Tit-Bottom — Fuseli at Tate Britain

Way back in the Winter 2005 update of pH-Webworld there appeared a few graphics re Phantacea’s Rainbow, Gloriel D’Angelo Dark.

Collage featuring Gloriel - D-Brig's Radiant Rider; prepared by Jim McPherson, 2005

An almost version of this collage, as prepared by Jim McPherson in the mid 20-Noughts has been on pH-Webworld for just as long

Fuseli's Titania and Bottom, shot at the Tate Britain by Jim McPherson, 2017

Actually called ‘Titania and Bottom’, it was done by Henry Fuseli circa 1790

Two of the collages utilized an image cut out from Henry or Heinrich Fuseli’s ‘Titania and Bottom’, the post-titular Tit-Bottom.

One of the collages and a doctored shot of said Tit-Bottom are to either side of this paragraph.

Even though she showed up, howsoever briefly, in both “Helios on the Moon” and “Decimation Damnation“, some might consider D-Brig’s Radiant Rider an underused character.

Might be right, too.

Close up of Titania from the Fuseli painting shot in Tate Britain by Jim McPherson, 2017

Faerie Queen Titania and companions to the right of dancer and ass-headed Bottom

Sooth as always said, at least out here on pHantaBlog, Jim McPherson, the creator/writer of the Phantacea Mythos, henceforth referred to as ‘I’ or ‘me’, might agree with you as well. However, she is mentioned in “Hidden Headworld”, which might be out by the time you read this.

Talk about briefly, here’s the extent of it:

So, not Sedon: ordinary mortals, albeit ones capable of manifesting gargoyles (grotesques) off their eye-staves, daring to take on Death’s Angels and those who’d come up here with the Diver via All of Incain. Among them, much to his shock and queasy knees, were five members of what was left of his very own Damnation Brigade, including the wondrous Gloriel, Radiant Rider, arguably their most singly powerful member.

Why were they involved? Were they actually joining forces with Sed’s men? What no doubt possessive madness was making them willing to die in a futile effort to fight them off?

Then Blind Sundown and Raven’s Head split in two … dozens of times!

The date, BTW, was the 14th of Tantalar 5980, which is about as far into “Wilderwitch’s Babies” as Games goes.

Some of Fuseli's faerie children shot at the Tate Britain by Jim McPherson, 2017

Isolation shot from bottom left hand corner of Tit-Bottom (presumably) featuring some faerie children

Fuseli’s a personal favourite. ‘Great Night‘, from the front covers of “The Death’s Head Hellion” and “Decimation Damnation” is one of his. So is the ‘Night Hag‘ from pH-Webworld‘s Summer 2004 entry on Primeval Lilith, who appears a whole lot more often than Gloriel.

Close up bottom right of Titania and Bottom, taken by Jim McPherson in the Tate Britain, 2017

The faerie creatures at the right hand corner of Tit-Bottom

This is one of them.

Eggs were eminently edible. Baaloch Hellblob was only egg-shaped; was also Sinistral Sloth of Satanwyck. Then again the Highchair of Hell shouldn’t have been akin to a griddle either. It was hot; too hot for sitting. Demons were notoriously flammable. Lord Lazy had never moved so fast. Recovered, uneaten. Look up at Highchair.

“Now what?” he demanded of its occupant, a mass of darkness in a female shape.

“Ass-end of Hell?” said occupant wondered. “Does that make this its Hell-Mouth?”

Bottom? Ass-head? Guess I’ll leave it at that.

Full Cover Mockup for "Hidden Headgames", prepared by Jim McPherson, 2017,

Full Cover Mock-up for “Hidden Headgames”; proper font and background images to be added prior to publication

 

 

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Feel Theo at the Tate Britain

Well, not literally, but close.

Harryhausen's Perseus Strangling Medusa, photo taken in the Tate Britain by Jim McPherson, 2017

Perseus using his shield as a mirror in order to avoid looking directly at the Medusa. Shades, once again, of “Feeling Theocidal” , though it didn’t happen exactly that way when he, a deviant, tangled with his devic half-dad, a Great God, at the end of Feel Theo. Looks like the Amateramirror, with the Susasword on the ground . — taken at the Tate Britain by Jim McPherson in late August 2017

Harryhausen's Pegasus, taken at the Tate Britain by Jim McPherson, 2017

Chrysaor Attis, from “Feeling Theocidal“, was known as the Universal Soldier, but he was also many of the heroes of mythology, including Perseus. At least he was according to the Phantacea Mythos. He called his ride ‘Peg‘.  Not very imaginative of him but, hey, when you’re a product of imagination you can’t expect to have much of one yourself. — taken by Jim McPherson at the Tate Britain in late August 2017.

A lot of 2008’s “Feeling Theocidal“, Book One of ‘The Thrice-Cursed Godly Glories epic trilogy, was at least partially inspired by the Perseus cycle of myths.

In pHantacea-pHact its deviant protagonist, Chrysaor Attis, who was born circa 2000 BCE on the Inner Earth of Sedon’s Head, was once Perseus himself.

He rode a pterippus by the name of Peg, not Pegasus. He wielded the Six Great Godly Objects including a golden sword known as the Susasword and a shield-cum-mirror known as the Amateramirror.

Like their sister object, the Crimson Corona, which causes the Untouchable Diver no end of trouble in “Hidden Headgames”, they shone with the telltale glow of Brainrock when in use.

What isn’t as well known in terms of Greek Mythology is their connection not only to each other but to Medusa herself:

Chrysaor was the brother of the winged horse Pegasus and son of Poseidon and the Gorgon Medusa. When Medusa was decapitated by Perseus, both Chrysaor and Pegasus were born at the same time. Little is known about Chrysaor; he was considered a stout-hearted warrior, and his name means “he who bears a golden sword”.

… from Chrysaor – Greek Mythology (https://www.greekmythology.com/Myths/Creatures/Chrysaor/chrysaor.html)

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Another model of Medusa made by Ray Harryhausen and shot in the Tate Britain by Jim McPherson, 2017

Harryhausen’s Medusa, a model for his 1981 film ‘Clash of the Titans’. The model’s behind glass. The painting in background is John Martin’s “Great Day of his Wrath”. Phantacea’s Medusa (Mater Matare, from “Feeling Theocidal“, “The War of the Apocalyptics” and the comic books did not have a serpentine tail. More re pHant’s Medusas here: shot at Tate Britain by Jim McPherson in late August 2017.

Harryhausen's Medusa, shot by Jim McPherson at the Tate Britain, 2017

Close up of one of Harryhausen’s Medusa models. Again it was behind glass, but still looks nasty.

Don’t recall if this was mentioned in Feel Theo but do recall that Attis’s half-parents were the time-tumbling Dual Entities (Heliosophos and Miracle Memory) whereas his devic half-parents were Thrygragos Varuna Mithras and his Ewe for Aries Fitna Marutia (also Kanin Marut, Kore-Discord).

{She grew up (down?) to become none other than Strife, a possessive ‘virus’ last seen in “Nuclear Dragons“, the second entry in the epic Launch 1980 fantasy trilogy.}

One of Harryhausen's sketches of Scylla, photo by Jim McPherson, 2017

Harryhausen’s version of Scylla. As per “Hidden Headgames”, Aortic Merthetis gave the future Fisherwoman that as a first name when she found her, a newborn, in the Belly of the Beast (Island Leviathan) in 5918 Year of the Dome. In terms of our time count that’s almost a hundred years ago now. The eye-stalks are called ommatophores. John Sundown ended up wearing a pair near the end of “Decimation Damnation“. They were a trap. Rather, they were intended to be a trap for him. More here re that.

Isn’t much of an assumption to suggest Attis was named by the Entities, who being from the (then) future knew their myths. Had even lived one, his Second, as Phoenician-born Cadmus, founder and long-serving king of Grecian Thebes.

(Heliosophos, the Male Entity, believed he was in his Seventh Lifetime around 2000 Year of the Dome, our 2000 BC. His time as Cadmus, also brother of Europa, hence the continent’s name, took place 500 years later, around 2500 YD, our 1500 BC. Time-tumblers do that sort of thing.)

Somehow doubt Ray Harryhausen would have known about the Phantacea Mythos when he did ‘Clash of the Titans‘ in 1981, though Phantacea One did come out in 1977. (As boldly stated on its front cover, the release of “Hidden Headgames” marks the {gulp!} 40th anniversary of the Phantacea Mythos in print.)

Still, with these shots, it’s hard to ignore the connection. All the more so when Pyrame Silverstar, another of the main devic characters in Feel Theo is about to make a big time return to the print canon with the release, later on this month, of said “Hidden Headgames”.

Model of a skeletal warrior by Ray Harryhausen, shot in Tate Britain by Jim McPherson, 2017

Model of a skeletal warrior prepared by Ray Harryhausen for his film, 1981’s Clash of the Titans. Note the Medusa head on its shield. It’s a skeletal gorgon. Taken by Jim McPherson at the Tate Britain in August 2017

Pyrame’s hardly the only familiar pHace to pHanta-pHans who’s back in Games. Sooth as always said, at least on pHantaBlog, virtually everyone who appears in Games has done so before.

Tate Placards re Harryhausen Exhibit, taken by Jim McPherson, 2017

Placards quoting Harryhausen re his sketches of Charybdis and Scylla

That includes the fabulous, ever-fishifying Fisherwoman, whose birth name was Scylla Nereid. As also per “Goddess Gambit” and towards the end of “Decimation Damnation“, unless you’re a fan of monsters she’s vastly better looking than Harryhausen’s Scylla.

Still, yet again, when you walk into a free show at the Tate Britain, in August 2017, barely a couple of months before Games is due to go on sale, you not only have to start shooting (photographs) you have to do a pHantaBlog on a few of them.

So have a few more to finish. Have to say, as a last word, the bronze looks more like his Charybdis than his Scylla.

Harryhausen Bronze nominally of his Scylla, taken at Tate Britain, 2017

Looks more like his sketch of Charybdis. Since Arisandesam, the Conqueror Worm, once Sinistral Gluttony of Satanwyck, has a brief mention in “Hidden Headgames” might use in future to represent him/her.

Placard quoting Harryhausen, taken by Jim McPherson at the Tate Britain, 2017

Note Harryhausen’s explanation as to why ‘Force of the Trojans’ was never made

Harryhausen's sketch of Charybdis, taken by Jim McPherson at the Tate Britain, 2017

Harryhausen’s sketch of Charybdis, made as part of a pitch for a movie tentatively entitled ‘Force of the Trojans’ that never got made

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DaVinci does Trans

Tell you what, if the individual sitting to Christ’s right is supposed to be John the Apostle and not Mary Magdalene, then Leonardo daVinci was painting a transsexual five hundred years ago.

Post inspired by sights seen in Milan, September 2017.

BTW the bottom two shots are supposed to be of a young Jesus. Neither was by daVinci but the copy of The Last Supper above them was. Too bad they wouldn’t allow photographs in the Ambrosiana Museum.

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Croatian Covers 4 Hidden Headgames

So why’s the fact it’s raining in Dubrovnik, after ferocious thunder storms last night and more in forecast, make us happy Jim McPherson, the creator/writer of the Phantacea Mythos, carted his Mini-Mac with him while on a ‘not writing, traveling’ sabbatical?

Backcover for "Hidden Headgames"

Headgames back cover pieced together on a rainy day in Dubrovnik, Croatia

Because we get this for pHantaBlog. Too bad his mini-mac didn’t have the right font on it or all the links for background images. Means print version won’t be identical but it’ll be close.

Text probably won’t be changing. It’ll just fit together better:

The creator of the Phantacea Mythos presents three intertwined novellas leading up to and into “Wilderwitch’s Babies”

Set entirely on the Inner Earth of Sedon’s Head, ‘Hidden Headgames’ tells untold tales of a wide swath of characters who came to feature in “The Thrice-Cursed Godly Glories” and “Launch 1980” epic fantasies.

Who was behind Crystallion, Hell’s Horsemen and their Nuclear Dragons? How could the Dual Entities survive ‘Helios on the Moon’? What became of Cosmicar 6?

Vignettes, verisimilitudes and at least one vampire setting up and carrying on “Phantacea Phase Two”

Full Cover Mockup for "Hidden Headgames", prepared by Jim McPherson, 2017,

Full Cover Mockup for “Hidden Headgames”; proper font and background images to be added prior to publication

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House Head’s home going under

Hasanclef, 2003 … Have some lynx.

One’s a rollover in the Header here: http://www.phantacea.info/fallof03.htm#logo. There’s a comment on it further down the page (http://www.phantacea.info/fallof03.htm#graphics), wherein Hasanclef is spelled Hasankeyf, that makes mention of the coming dam, albeit fourteen years ago.

Tyrannosaurus Rock Rex (Coyote 9) was also taken there (http://www.phantacea.info/spring04.htm#coy9). If you’d care to linger on either page, even after all this time there are some very informative coyotes re early years of Phantacea Publications

Mention of a number of other structures being moved. Wonder if this fellow’s getting a reprieve. Doubt it somehow.

Ruins of a building in Hasankeyf, Turkey, shot by Jim McPherson, 2003

Hasan House Head shot in Hasankeyf Turkey in 2003 by Jim McPherson; probably underwater by now

Looks good with three eyes, too

Hasankyef House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

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Midwinter Meanderings Minus Maximon … also Minus Zero

In case you missed it yesterday on pHantaJim‘s pHacebook page …

January 12, 2017

Cold Snap-Shots – January 2017

Photo of Maximon Mask bought in 2003 probably in Guatemals

1. Photo of Maximon on pHantaJIm‘s mask wall, shot in early January 2017

Shot of person emerging from English Bay at Jericho Beach, photo by Jim McPherson, 170101

2. Jericho Beach Vancouver New Years Day 2017 Polar Person emerging from English Bay, RVYC, West End and North Shore mountains in background

Maximon Mask (1) thought it was too cold outside to come off the wall and go for a walk to Jericho Beach on New Years Day, so went bare-faced by myself. He was right about the cold, and the road-ice made for treacherous footing, but I made it down there in the early afternoon.

I don’t do polar bear swims but someone else did (2).

Shot of Jericho Beach's scary tree, taken by Jim McPherson, 170101

3. Shot of Herb Mire, Jericho Beach’s scary tree, taken 170101

Was old pal Herb Mire (3) shivering under his blanket of snow.

Kits Point arch, taken by Jim McPherson on 170112

4. Arch at Kits Point, with skaters, taken on 170112; arch is reminiscent of Poseidon’s Gate on Naxos in the Cycladic Islands of Greece

Might have been; still looked like he was stalking someone. Or was it something? Ducks on the frozen pond? A coyote in the underbrush trough, perhaps?

A week later a one-day rainstorm washed away a lot of the snow and melted most of the ice. The cold came back the next day, though, and shows no sign of leaving any time soon.

5, Vancouver's frozen over Kits Pool, shot by Jim McPherson on 170112

5, Vancouver’s frozen over Kits Pool, shot on 170112

So I went down to Kits Point to see if the teleportal (4) to Naxos, in the Cyclades, was working yet. It wasn’t. Weird how it never is whenever I try it.

Vancouver's Grouse Mountain shot across English Bay from Kits Point by Jim McPherson on 170101

6. Vancouver’s Grouse Mountain shot across English Bay from Kits Point on 170101

No one was swimming in Kits Pool (5). Mind you, no one was skating on it, either. Mountains looked nice (6).

Mexico, here I come!

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NOTE 1: More on Maximon can be found on Jim McPherson’s Travels page: El Retorno del Maximon;

Mock up for Helmoon Back Cover, 2013, prepared by Jim McPherson in 2013 using the Delphi Spinx

Mock up for Helmoon Back Cover, 2013, prepared by Jim McPherson in 2013 using the Delphi Sphinx

NOTE 2: Herb Mire, unnamed at the time, has appeared on pHantaBlog previously. Serendipitously it was posted on January 13, 2015, two years ago today: Marauding Mire Monster Shot.

Sphinx shot in the Delphi Museum, taken in 2012 by Jim McPherson

Sphinx shot in the Delphi Museum turns out to have been from the island of Naxos originally

NOTE 3: According to Wikipedia, what I was told was called Poseidon’s Gate, when I went to Naxos in 2004, is actually what’s left of the entrance to Apollo’s Temple.

Finally, since this is pHantaBlog, not pHantaJim‘s blog, I was surprised to discover that the Delphi Sphinx I used in one of my mock-ups for the back cover of “Helios on the Moon” is actually a Naxian sphinx.

Nothing on Wikipedia page as to why it ended up in the Delphi museum in time for me to get a shot of it in 2012.

Poseidon Gate on Naxos, shot by Jim McPherson, 2004, on island of Naxos in the Cyclades

Poseidon Gate shot on island of Naxos in 2004 turns out to be what’s left of the entrance to the Apollo Temple according to Wikipedia

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Wilderwitch’s Cover Candidates, Part 2

Collage prepared by Jim McPherson, 2016

Poster prepared by Jim McPherson featuring a number of images pertaining to Wilderwitch’s Babies

The cover for “Decimation Damnation” is finally coming together. And, yes, it will be a collage like the ‘Wilderwitch’s Babies’ poster depicted at top of page. The images that went into it can be found on the Character Companion page that recently appeared on the Phantacea Publications website.

Painting spotted and shot in Vienna, Austria, in 2010 by Jim McPherson

Painting spotted and shot by Jim in Vienna, Austria, by Jim McPherson, 2010. No further information on it available at this time

Other than the big shot of a young-looking Witchie-type on the right of the Babies poster, though, probably none of them will make it to the final cover of “Decimation Damnation“. (The link goes to some more lynx pertinent to the mini-novel.)

Here are a few that probably will …

==>Not sure who did this painting or when, though it is signed ALV 08, which could be 1908 as easily as it could be 2008.

Ran it through the Google Image identification system without success. Recall it was taken in the same art gallery in Vienna, Austria, as the equally unidentified painting I used for the back cover of “Janna Fangfingers” but that’s about it.

(Always thought the Janna-Vetala image for FANGERS, which can be better seen here, was by Egon Schiele (1890-1918) but Google Images doesn’t recognize it either, so can’t say for sure.)

Picture taken of a poster in Playa del Carmen in 2014 by Jim McPherson of brain coral

The ‘Boulder Brain’ Conqueror does not appear in “Decimation Damnation”. A character who knows that for sure does. And, yes, he does wear a boulder brain helmet just like the Conqueror did in the 1940s

Painting of a Mayan warrior reminiscent of John Sundown, shot by Jim McPherson in Merida Mexico ca 1999

Mayan Warrior, with Spear, by Fernando Castro Pacheco

<== The brain coral shot is from Playa del Carmen. It’s a poster spotted and shot there in 2014.

There’s a note re the Boulder-Brain Conqueror here. He doesn’t appear in “Decimation Damnation” but someone who could pass for him does. Unless, that is,  it really is the Conqueror.

Which would be remarkable since he was killed in 1953 by Blind Sundown ==> when he, riding Raven’s Head, dropped a prototype Hydrogen Bomb that the Conqueror made for the Soviet Union on top of him in an effort to wipe out the Moloch Sedon.

(Actually, as we learned in “Helios on the Moon”, that Conqueror wasn’t the original Conqueror. Still isn’t. We’ve been to where this Conqueror come from before, though, notably in “The War of the Apocalyptics” and “The Damnation Brigade” graphic novel.)

Which should do for today.

Image of expoding H-Bomb taken from web

Image taken from web; an otherwise unrecorded detonation of the Soviet H-Bomb on Salvation Island, in the South Seas, features in the back stories of “The War of the Apocalyptics”. “Nuclear Dragons” and “Decimation Damnation”.

 

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Hacienda Morelos does its best to keep town a secret

Psst .. Jim McPherson, the creator/writer of the Phantacea Mythos, put the finishing touches on both 2013’s “Nuclear Dragons” and 2014’s “Helios on the Moon” in Puerto Morelos, Mexico.

He’d didn’t bruit this about on any of the Phantacea websites because he mistakenly thought he was keeping the town a private delight. Guess what? It didn’t work. So much so that by the time he decided to return there this year it was packed.

He ended up staying — index fingers crossed in a warding gesture of just that, a cross — at the Hacienda Morelos. Here’s his report, as first published on the booking.com website earlier this week:

Business card used by Jim McPherson when in Phantacea mode

Business card used by Jim McPherson when in Phantacea mode; the Pharaoh’s head is actually a parking shot on Giza Plateau as shot by Egyptian air force circa 1929/30; Sedon’s Head by Jim McPherson and Tim Hammell, ca 1978

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“Gorgeous setting about only good thing about Hacienda Morelos”

Situated right on a ledge above a nearly endless, soft sand, Caribbean beach that’s kept fairly clean. (Trash cans could do with more frequent dumping and the sargassum sea weed, while not as bad as last year, needs more aggressive attention.) Gorgeous view of diving and fishing boats and tenders, with the port, hence Puerto Morelos, in distance.

View from the terrace of the Hacienda Morelos after a rain storm, photo by Jim McPherson, 2016

View from the terrace of the Hacienda Morelos after a rain storm

A short walk to town square (zocala), a selection of good restaurants and a decent coffee house. One place even serves Austro-Hungarian goulash while a couple have outrageously pricey lamb. Lots of music in the bars and restaurants, though nothing at hotel, fortunately, which was quiet at night. I say fortunately because much of my stay was unfortunate.

Had to ask for towels as none were supplied at first. When I complained about the lack of hot water in shower, the desk clerk suggested I didn’t get up early enough; that everyone showers between 7 and 9 a.m., and that water containers can only heat so much.

Beach shot of Hacienda Morelos, taken by Jim McPherson, 2016

Looking up at the Hacienda Morelos as shot from the beach in February 2016 by Jim McPherson

Besides, she added, it’s usually hot, so guests don’t mind tepid shower water. (It did rain a few times and the wind was nearly constant, so not the best weather. But I was there to write and the town was down the street, so didn’t mind too much.)

Kitchen ran out of black tea after two days and never replaced stock for remaining five days. (Couldn’t find any in the local store but never checked Oxxo, the omnipresent Mexican equivalent of 7-Eleven.) The continental breakfast consisted of stale white toast, dubious pineapple marmalade, juice and either coffee or tea, read Nescafe and caffeine-free Manzanilla Chamomile. Everything else is extra.

I asked for plain yogurt and granola but they never had any granola, so they didn’t charge me. Once they substituted pink lemonade for juice and another time powdered Tang or some such. So don’t jump at offer of a free breakfast likr . Or the advertised notion that WiFi is available throughout hotel. It isn’t.

Rainbow taken at Hacienda Morelos by Jim McPherson, 2016

Shot of a rainbow taken from Hacienda Morelos terrace, image flipped horizontally.

In fact, it’s only available in the lobby or on the terrace and even then you need two separate sign-ins. Fortunately (again) I was assigned a terrace room, which was actually on the pool deck. Scuba lessons started at 8 a.m. but were usually done by 10. The doors had no screens and the room had no overhead fans. The air conditioning was so loud I shut it off. Something of a blessing, the windows that opened did have screens.

Perhaps worst of all were the pillows. They were so stuffed with foam they had no give. Instead of cushioning your head they more like bruised it. I asked for down pillows but they didn’t have any. Gave me a couple of pillows with some of the foam removed, which was better. Except one of them hadn’t been sewn up properly and I ended up with foam all over the bed, floor and me, until I noticed it. Rather than replacing it they doubled up the pillow casing.

Won’t be returning to Hacienda Morelos anytime soon. Even without the to me shocking add-on of 19% tax, it’s an overpriced shell of what once, twenty or thirty years ago, might have been a fabulous place to stay.

Phantacea Publications logo utilizing a Sun-Moon wooden Carving spotted and shot by Jim McPherson, 2014

Phantacea Publications logo utilizing a Sun-Moon wood carving spotted and shot by Jim McPherson, 2014; taken to represent the Dual Entities during happy times

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pHantaBlog pHilches phrom pHacebook

Well, it isn’t exactly filching when it’s your own; rather, when it belongs to Phantacea Publications (James H McPherson, Publisher). So have a bunch of shots previously displayed on pHantacea on pHacebook as well as google+phantacea.

Card prepared by Jim McPherson, 2013

Anheroic Fantasy Illustrated since 1978

Text is by Jim McPherson, the creator/writer of the Phantacea Mythos. He took the pictures in Mexico City while he was there in January 2016.

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Dyana the Huntress, shot by Jim McPherson in Mexico City, January 2016

This fountain is right on the Paseo del Reforma, one of the main thoroughfares in Mexico City. Suggestive of Wilderwitch, except she usually wears clothes

‘Wilderwitch’s Babies’ will probably turn out to be two or three mini-novels long, with “Tsishah’s Twilight” either the last installment or, if expanded upon, as I’m currently leaning, a standalone novel.

Here are some Mexico City shots along with a bit of a plot summary for the first book. I’d call it ‘Decimation Damnation’ except for one thing. It gives away the whole story.

Statue of a faun groping a nymph, shot in Soumaya Museum by Jim McPherson, January 2016

Not sure who this is by but its in the Rodin area of the free Soumaya Museum in Mexico City; subtitled ‘Everyone know what fauns are good at’ by Jim McPherson, it’s a reminder that Wildman Devish Furie appears to be turning into a faun or satyr after D-Brig 4’s escape from Hadd in December 1980 (Tantalar 5980)

First of all, the titular Witch (#1) did not fare very well in “The War of the Apocalyptics“. Won’t be akin to Dyana the Huntress again for months, if ever. She’s still alive at the outset of new series, though. Has already had one child, Fey Woman, who was mentioned in that novel.

The series title is plural, not singular. Dervish Furie is infertile so that rules him out as father. He also seems to be transforming into a faun and we all know what fauns are good at. That’s #2, though that wouldn’t be the Witch pictured.

Mayan god called the Tulum Diver, photo taken in Mexico City's superb National Museum of Archaeology by JIm McPherson, January 2016

Spotted and shot in Mexico’ City superb Archaeological Museum, this statue is called the Diver. It’s originally from Tulum on the Mexican Caribbean where the deity is also known as the Descending God

She spends virtually all of the opening book either on her back being operated on in order to save her leg or in a wheelchair. Not saying if the operation’s successful, who performs it or where it’s done.

Statue of Mnemosyne, the Mother of the Muses, shot outside and up at the Palacio del Bellas Artes in Mexico City by Jim McPherson, 2016

Figure spotted and shot on the veranda out the Bellas Artes Palace in Mexico City; taken to represent Miracle Memory, the Female Entity, in the Phantacea Mythos

As recorded in “Helios on the Moon“, the Untouchable Diver disappeared during the final battle for Diminished Dustmound. #3 is actually called the Diver, though I’ve seen the same or a similar Mayan deity referred to as the Descending God.

Besides it being kind of neat, I scanned it in because he disappeared in Hadd/Iraxas and that’s where Native Americans go when they die according to one theory. Not saying if he’s back, please note.

Siqueiros Nueva Democracia, shot inside the Palacio de Bellas Artes in Mexico City by JIm McPherson, January 2016

Mural spotted and shot inside Mexico City’s Palacio de Bellas Artes. It’s by Siqueiros and taken to represent Freespirit Nihila

Right side of Camarena's Humanity Freeing Itself spotted and shot inside the Palacio de Bellas Artes by Jim McPherson, January 2016

Right side of Camarena’s Humanity Freeing Itself spotted and shot inside the Palacio de Bellas Artes; taken to represent Pyrame Silverstar with a human head and only two eyes

We already know that Wilderwitch had a mother, Miracle Memory (#4), and that she needs to be possessed in order to become human. Wilderwitch is supposed to a reincarnation of Harmony, who’s now Freespirit Nihila (#5). Guess who’s vying for Memory, along with Pyrame Silverstar (#6). Harmony and Pyrame appeared together most notably in “The Death’s Head Hellion“.

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BTW, all of these places Google, as do the murals found in the Palacio de Bella Artes. pHanta-pHans may already be familiar with some of them from the Afterword for “Feeling Theocidal“, Book One of The Thrice-Cursed Godly Glories epic fantasy.

It concluded in 2012 with “Goddess Gambit“, though there was a perhaps unexpected addendum incorporated within 2014’s “Helios on the Moon“, which concluded the follow up trilogy, Launch 1980.

Didn’t conclude Jim McPherson’s Phantacea Mythos obviously.

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

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Did Camarena show Granny becoming a Phoenix in 1964/5

Not saying she does, but Sorciere’s quest to find a way to get Granny Garuda to phoenix leads directly to events recounted during ‘The Vampire Variations‘ web-serial that appeared on pH-Webworld in the Twenty Noughts (early Two Thousands).

It’s a storyline that Jim McPherson, the creator/writer of the Phantacea Mythos, keeps threatening to revisit when he finally gets around to completing, as in completely revising, “Tsishah’s Twilight“. (Current reckoning has it as the third and final entry in the saga of “Wilderwtch’s Babies”.)

In this regard, he has discovered …

Jorge Gonzalez Camarena's Presence of Latin America, 1964–65, property of the University of Concepcion in Chile as taken from the Web

Jorge Gonzalez Camarena’s Presence of Latin America,1964–65, property of the University of Concepcion in Chile. One of its web-presences is here: https://en.wikipedia.org/wiki/Jorge_Gonzalez_Camarena#/media/File:Mural_panoramico.JPG

Have a boo at the upper right hand corner of this mural (“Presence of Latin America”). Could that be Tsishah Twilight, who wears Sorciere’s daughter, the Shah Demon, as a way to keep them both semi sort of alive in 5980/1?

Could it be Sorciere herself, some fifteen years before her horrendous murder in June 1953? More importantly, is that really Granny Garuda phoenixing (to coin a word) at her side?

Of course not. Yet … it has to be, doesn’t it. Have a closer look and make up your own mind. Already have mine.

Camarena's non-commissioned rendition of Granny Garuda phoenixing in 1938

Jorge Gonzales Camarena did not receive a commission from Phantacea Publications for painting Granny Garuda phoenixing in 1965

As for what got McPherson researching Camarena, when he was in Mexico City’s Chapultepec Castle in January 2016 he not only spotted Camarena’s “Clash of Two Worlds”, he was allowed to take a picture of it.

Having already snapped impressive Camarenas in the opera house and the Archaeological Museum he decided to look online for some more, hence this serendipitous entry.

Camarena's Clash of Two Cultures, shot by Jim McPherson 2016

Camarena’s Clash of Two Cultures as shot by Jim McPherson in Mexico City’s Chapultepec Castle, 2016; web shots of same have been used on pH-Webworld for many years

BTW, the last time he was in the castle, fifteen years earlier or thereabouts, he was actually asked to leave for trying to take pictures inside it. Then again it might not have been a bonafide history museum then.

All of which explains why he had to appropriate a shot of it from the web to use on pH-Webworld here and here.

Business card used by Jim McPherson when in Phantacea mode

Business card used by Jim McPherson when in Phantacea mode; the Pharaoh’s head is actually a parking shot on Giza Plateau as shot by Egyptian air force circa 1929/30; Sedon’s Head by Jim McPherson and Tim Hammell, ca 1978

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