the 19/5938 web-serials are entitled: ‘Heliodyssey‘.

Perhaps surprisingly given what happened at the end of Helmoon, he shows up in Phantacea Phase Two‘s “Hidden Headgames“, albeit mostly as a vexation to Freespirit Nihila.

Cat statue about to swallow an Assyrian bust in the British Museum, taken by Jim McPherson, 2017

Fish-eye effect applied to shot taken on main floor of British Museum

Who, perhaps unsurprisingly given all she’s been through since “Goddess Gambit“, seems to be going through an extended Nemesis period.

Won’t say what condition he’s in at the beginning of Phase Two. Will say he isn’t about to have his head bit off, like this poor fellow on the main floor of the British Museum.

No need for that is there.


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Tethys Talks Tura … 500 years ago

Could have as easily been talking turkey in the sense of ‘To speak frankly about the basic facts of a matter’.

Black and white covers of the various Phantacea comics and graphic novels

Black and white covers of the various Phantacea comics and graphic novels published in 2013

Plus, it is apple-approaching Zmas Day hereabouts, or would be if the Weirdom of Cabalarkon is still around; if indeed the Hidden Continent of Sedon’s Head still is … In which case the title could read “Tethys Talks Turkey all sorts of centuries ago”.

(Double-click for enlargements.)

Jordan Tethys, aka the legendary 30-Year Man, was (is?) the self-described hero of “The Thousand Days of Disbelief”.

Cosimo Tura (c. 1430 – 1495) was an Italian early-Renaissance painter. London’s National Gallery has a bunch of his artwork. Now, so does pHantaBlog.

"The Thousand Days of Disbelief", 2010 cover collage prepared by Jim McPherson

Unpublished cover, black and white version, for “The Thousand Days of Disbelief“, 2010 collage prepared by Jim McPherson

In this excerpt, taken from “Contagion Collectors”, the Legendarian‘s talking to APM All-Eyes, a Byronic Master Deva, about Morgan Abyss, the Melusine Master of Weir, who was  occupied by Pyrame Silverstar circa 4824/5 Years of the Dome.

It kind of belies his claim to be 1000-Daze’s hero since he doesn’t make it beyond his fatal encounter with Pyrame-Morgan’s other visitor in the first chapter of “The Death’s Head Hellion”.

Tura's Caliope, painted ca 1470, shot at the National Gallery in London by Jim McPherson, August 2017

Once known as “An Allegory of Spring”, this painting appeared on the cover of “The Death’s Head Hellion

No matter, he’d obviously been around long enough prior to said encounter to have painted her:

(BTW, the worms APM is referring to are tee-tee tails.)

“I can see I opened a can of worms. And I don’t mean the ones sticking out from under your cap. What do you think she’s up to?”

“Morgan Abyss? Funnily enough I saw a picture of her the last time I was on the Outer Earth. I’ve heard it called ‘An Allegory of Spring’ but I spoke to the artist, an Italian fellow by the name of Cosimo Tura, and he said it was of Calliope, the Muse of Epic Poetry. He’d been commissioned to do a bunch of paintings of the Nine Muses and said Calliope’s quill was standard for images of her.”

Toothy fish to Calliope's right atop throne

Toothy fish to Calliope’s right on throne

“As well as images of you.”

“Too true. Anyhow, what wasn’t standard was Master Morgan’s throne, all those toothy dolphins, or whatever they are. Morg had a throne just like that; one she’d had handmade by her own fish-folks, Melusine craftsmen the lot.” She gave him one of those looks of hers – a very unsettling look given how many eyes she could manifest. “Or craftswomen of course.” This seemed to satisfy her so he felt free to carry on.

Toothy fish to Calliope's left atop throne

Toothy fish to Calliope’s left on throne

“Even weirder, it looks to me like he copied his Calliope from one of my own paintings, one that still hangs in Cabalarkon. Don’t ask me how he learned of it. He claimed it came to him in a dream, which might be the weirdest thing yet. And you don’t have to take my word for it either. Unless he bit the big one in the last few months, he’s still alive. Maybe you could get more out of him. I’m no devil.”

“So you keep insisting. But what’re the chances of any of us even bothering? We don’t visit Italy when we’re out there; isn’t in our bailiwick. Besides, that isn’t what I asked.”

“No, you asked me to what I think Morg’s up to in that painting. Except it isn’t a matter of thinking, is it? It’s a matter of historical record …

Cosimo Tura's St Jerome as shot in London's National Gallery in August 2017 by Jim McPherson

Cosimo Tura’s St Jerome as shot in London’s National Gallery in August 2017

Well, it is and isn’t.

Certainly would be if you’d read “The Death Head Hellion”, which of course you still can; purchase it, too. And “Contagion Contagion”, the second mini-novel extracted from “The 1000 Days of Disbelief”, Book Two of the epic “Thrice-Cursed Godly Glories” fantasy trilogy.

Tura's Virgin with Child as shot in London's National Gallery in August 2017 by Jim McPherson

Tura’s Virgin with Child; apparently the angels are playing a celestial organ, not a tower of power

But what’s with Tura’s toothy throne fish? Decided to have a closer look when visiting London’s National Gallery in August 2017. Now that the Nat allows pictures I decided move on up to the front of the queue and zoom right in on some of them.

Close up of throne fish near Calliope's left leg with cave behind it, shot by Jim McPherson in London's National Gallery in August 2017

One of Tura’s throne-fish; behind it is a cave with someone (Jordan Tethys?) scribbling on a slate

What did I spot behind bottom most throne fish by Calliope’s left foot but a cave or entrance way of some sort (to the Hidden Headworld?) and a man scribbling on a tablet or pad of paper.

The placard says it’s a blacksmith in a cave but surely to PHANTACEA it’s got to be Jordan Tethys scribbling away on his getaway slate.

Close up of Tura's angels playing a celestial organ, taken in London's National Gallery by Jim McPherson, 2017

Close up of Tura’s angels playing a celestial organ


While we’re here. Rather, while I was there, I took a few more Turas.  Might as well leave them here until I figure out what else to do with them.

Thumb Up on Trafalgar Square plinth,photo taken by Jim McPherson, August 2017

2017’s occupant on the changeling plinth in front of London’s National Gallery

Finally, for now, am forced to say  ‘thumb up’ for London’s National Gallery for allowing pictures inside and having a solitary thumb up statue on a massive plinth outside it in Trafalgar Square.


Golden Fish Lightpost spotted and shot in London near Thames embankment by Jim McPherson, August 2017

A threesome of not so toothy fish (dolphins?) on a light stand near the Thames embankment a few blocks away from Trafalgar Square; spotted and shot in late August 2017

Should mention that Tura’s throne fishes seem to be contagious.

Have a couple of more shots: the first of a light stand down from Trafalgar Square near the Thames embankment and the second of a flower container in Hyde Park across the street from  Lancaster Gate.

Dolphin-type grinned out of a concrete flow contained spotted and shot in Hyde Park near Lancaster Gate in late August 2017 by Jim McPherson

Dolphin-type grinning out of a concrete flower container spotted and shot in Hyde Park near Lancaster Gate in late August 2017

They don’t have Tura’s toothiness, true, but it’s hard not to argue that they were inspired by Calliope in the National Gallery a few blocks away one way or the other.

As for what else was outside the National Gallery that day in late August 2017, how about a Golden Golem and, yes, the Grim Reaper?

One of a number of 'street performers' spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017 by Jim McPherson

One of a number of ‘street performers’ spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017

(Perhaps not the best fellow to be visiting given what had happened to the famous fellow represented atop the big tower in the centre of Trafalgar Square in 1805.

One of a number of 'street performers' spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017 by Jim McPherson

One of a number of ‘street performers’ spotted and shot outside the National Gallery on Trafalgar Square, London, in late August 2017

(Or what happened not all that far away thanks to an intentionally wayward lorry driven up onto a sidewalk on London Bridge a couple of months earlier in June.)

In theory if you can’t get them to move then you have to toss them a coin, minimum of a pound Sterling. Wasn’t a game I played.

Besides there were plenty of worthies outside the Nat and I wasn’t about to toss all of them a pound.

Had already donated a fiver to the gallery in order to keep it otherwise free.

A pair of not so toothy fish (dolphins?) spotted and shot on a light stand near the Thames embankment a few blocks away from Trafalgar Square as spotted and shot in late August 2017 by Jim McPherson

A pair of not so toothy fish (dolphins?) spotted and shot on a light stand near the Thames embankment a few blocks away from Trafalgar Square in late August 2017

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Even Hirst at his Excessive Worst is better than …

Reviews were all but universally terrible but, being in Venice while the exhibit was running, at two locales simultaneously, proved too much for Jim McPherson, the creator/writer of the Phantacea Mythos, to resist in September 2017.

Have three posts that first appeared on pHantacea on pHacebook, plus a couple of bonus shots. Commentary mostly taken from Phantacea Publications Facebook Page.

Scroll down for reiteration of images and comments …

Banner outside the entrance to the gallery, shot by Jim McPherson in Venice, September 2017

Shot in Venice, September 2017, the plaza is called the same as the gallery, Palazzo Grassi

Colossus somewhat unimaginatively called 'Demon with a Bowl (Exhibition Enlargement); shot in Venice Italy by Jim McPherson in September 2017

Damien Hirst’s colossal conceit is somewhat unimaginatively called ‘Demon with a Bowl (Exhibition Enlargement). Henceforth shall be referred to as Colossus

<== To the left is a shot of the banner for “Treasures from the WRECK of the Unbelievable. Damien Hirst” exhibit running in September 2017. Spotted and shot by Jim McPherson outside the Palazzo Grassi in Venice Italy.

It’s the second venue for the show but the first visited. Exhibit ran from 09/04/2017-03/12/2017

==> According to the brochure that came with admission, the image to the right (which needs a good clicking to fully appreciate its sheer, laugh-out-loud immensity) is somewhat unimaginatively called ‘Demon with a Bowl (Exhibition Enlargement).

Hirst Colossus, taken from second level of Palazzo Grassi gallery by Jim McPherson, September 2017

Colossus adjusted to bring out contours better, taken from the second level of the gallery inside the Palazzo Grassi

Sooth further said, enlargement is something of an understatement. For one thing, even in the narrative it’s just (?) an outlandish copy of a much more sensibly sized golem: “It seems … the figure served as a guardian to the home of an elite person.” In ancient Mesopotamia, also according to accompanying brochure.

<== To the left is a frontal view of the supposedly Mesopotamian Colossus as taken from the second level of the Palazzo Grassi. Some tinkering with the levels on Photoshop has brought out, for the better, the demon’s contours.

Hirst's demon taken from the gallery's third level

Back shot of Hirst’s Colossus taken from the third level of the gallery and looking downward

The squiggles and encrustations are artistic conceits perhaps left in to indicate the original lay “… submerged in the Indian Ocean for some two thousand years before the site was discovered in 2008.”

==> To the immediate right is a back shot of the colossus looking down, down, down from the 3rd level of the Palazzo Grassi. Once again the conceit of the artist, not to mention the demon’s forgers, is that the original was found underwater, hence the coral and other encrustations.

Hirst's sea monster seen through window and shot by Jim McPherson in Venice, September 2017

Sea Monster seen through the window on an upper floor of the Palazzo Grassi. It appears to be rising out of the Grand Canal

<== Looking through window on an upper floor of the Palazzo Grassi in September 2017 and what does one see but a sea monster rising out of Grand Canal. Note the Ca Rezzonico palazzo on the other side. It comes highly recommended for its massive gallery of Eighteenth Century Italian artwork.

Upshot of Colossus taken by Jim McPherson in September 2017 in Venice Italy

Shot looking up at Hurst’s Colossus from the ground level

==> To the right and again looking up, way up, from the ground level is a shot put on Facebook just to see if its censors were watching.

Supposedly the Colossus was and is anatomically correct. Or at least as proportionately correct as a 60-foot bronze behemoth could be.

(Again according to the brochure, it’s a facsimile of the original, which wasn’t at the Palazzo. Might have been at the other venue, Punta della Dogana, across the Grand Canal a few stops south of the San Samuele vaporetto dock.)


Encrusted Mickey Mouse, photo of a wall slide taken by Jim McPherson, September 2017

Evidently Mickey, Goofy and, yes, even a scene from Jungle Book (?) were hauled out of the depths after spending two thousand or so years submerged

<== Have to ask, if it sank nearly two thousand years ago: What’s Mickey doing on the Unbelievable? Time warp, perhaps? Could be Disney partially funded Hirst’s extravaganza and wanted some of their characters to join in the very expensive fun.

Which sounds like something only a cynical dullard would say. Sorry about that, Damien.

Shot of underwater shot of a unicorn's skull and horn, taken by Jim McPherson, September 2017

Supposedly an underwater shot of a unicorn’s skull and horn

==> As for the shot to the immediate right of his paragraph, is that really what’s become of the skull and horn of a unicorn after two thousand years?

Might it be a Raven’s Head type from the Phantacea Mythos? For comparison have lynx to the covers for Forever & Forty Days – The Genesis of PHANTACEA and Phantacea Revisited 1: The Damnation Brigade, both of which have Raven’s Head on the cover.

Underwater Colossus, shot of a shot, taken by Jim McPherson, 2017

Presumably the original Colossus taken while still submerged

<== Colossus doesn’t look quite so large in this slide. Could there be two of them? Contextually speaking it’s more likely this is the original.

Shot of a shot of an idol taken undersea with diver's bubbles, Jim McPherson, 2017

Goddess idol taken underwater complete with diver’s bubbles; suggestive of D-Brig’s Sea Goddess

In terms of the Phantacea Mythos, can’t be Catastrophe (Headless Ramazar, the Apocalyptic of Sudden Destruction, a head shot of whom shows up a cpuple of paragraphs down), from the comics and novels, notably “The War of the Apocalyptics“. Too underdressed.

==> Tempted to say the shot of a shot to the upper right represents Thalassa D’Angelo, unless it’s Thalassa Thanatos, D-Brig’s Sea Goddess, notably from the obverse cover of pH-3, artwork by Ian Bateson​ 1978.

Too bad there’s only a hint of a third eye on the sunken idol. Like the bubbles, though.

Andromeda screams as Jaws leaps out of rock to eat her, taken by Jim McPherson, 2017

Andromeda’s chained to a rock screams while Jaws leaps out of ground intent upon eating her

<== Jaws butts in on the Kraken. Andromeda doesn’t look too pleased either way.

Five covers from Phantacea comics or graphic novels, artwork by Ian Bateson except for pH-5 which Ian finished over Verne Andru's original black and white cover

Plenty more on the Phantacea Comic Book series and graphic novels can be found here

Wasn’t the best shot taken so darkened the background and greyed up some of the sides in hopes of bringing out characters better.

==> Something of Sea Goddess’s skinniness in Hirst’s Andromeda, too. Except D-Brig’s Sea Goddess would just state-shift into her watery element and get away instead of wasting time screaming.
As for what she could then do to either Jaws or the Kraken should she decide to come back … well, best leave that to your imagination.

Close up of Hirst's Andromeda Screaming, part of the blue diorama based on myth of Perseus, shot by Jim McPherson, 2017

Andomeda is (silently) screaming so hard she turned the whole oversized diorama blue.

Diorama entitled Andromeda and the Sea Monster, shot taken by Jim McPherson, September 2017

Background darkened to bring out the three main characters of Andromeda, Jaws and the Kraken; the whole diorama really is blue for whatever reason

<== The elaborate diorama is not only huge it really is blue. As per shots later, and one put up last week, Andromeda really isn’t headless. She is chained, however, and does seem to have an extra hand in this shot.

==> Needs to do a Nihila and break loose pretty damn soon. Jaws and the Kraken look ravenous and could care less about social media.

Datong Harmonia, the Unity of Panharmonium, superimposed over Siqueiros's New Democracy, prepared by Jim McPherson, mid-200s

Datong Harmonia, the Unity of Panharmonium, superimposed over Siqueiros’s New Democracy (Nueva Democracia) as photographed in Mexico City’s Bellas Artes Palazio in mid-200s

<== Reference above is to what’s become of Datong Harmony as of Tantalar 5980. Google up Nueva Democracia for the unadulterated Siqueiros or just hit here

Demonic Head by Damien Hirst, shot by Jim McPherson, 2017

Severed head of a demon supposedly dredged up then cleaned prior to going on display

==> Only one mobile head in the Phantacea Mythos and that’s Bodiless Byron. He isn’t called the Unmoving One because he can’t get around — he can, by sheer force of will.

He’s called Unmoving Byron because no part of his face moves when he speaks, via a form of thought transference, through his mouthpieces … Sedona Spellbinder in The War of the Apocalyptics and APM All-Eyes in Hidden Headgames

Head supposed excavated in 1932, shot by Jim McPherson at the 'Unbelievable' exhibit in Venice,

Different shot of Damien Hirst’s demonic head. Brochure says it was excavated in the Tigris Valley back in 1932

<== Although definitely demonic I’m not sure this huge head would even fit atop the headless Colossus let alone if it really belongs there.

The accompanying brochure says it was tentatively identified as Pazuzu, a googleable Mesopotamian demon, and that it was unearthed in 1932 in the Tigris Valley. (Pazuzu had something to do with the horror movie entitled “The Exorcist”, may have even been the possessive devil who drove the girl to such head-turning extremes.)

Skull and long horn by Damien Hirst and co, shot by Jim McPherson, 2017

Dried out and scrubbed clean skull and horn might have belonged to a unicorn according to exhibit brochure

==> Also not sure if this really would pass for the skull and extended horn of a ravendeer in the Phantacea Mythos. Then again the exhibit’s claim that it belonged to an actual unicorn is arguably even more fanciful.

Skull and long horn by Damien Hirst and co, shot by Jim McPherson, 2017

Another view of a dried out and scrubbed clean skull and horn might have belonged to a unicorn according to exhibit brochure

<== Another view of the unicorn’s skull and broken horn unearthed (unwatered?) near the sunken wreckage of the Unbelievable. Skull looks like something you’d rub and expect three wishes from the genie wafting out of it.

Full wraparound cover for pH-40, artwork by Ian Fry and Ian Bateson, ca 1990

Full wraparound cover for pH-40, artwork by Ian Fry and Ian Bateson, ca 1990

NOTE:  The best in-colour, pictorial example of a ravendeer — Raven’s Head? — appears on the cover of 1990’s “Forever & 40 Days – The Genesis of PHANTACEA. Raven’s Head the character has her biggest role to date in Decimation Damnation.

In pHanta-pHact she appears in all of the 19/5980 novels and mini-novels. She even does a cameo, in her multitude, near the end of Hidden Headgames. It’s in Dec-Dam, the opening entry in Phantacea Phase Two, that she shows the petulant side of her nature.

Still encrusted 'Diver', so-called, by Damien Hirst; scanned in from a postcard bought at 'Unbelievable' exhibit in Venice, 2017

Still encrusted ‘Diver’, so-called, by Damien Hirst; scanned in from a postcard bought at ‘Unbelievable’ exhibit in Venice, 2017

<== Yehudi Cohen, D-Brig’s Untouchable Diver, is another long-serving character who reappears in Dec-Dam (after vanishing, then inexplicably, during Helios on the Moon“). He has a much more significant role than Raven in Games.

Hirst's Medusa scanned in from a postcard bought at 'Unbelievable' exhibit, September 2017

According to the brochure, among the fourteen venomous serpents represented are the African rock python, horned viper and coral snake

Have to say, though, that Hirst’s Diver, so-called, looks more female than male. Still, it’d be remiss not include it in post re treasures of the ‘Unbelievable’.

==> As for Hirst’s Medusa, the accompanying brochure claims that “fourteen of the world’s most venomous snakes … crown the Gorgon’s petrified features.”

Might have to add this one to the longtime pHanta-pHeature Medusa’s I have met.


End post … for now!

A Photoshop collage prepared by Jim McPherson, 2017, using graphics mostly taken from Web

A Photoshop collage prepared by Jim McPherson, 2017, using graphics mostly taken from Web

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McPhersonal Mask Wall — Then and Now

Not sure I like the embed feature on FB for this sort of thing. Best scroll down and I’ll copy and paste the rest of the original posting(s) from pHantacea on pHacebook dated October 30 & 31, 2017.

Obviously both were posted to mark Halloween as well as the imminent anniversary of All Death Day on the Hidden Continent of Sedon’s Head (assuming it’s still around).


2009 Mask Wall showing five occupants that are still there

pHant Central’s Wall mask is a lot more crowded these day but this lot (taken in 2009) are still on it, though the big fellow only half in this shot has moved to the other side of speaker on adjacent wall above book shelf

Mask bought in Mexico, mid 1990s, known as Double Mouth for reasons's obvious to look at

Mexican Double Mouth wearing Panamanian Bird Cap (for pinheads)

Date for shot to paragraph left is Sept 30, 2009. The Harpo type is an original. The Toothy fellow to his right is from Panama whereas the big blue nose is a Punchinello Comedia del Arte mask purchased in 2008 during first visit to  Venice, where he’s very popular. Has been for centuries.

Also from Sept 2009 series of snaps, Double-Mouth’s bird cap came from a heritage house on the outskirts of Panama City. Needless to say, him having two mouths there’s no point in talking out of both sides of either/or when he can do it with both mouths at the same time.

Not sure where the frond fan came from but a frond is Baaloch Hellblob, Sinistral Sloth’s power focus, even though he uses Viceroy Ibal’s Evil Eye in “Hidden Headgames

Ecuadorian Maximon Type bought in 1998 that broke in suitcase

The fellow in the rain hat came from Ecuador in 1998. Clearly didn’t fare very well in suitcase upon return

2012 mask wall in pHant Central

Mask Wall has filled out considerably since 2009. Shot taken in 2012 looks somewhat unfocused for some reason.

Main mask in 2009 shot was bought in Ecuador in the late 90s. Reckon he was originally a Maximon type, assuming Incas had a Maximon type. Clearly he didn’t fare well in suitcase on return flight. Always found it interesting that Inca is a word jumble for Cain, whom no one was allowed to kill if memory serves.

Above right: 2012 mask wall. The fellow at the very bottom is from Costa Rica. Violated $50.00 limit to buy him. Fortunately he was lacquered because Canada Customs took him out of bag to test for mites and insect larvae.

2005 Mask Wall in Jim McPherson's pHant Central

First shot found of pHant Central’s Mask Wall in Digital Library. It’s from 2005. Might be more in Photo Albums but didn’t feel like looking

They didn’t do that with coconut heads, two of which came from Puerto Vallarta whereas the little coco-head (coke-head) beside blue nose came from other side of Mexico in a different Puerto, Morales.

Date on photo to the left is Oct 5, 2005. The two masks wearing hats are originals bought in Zihuatanejo Mexico in mid 90s. The ape figure wears a hat these days whereas the goatish Furie figure with the long horns is from Guatemala.

Any wonder why Wilderwitch stays away from Jervis Murray when he’s in Dervish mode? He’s now hiding behind Double Mouth. A couple more like him are in the Fur Mask row here.


Here’s the earlier post on pHant Central’s Mask Wall, also embedded using Facebook coding. It’s dated 30 October 2017. As per 2011’s “Janna Fangfingers“, All-Death Day occurred on Maruta 1, 5494, the equivalent of our November 1, 1494.

On that date, thanks to the Unities of Chaos and Order — who, as we only found out (for sure) in “Helios on the Moon“, were doing Sedon’s bidding, hence its subtitle ‘Sedon’s Purge’ — there were more Dead Things Walking on the Inner Earth of Sedon’s Head than there were Living Beings Talking.


October 2017 Mask Wall in Jim McPherson's pHant Central, taken in October 2017

pHant Central’s Mask Wall in 2017, taken shortly after return from second time in Venice, hence the two new masks

Mask wearing a hat suggestive of Mars Bellona, pHant's Apocalyptic of War

One of the four original masks, bought in Zihuatanejo, Mexico, in early to mid 1990s

To immediate left, pHant Central’s Mask Wall encroaching on book shelf in October 2017.

Note the gargoyle photo on third shelf from bottom and the solitary eyeball above it. Many of masks wear sunglasses and hats to protect themselves from sheer brightness of computer they look at all day.

The box atop the speaker contains the manuscript for “The Moloch Manoeuvres“, which Phantacea Publications doesn’t feel like publishing for some reason. (Might it have something to do with Jim McPherson not wanting to edit something that long, let alone chop anything sizable out of it?)

Monster mask bought in Playa del Carmen, Mexico, suggestive of Count Molech

Mask bought in Playa del Carmen, Mexico, in late 90s or early 20-Noughts that’s suggestive of Count Molech near the end of “The Moloch Manoeuvres”

Mask to the upper right bought in Zihuatanejo Mexico, in mid-90s. Couldn’t resist buying because it so clearly resembled Mars Bellona, the Apocalyptic of War, from pH-3, as he first appeared in Phantacea Publications at least 15 years earlier. Mask was one of four that started the whole collection.

Maximon mask bought in Guatemala in early 2000s

Mask of Maximon, who despite looking white is a modern day Mayan deity

Mask to the upper left looks like what becomes of Count Molech near the end of ‘The Moloch Manoeuvres’. And yes, there are two different spellings … Molech refers to a highly unconventional stage magician in Rome Italy in January 1938 whereas the Moloch refers to the Moloch Sedon, who doesn’t even appear in the book.

Mask wall in late October 2017

Another shot of pHant Central’s Mask Wall as it was in late October 2017

May do in a couple of the follow-up pH-Webworld serials, however; more here.

The mask to the upper right is Maximon, the modern day Mayan deity of Conspicuous Consumption as well as Decadent Delights. Probably got his broken nose (hence the bandage) in transit from Guatemala sometime in 90s.

Five covers from Phantacea comics or graphic novels, artwork by Ian Bateson except for pH-5 which Ian finished over Verne Andru's original black and white cover

Plenty more on the Phantacea Comic Book series and graphic novels can be found here:

Note the middle section of pHant Central’s Mask Wall in late October 2017. The three-faced golden mask in lower centre and the bronze, jawless mask to its right and up a row were picked up in Venice back in Sept 2017.

Finally, just in case you doubted it, here’s a shot of the obverse side of pH-3, artwork by Ian Bateson, 1978. It was a flip-floppy — a comic that contained two storylines: Helios on the Moon and, on the flip-side half, that of the Damnation Brigade as they appeared during the War of the Apocalyptics.

All of the latter has been collected in 2013’s Phantacea Revisited trade paperback.


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40th Anniversary McPhersonals for Nov 2017

Advisement for Nov 5, 2017 Comicon

Advisement for Nov 5, 2017 Comicon. Note the 4th name in red. He’ll be there manning the Phantacea Publications table

Side blurb for VanExpo 2017

Jim McPherson will be there manning the Phantacea Publications table next to Captain Cannabis in Artists Alley

To help mark the 40th Anniversary of the Phantacea Mythos in print, its creator/writer, Jim McPherson, will be manning the Phantacea Publications tables at the November 5th Vancouver Comicon and the long weekend Nov 10-12 Van Expo.

He’ll have with him copies of 1977’s Phantacea One at both cons. It features 32-pages of pre-Cerebus Dave Sim artwork, complete with a wraparound cover and an easily removed plastic bag. Cost for the complete packet is $25.00. Copies of pH-2, 3, & 4 will also be available for a cons special price of $5.00 each. Plastic bags optional.

pH-1 back cover, 1977, artwork by Dave Sim, created, written and published by Jim McPherson, September 1977

Characters include Doc Defiance, the Emperor Mammalian, Devil Wind, Mik Starrus and Dr Nightingale, artwork by Dave Sim, 1977

Front cover for pH-1, artwork by Dave Sim, 2017; created, written and published by Jim McPherson, 1977

Artwork by Dave Sim, more on pH-1 here: and here:

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Tit-Bottom — Fuseli at Tate Britain

Way back in the Winter 2005 update of pH-Webworld there appeared a few graphics re Phantacea’s Rainbow, Gloriel D’Angelo Dark.

Collage featuring Gloriel - D-Brig's Radiant Rider; prepared by Jim McPherson, 2005

An almost version of this collage, as prepared by Jim McPherson in the mid 20-Noughts has been on pH-Webworld for just as long

Fuseli's Titania and Bottom, shot at the Tate Britain by Jim McPherson, 2017

Actually called ‘Titania and Bottom’, it was done by Henry Fuseli circa 1790

Two of the collages utilized an image cut out from Henry or Heinrich Fuseli’s ‘Titania and Bottom’, the post-titular Tit-Bottom.

One of the collages and a doctored shot of said Tit-Bottom are to either side of this paragraph.

Even though she showed up, howsoever briefly, in both “Helios on the Moon” and “Decimation Damnation“, some might consider D-Brig’s Radiant Rider an underused character.

Might be right, too.

Close up of Titania from the Fuseli painting shot in Tate Britain by Jim McPherson, 2017

Faerie Queen Titania and companions to the right of dancer and ass-headed Bottom

Sooth as always said, at least out here on pHantaBlog, Jim McPherson, the creator/writer of the Phantacea Mythos, henceforth referred to as ‘I’ or ‘me’, might agree with you as well. However, she is mentioned in “Hidden Headworld”, which might be out by the time you read this.

Talk about briefly, here’s the extent of it:

So, not Sedon: ordinary mortals, albeit ones capable of manifesting gargoyles (grotesques) off their eye-staves, daring to take on Death’s Angels and those who’d come up here with the Diver via All of Incain. Among them, much to his shock and queasy knees, were five members of what was left of his very own Damnation Brigade, including the wondrous Gloriel, Radiant Rider, arguably their most singly powerful member.

Why were they involved? Were they actually joining forces with Sed’s men? What no doubt possessive madness was making them willing to die in a futile effort to fight them off?

Then Blind Sundown and Raven’s Head split in two … dozens of times!

The date, BTW, was the 14th of Tantalar 5980, which is about as far into “Wilderwitch’s Babies” as Games goes.

Some of Fuseli's faerie children shot at the Tate Britain by Jim McPherson, 2017

Isolation shot from bottom left hand corner of Tit-Bottom (presumably) featuring some faerie children

Fuseli’s a personal favourite. ‘Great Night‘, from the front covers of “The Death’s Head Hellion” and “Decimation Damnation” is one of his. So is the ‘Night Hag‘ from pH-Webworld‘s Summer 2004 entry on Primeval Lilith, who appears a whole lot more often than Gloriel.

Close up bottom right of Titania and Bottom, taken by Jim McPherson in the Tate Britain, 2017

The faerie creatures at the right hand corner of Tit-Bottom

This is one of them.

Eggs were eminently edible. Baaloch Hellblob was only egg-shaped; was also Sinistral Sloth of Satanwyck. Then again the Highchair of Hell shouldn’t have been akin to a griddle either. It was hot; too hot for sitting. Demons were notoriously flammable. Lord Lazy had never moved so fast. Recovered, uneaten. Look up at Highchair.

“Now what?” he demanded of its occupant, a mass of darkness in a female shape.

“Ass-end of Hell?” said occupant wondered. “Does that make this its Hell-Mouth?”

Bottom? Ass-head? Guess I’ll leave it at that.

Full Cover Mockup for "Hidden Headgames", prepared by Jim McPherson, 2017,

Full Cover Mock-up for “Hidden Headgames”; proper font and background images to be added prior to publication



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Feel Theo at the Tate Britain

Well, not literally, but close.

Harryhausen's Perseus Strangling Medusa, photo taken in the Tate Britain by Jim McPherson, 2017

Perseus using his shield as a mirror in order to avoid looking directly at the Medusa. Shades, once again, of “Feeling Theocidal” , though it didn’t happen exactly that way when he, a deviant, tangled with his devic half-dad, a Great God, at the end of Feel Theo. Looks like the Amateramirror, with the Susasword on the ground . — taken at the Tate Britain by Jim McPherson in late August 2017

Harryhausen's Pegasus, taken at the Tate Britain by Jim McPherson, 2017

Chrysaor Attis, from “Feeling Theocidal“, was known as the Universal Soldier, but he was also many of the heroes of mythology, including Perseus. At least he was according to the Phantacea Mythos. He called his ride ‘Peg‘.  Not very imaginative of him but, hey, when you’re a product of imagination you can’t expect to have much of one yourself. — taken by Jim McPherson at the Tate Britain in late August 2017.

A lot of 2008’s “Feeling Theocidal“, Book One of ‘The Thrice-Cursed Godly Glories epic trilogy, was at least partially inspired by the Perseus cycle of myths.

In pHantacea-pHact its deviant protagonist, Chrysaor Attis, who was born circa 2000 BCE on the Inner Earth of Sedon’s Head, was once Perseus himself.

He rode a pterippus by the name of Peg, not Pegasus. He wielded the Six Great Godly Objects including a golden sword known as the Susasword and a shield-cum-mirror known as the Amateramirror.

Like their sister object, the Crimson Corona, which causes the Untouchable Diver no end of trouble in “Hidden Headgames”, they shone with the telltale glow of Brainrock when in use.

What isn’t as well known in terms of Greek Mythology is their connection not only to each other but to Medusa herself:

Chrysaor was the brother of the winged horse Pegasus and son of Poseidon and the Gorgon Medusa. When Medusa was decapitated by Perseus, both Chrysaor and Pegasus were born at the same time. Little is known about Chrysaor; he was considered a stout-hearted warrior, and his name means “he who bears a golden sword”.

… from Chrysaor – Greek Mythology (


Another model of Medusa made by Ray Harryhausen and shot in the Tate Britain by Jim McPherson, 2017

Harryhausen’s Medusa, a model for his 1981 film ‘Clash of the Titans’. The model’s behind glass. The painting in background is John Martin’s “Great Day of his Wrath”. Phantacea’s Medusa (Mater Matare, from “Feeling Theocidal“, “The War of the Apocalyptics” and the comic books did not have a serpentine tail. More re pHant’s Medusas here: shot at Tate Britain by Jim McPherson in late August 2017.

Harryhausen's Medusa, shot by Jim McPherson at the Tate Britain, 2017

Close up of one of Harryhausen’s Medusa models. Again it was behind glass, but still looks nasty.

Don’t recall if this was mentioned in Feel Theo but do recall that Attis’s half-parents were the time-tumbling Dual Entities (Heliosophos and Miracle Memory) whereas his devic half-parents were Thrygragos Varuna Mithras and his Ewe for Aries Fitna Marutia (also Kanin Marut, Kore-Discord).

{She grew up (down?) to become none other than Strife, a possessive ‘virus’ last seen in “Nuclear Dragons“, the second entry in the epic Launch 1980 fantasy trilogy.}

One of Harryhausen's sketches of Scylla, photo by Jim McPherson, 2017

Harryhausen’s version of Scylla. As per “Hidden Headgames”, Aortic Merthetis gave the future Fisherwoman that as a first name when she found her, a newborn, in the Belly of the Beast (Island Leviathan) in 5918 Year of the Dome. In terms of our time count that’s almost a hundred years ago now. The eye-stalks are called ommatophores. John Sundown ended up wearing a pair near the end of “Decimation Damnation“. They were a trap. Rather, they were intended to be a trap for him. More here re that.

Isn’t much of an assumption to suggest Attis was named by the Entities, who being from the (then) future knew their myths. Had even lived one, his Second, as Phoenician-born Cadmus, founder and long-serving king of Grecian Thebes.

(Heliosophos, the Male Entity, believed he was in his Seventh Lifetime around 2000 Year of the Dome, our 2000 BC. His time as Cadmus, also brother of Europa, hence the continent’s name, took place 500 years later, around 2500 YD, our 1500 BC. Time-tumblers do that sort of thing.)

Somehow doubt Ray Harryhausen would have known about the Phantacea Mythos when he did ‘Clash of the Titans‘ in 1981, though Phantacea One did come out in 1977. (As boldly stated on its front cover, the release of “Hidden Headgames” marks the {gulp!} 40th anniversary of the Phantacea Mythos in print.)

Still, with these shots, it’s hard to ignore the connection. All the more so when Pyrame Silverstar, another of the main devic characters in Feel Theo is about to make a big time return to the print canon with the release, later on this month, of said “Hidden Headgames”.

Model of a skeletal warrior by Ray Harryhausen, shot in Tate Britain by Jim McPherson, 2017

Model of a skeletal warrior prepared by Ray Harryhausen for his film, 1981’s Clash of the Titans. Note the Medusa head on its shield. It’s a skeletal gorgon. Taken by Jim McPherson at the Tate Britain in August 2017

Pyrame’s hardly the only familiar pHace to pHanta-pHans who’s back in Games. Sooth as always said, at least on pHantaBlog, virtually everyone who appears in Games has done so before.

Tate Placards re Harryhausen Exhibit, taken by Jim McPherson, 2017

Placards quoting Harryhausen re his sketches of Charybdis and Scylla

That includes the fabulous, ever-fishifying Fisherwoman, whose birth name was Scylla Nereid. As also per “Goddess Gambit” and towards the end of “Decimation Damnation“, unless you’re a fan of monsters she’s vastly better looking than Harryhausen’s Scylla.

Still, yet again, when you walk into a free show at the Tate Britain, in August 2017, barely a couple of months before Games is due to go on sale, you not only have to start shooting (photographs) you have to do a pHantaBlog on a few of them.

So have a few more to finish. Have to say, as a last word, the bronze looks more like his Charybdis than his Scylla.

Harryhausen Bronze nominally of his Scylla, taken at Tate Britain, 2017

Looks more like his sketch of Charybdis. Since Arisandesam, the Conqueror Worm, once Sinistral Gluttony of Satanwyck, has a brief mention in “Hidden Headgames” might use in future to represent him/her.

Placard quoting Harryhausen, taken by Jim McPherson at the Tate Britain, 2017

Note Harryhausen’s explanation as to why ‘Force of the Trojans’ was never made

Harryhausen's sketch of Charybdis, taken by Jim McPherson at the Tate Britain, 2017

Harryhausen’s sketch of Charybdis, made as part of a pitch for a movie tentatively entitled ‘Force of the Trojans’ that never got made

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DaVinci does Trans

Tell you what, if the individual sitting to Christ’s right is supposed to be John the Apostle and not Mary Magdalene, then Leonardo daVinci was painting a transsexual five hundred years ago.

Post inspired by sights seen in Milan, September 2017.

BTW the bottom two shots are supposed to be of a young Jesus. Neither was by daVinci but the copy of The Last Supper above them was. Too bad they wouldn’t allow photographs in the Ambrosiana Museum.

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Finally, a front cover option for Hidden Headgames

Mock up done on Photoshop of potential front cover for "Hidden Headgames", cover collaage prepared by Jim McPherson, 2017

Mock up done on Photoshop of potential front cover for “Hidden Headgames”

Black and white version of Potential Front Cover for Hidden Headgames. prepared by Jim McPherson, 2017

Black and white version of potential front cover for “Hidden Headgames”

Took awhile to get to it, took even longer to get a presentable version of same, but here goes. Comments welcome at bottom.

As for the images that went into the cover collage, once again the background is of the Borealis Brolly spotted online and shot in Finland by Tina Tormanen,

It paired up nicely with another photo of the Northern Lights, this one shot in Iceland by Tom Mackie in 2014. The former was taken from the Web whereas the latter was scanned in from the May 2015 issue of Fortean Times.

Photograph by Tom Mackie in Iceland, 2014, scanned in from the May 2015 issue of Fortean Times; Nihila artwork by Verne Andru, 2012; banner prepared by Jim McPherson, 2015

Photograph by Tom Mackie in Iceland, 2014, scanned in from the May 2015 issue of Fortean Times; Nihila artwork by Verne Andru, 2012; banner prepared by Jim McPherson, 2015

Northern lights with distinctive umbrella shape; photo attributed to Tina Tormanen, taken from Web

From Tina Tormanen’s “Magical Photos” as spotted on the web

The main reference is to a sequence that first appeared at the end of 2012’s “Goddess Gambit“. It reappeared, and indeed carried on, in 2014’s “Helios on the Moon“. It’s back in “Hidden Headworld”, albeit this time (at least at first) from Fisherwoman’s perspective after Freespirit Nihila jettisoned her.

The female figure representing the fused duo was spotted online. It was taken at the 2015 Burning Man festival held in Death’s Valley toward the end of August every year. (At least I assume it’s still being held.) Not sure who took it, but  assume the original was entitled “The Burning Woman”.

Graphic entitled Nihila Nereid -- Borealis Brolly, prepared on Photoshop by Jim McPherson, 2017 using images taken from the Web

At the end of 2012’s “Goddess Gambit“, Freespirit Nihila took over Fisherwoman for awhile. This act of desperation came into play again during 2014’s “Helios on the Moon“. In “Hidden Headgames” we pick on their stories after they separate.

Hieronymus Bosch's Prince of Hell from the Garden of Earthly Delights

Hieronymus Bosch apparently visited Satanwyck (Sedon’s Temple) towards the end of the Headworld’s Fifty-Fifth Century. In terms of the Phantacea Mythos, this is his version of its Prime Sinistral or a surrogate sitting on the Highchair of Hell

Added a gradient to her and doubled the borealis brollies surrounding her for the text version of this collage. As for the Bosch, it’s from the Garden of Earthly Delights. It currently resides in Madrid’s Prado Museum, though it might have moved by the time you read this.

One might recall that a young man called Bosco was one of the dreadfully contagious Outer Earthlings collected during the course of “Contagion Collectors“, the second mini-novel extracted from “The 1000 Days of Disbelief“.

Apparently he visited Sedon’s Temple (Satanwyck, Hell on Earth) while he was on the Inner Earth in his mid-twenties.

The Drumheller (Alberta) T-Rex, image taken from Web

T Rex shot in Alberta’s Drumheller Bad Lands. Might be an Albertasaurus. Representative of Saurlord Klizarod Rex of Sedon’s Head’s Lake Lands, part of his left eyebrow, area sometimes called Sedon’s Sweat Glands for fay-fairly-silly reason

Highly venomous serpent with wide open mouth, image taken from Web

Wide-mouth, highly venomous serpent used, in terms of the Phantacea Mythos, to represent Daemonicus-Smiler, the Forgettable Fiend

Evidently a bird demon was occupying the Highchair of Hell at the time. Chronologically speaking, that  probably makes her Sinistral Lust (Beguiling Belialma) or one of her lackeys.

She was certainly a playful shape-shifter in her time, some of which was highlighted during the course of The Thrice-Cursed Godly Glories epic trilogy. Was way beyond it, too.

As the saying often heard during the open-ended saga of “Wilderwitch’s Babies” goes, in September 1953 Lady Lust came to town (Vancouver Canada), leaving Mother Maternity behind.

As per all of the above, one therefore has to allow Bosco some degree of leeway in his depiction of her. Ordinarily Hell’s Belle was much more appealing to behold. Just ask Abe Chaos (Unholy Abaddon) and his father, the Great God Everyman (Thrygragos Lazareme), about that.

If you can find them, that is. Which, come to think of it, you probably wouldn’t want to do.

Caldera of the Kilauea volcano, image taken from Web

The lava lake filling the caldera of Sedon’s Peak is mostly made up of molten Brainrock. Anvil the Artificer uses it to make devic power foci like the Trigregos Talismans

Even though neither the Drumheller (Alberta) Tyrannosaurus (unless it’s an Albertasaurus) or the wide-mouth, highly venomous serpent have three eyes, they’re meant to represent, respectively, Saurlord Klizarod Rex (the devil-god worshipped by Saudi Tethys, the stomping Steg Sari from “Feeling Theocidal“) and none other than the Forgettable Fiend (Smiler-Daemonicus).  Both appear in “Hidden Headgames”, the latter more so than the former.

The lava lake has to be the caldera of Sedon’s Peak, filled as it is with molten Brainrock. Anvil the Artificer (Tvasitar Smithmonger, the devic Prometheus) uses it to make devils their power foci, aka Tvasitar Talismans. Its fumes are also good for debraining demons.

3-eyed Ornamental Skull from Tibet, image taken from Web

Tibetan skull with three eyes probably meant to represent Yima, King Death. Used to represent King Harvest (Yama Nergal), the Mithradites’ Grim Reaper who features in all three parts of “Hidden Headgames”

(Good for devils, who take over their subtle matter bodies; bad for the demons. Mind you, being mostly all body and no soul, they aren’t very bright to start with.)

Last heard from in “Goddess Gambit” he returns in “Hidden Headgames”. So does his erstwhile girl friend, the Mirror Mentalist (Klannit Thanatos), who goes on to make such a nuisance of herself in “Decimation Damnation“.

The fancy Tibetan skull with the three eye-holes may well be a representation of Yima, an Asian God of Death. He’ll double, almost precisely, for Yama Nergal, the Mithradites’ Grim Reaper, also known as King Harvest.

In this regard, here’s a quote taken from “Acquiring Nihila”, the third part of “Hidden Headgames”:

“Unlike the unspeakable spooks, who looked uniformly two-eyed anthropomorphic, as if they were once human or humanoid bipedal, Death’s (hooded) skull had a third eye-hole. Presumably he presented as much considerately, just in case the Diver had any doubts about his race. If devils could be considered a race, that is, and not an entirely inhuman life form.”

Phantacea Publications logo utilizing a Sun-Moon wooden Carving spotted and shot by Jim McPherson, 2014

Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times

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