Good Cover, Bad Cover, Final Cover(s)

Final cover collage for the print edition of “Decimation Damnation”

Final cover for print edition of "Decimation Damnation", collage prepared by Jim McPherson, 2016

Final cover for print edition of “Decimation Damnation”

Made mention of cover controversy surrounding the various collages prepared for “Decimation Damnation — Wilderwitch’s Babies 1” a number of times out here in Cyberia. (See also here and here.)

Lately it’s got so bad I’ve had to eject an entire row from the graphics section on the Witch Babs page.

It had to go somewhere so …

Source of Viennese Photo Montage

Front cover picture of Sharbat Gula as it appeared on National Geographic cover in June 1985

Though shot in 2010 at a public gallery in Vienna, Austria, it turns out that the otherwise unidentified photo montage used in the cover collage in this row began as a photo taken for the National Geographic’s June 1984 issue and as such can’t be pHanta-used as is.

The subject’s name is Sharbat Gula, at the time (1984) age 12. More on pH-Webworld‘s Summer 2016 entry of Serendipity and …

Rejected full cover for "Decimation Damnation" mini-novel

Full tentative cover for Decimation Damnation mini-novel, prepared by Jim McPherson, 2016

Background image is a sunset taken at Jericho Beach in Vancouver, July 2015; Easter Island Moai taken from the Web then solarized

Rejected front cover for DecDam

Main shot taken in Vienna, Austria, gallery, uncredited art, photo by Jim McPherson, 2010; used on tentative front cover for 2016 mini-novel, prepared by Jim McPherson

Wilderwitch representative spotted and shot in a Vienna, Austria, city gallery in 2010; Moai used to represent between-space stone gnomes reputed to exist in the Weirdom of Cabalarkon

Did manage to retain the darker version of the cover for use on one or the other of the mini-novel’s digital editions (PDF or e-pub). So hardly a wasted effort.

Tentative full cover for "Decimation Damnation"

Took out the face, save for the hair and eyes, of the Afghan Girl and filled in space with Daemonic Desperation graphics. Like result a lot … but may not use it for print to blackness issues. Should be okay for digital editions, though.

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These greens aren’t edible; hopefully, they’re editable

It’s happened again. Caught it in time, this time, but still …

Artwork by Ricardo Sandoval, 2014

Helios on Moon tested at 300%. Note lack of green. That means it passed 2014 Acrobat test.

Artwork by Ricardo Sandoval, 2014

Helios on Moon cover tested at 240%. Note the green. That means it failed. Yet it’s still available from same POD printer. Go figure.

In case you were wondering why “Decimation Damnation” didn’t come out on or about Midsummer’s Day 2016, check this out.

<<==  A year and a half ago Ricardo Sandoval produced a print cover for Helios on the Moon. It passed the 300% overall coverage test on Acrobat.

==>> Times change. It wouldn’t today because the POD company I use now requires covers must first pass a 240% overall coverage test.

Collage by Jim McPherson, 2016

Note the green. First choice cover tested at 240% failed.

Cover collage by Jim McPherson, 2016

Again, note the green. Would have failed in 2014, so back to square one.

Cover collage Jim McPherson, 2016

Cover collage initially prepared for second entry in Wilderwitch’s Babies saga “Destination Damnation”

As per here, I had to abandon my first choice print cover for DecDam. Then my craftily reworked second choice <<== did not pass the Acrobat test at 240% total overall coverage.

Small conciliation, it would not have passed the 2014 test either. ==>>

<<== So I tried out the cover I initially intended for the follow-up entry in the as yet open-ended saga of Wilderwitch’s Babies.

Cover collage originally prepared for "Destination Damnation" by Jim McPherson, 2016

Even at 300% the DestDam cover was only a borderline pass.

(Likely title, in case you were wondering, “Destination Damnation”)

It was only marginally better. ==>>

Here’s the requirement:

“When the Output Preview window is open you can move your cursor over the PDF and view the CMYK values in your file.

“This is a good time to verify that the barcode used is 100% black only and that your cover does not have large areas of color that exceed 240% Total Area Coverage.

“If concerned about excessive color density you can select the box at the bottom of the window labeled “Total Area Coverage”, select a maximum limit and all offending areas will be highlighted.”

Concerned I was; concerned I still am. But I’m submitting Revision 4 anyhow. Stay tuned. If gasket blows, well, at least I’ve got comparatively affordable medical insurance.

Cover collage prepared by Jim McPherson, July 2016

The fourth revision of the cover collage for “Decimation Damnation”. Collage prepared by Jim McPherson, July 2016

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Duelling coverage

Collage entitled Daemonic Desperation, prepared by Jim McPherson, June 2016

Right centre: colourized version of Dancing Witch from the Legend of Tam O’Shanter, artwork by John Faed, 1819-1902; Ancient Night by Henry Fuseli, 1741-1825; revenant between them by Pieter Pourbus, 1523-1584, shot in Bruges 201`2; cameo Sedon shot in Bruges, 2012, same as statue of hooded woman in middle of image; other images taken from Web

As per Serendipity and … here, finally learned where the girlish face featured in the otherwise unidentified photo montage on the last post came from. It’s purloined from a National Geographic cover from June 1985. The girl photographed by Steve McCurry in 1984 was Sharbut Gula, then 12. More on that here.

Tentative cover for "Decimation Damnation", graphic prepared by Jim McPherson, June 2016

Daemonic Desperation graphics transposed to tentative cover for “Decimation Damnation” mini-novel

The photo montage used was shot in a public gallery in Vienna, Austria, in 2010 but didn’t shoot the information plaque. Result? Had to rework the tentative cover and poster at bottom of page painstakingly prepared for DecDam over a month ago. Hence delay.

Still like the eyes, as per immediately, but  can’t decide if cover collage is usable. Maybe make up mind tomorrow.

Tentative full cover for "Decimation Damnation"

Took out the face, save for the hair and eyes, of the Afghan Girl and filled in space with Daemonic Desperation graphics. Like result a lot … but may not use it.

So what do you think? Comments appreciated below.

Black & white version of revised poster for Wilderwitch's Babies, prepared by Jim McPherson mostly using his own images, 2016

Black & white version of revised poster for “Wilderwitch’s Babies” as used on the print version of “Decimation Damnation”, the first mini-novel taken from that as yet open-ended saga. More notes here: http://www.phantacea.com/witchBabsPage.htm#graphics

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Wilderwitch’s Cover Candidates, Part 2

Collage prepared by Jim McPherson, 2016

Poster prepared by Jim McPherson featuring a number of images pertaining to Wilderwitch’s Babies

The cover for “Decimation Damnation” is finally coming together. And, yes, it will be a collage like the ‘Wilderwitch’s Babies’ poster depicted at top of page. The images that went into it can be found on the Character Companion page that recently appeared on the Phantacea Publications website.

Painting spotted and shot in Vienna, Austria, in 2010 by Jim McPherson

Painting spotted and shot by Jim in Vienna, Austria, by Jim McPherson, 2010. No further information on it available at this time

Other than the big shot of a young-looking Witchie-type on the right of the Babies poster, though, probably none of them will make it to the final cover of “Decimation Damnation“. (The link goes to some more lynx pertinent to the mini-novel.)

Here are a few that probably will …

==>Not sure who did this painting or when, though it is signed ALV 08, which could be 1908 as easily as it could be 2008.

Ran it through the Google Image identification system without success. Recall it was taken in the same art gallery in Vienna, Austria, as the equally unidentified painting I used for the back cover of “Janna Fangfingers” but that’s about it.

(Always thought the Janna-Vetala image for FANGERS, which can be better seen here, was by Egon Schiele (1890-1918) but Google Images doesn’t recognize it either, so can’t say for sure.)

Picture taken of a poster in Playa del Carmen in 2014 by Jim McPherson of brain coral

The ‘Boulder Brain’ Conqueror does not appear in “Decimation Damnation”. A character who knows that for sure does. And, yes, he does wear a boulder brain helmet just like the Conqueror did in the 1940s

Painting of a Mayan warrior reminiscent of John Sundown, shot by Jim McPherson in Merida Mexico ca 1999

Mayan Warrior, with Spear, by Fernando Castro Pacheco

<== The brain coral shot is from Playa del Carmen. It’s a poster spotted and shot there in 2014.

There’s a note re the Boulder-Brain Conqueror here. He doesn’t appear in “Decimation Damnation” but someone who could pass for him does. Unless, that is,  it really is the Conqueror.

Which would be remarkable since he was killed in 1953 by Blind Sundown ==> when he, riding Raven’s Head, dropped a prototype Hydrogen Bomb that the Conqueror made for the Soviet Union on top of him in an effort to wipe out the Moloch Sedon.

(Actually, as we learned in “Helios on the Moon”, that Conqueror wasn’t the original Conqueror. Still isn’t. We’ve been to where this Conqueror come from before, though, notably in “The War of the Apocalyptics” and “The Damnation Brigade” graphic novel.)

Which should do for today.

Image of expoding H-Bomb taken from web

Image taken from web; an otherwise unrecorded detonation of the Soviet H-Bomb on Salvation Island, in the South Seas, features in the back stories of “The War of the Apocalyptics”. “Nuclear Dragons” and “Decimation Damnation”.

 

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Current candidates for cover collage

Text reads: Jim McPherson Decimation Damnation

Jim McPherson’s Decimation Damnation, a mini-novel released by Phantacea Publications, 2016

Here’s a quote from the mini-novel. And no, it does not refer to Sally Dali’s Corpus Hypercubus, though a recent article on BBC Online re Dali in the Fourth Dimension did inspire today’s pHantaBlog entry

‘He must have looked like a crucified man, minus the cross, encased in a transparent beach ball floating in midair.’

Salvador Dali "Corpus Hypercubus" image taken from the Web

Dali’s painting of a white man dangling in the air in front of a cubic cross

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Here’s an earlier quote:

‘Wilderwitch braved her best bluster. “Don’t waste any of your seemingly few and far between little grey cells on that, Sal. I’ve told you before, or if I haven’t, I’ll tell you now, Witch will do just fine. Who’s your sad excuse for a girlfriend – Murk Mist, Mad for Mud Magpies? She looks likes she could use some brightening up. And I know just the fellow to do that. Got a solar spear tailor-made for the job.”’

==>>Franz Stuck’s “Sin“, which I’ve seen in Munich’s worthwhile Neue Pinakothek, googles up when you type in “Lilith” so she must be a candidate.

Sin personified by Franz Stuck, image taken from Web;

Franz Stuck’s Sin has plenty of Lilith’s aspects, just not sure about the snake. Besides, already used in Phantacea Mythos to represent Sinistral Lust of Satanwyck

Painting spotted in Hamburg, shot by Jim McPherson, 2008

Edvard Munch’s Madonna has dark hair and very pale skin. Sort of eerie, could represent Primeval Lilith, Demon Queen of the Night

Too bad about the snake. Also too bad I already used Stuck’s Sin to represent Lady Lust, who doesn’t appear in the mini-novel except in unaccredited flashback.

<<== Here’s a shot taken in the Hamburg art gallery, ca 2008. Can’t remember who it’s by but she does have dark hair and very pale skin.(Turns out it’s Edvard Munch’s Madonna. Art gallery’s called Kunsthalle Hamburg.)

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Finally, what about Wilderwitch’s fearsome soul self from even earlier in the mini-novel?

‘Which was when, desperation retaining consciousness, the Witch unleashed her fearsome soul-self. Sent it directly into the Master of Weir,  jolting him, Saladin Devason, off his feet. Ordinarily, for safety’s sake, she’d have already taken herself to a between-space Shelter and sunk into a trance. Didn’t have that luxury today.’

Charybdis image taken from Web

Nasty looking character called Charybdis. Taken from Web but no indication who it’s by or where it’s from.

Image entitled "Ghost Witch" taken from the Web

Image entitled “Ghost Witch” taken from the Web. Suggestive of Wilderwitch’s fearsome soul self.

How about this horror <<==? Probably couldn’t use it anyhow, since it’s likely copyrighted, but again, it suits the bill. (Called Charybdis but notes don’t tell who it’s by or where it came from.)

Or maybe this one ==>>. Character’s name is Skudakumooch and downloads as “Ghost Witch” so how could I resist.

(Shots taken from same webpage inspired a Serendipity entry entitled: “Shades of Shamanitoulin’s (Dead) Ignominies. Excerpts from the mini-novel have begun appearing on pH-Webworld)

Cover collage prepared by Jim McPherson, 2005

Variation of a cover collage prepared for what’s now called “Decimation Damnation” ca 2005

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ISBN must mean … yep, it’s officially “Decimation Damnation”

One thing about living in Canada, ISBNs cost zilch. Now if only the Canadian dollar would reach a sensible level, Wilderwitch’s Babies 1 could begin to see the printed page:

Hello Mr. McPherson,
I have assigned to your novel :
Decimation Damnation (book) = ISBN 978-1-927844-15-1
Decimation Damnation (digital) = ISBN 978-1-927844-16-8
Decimation Damnation (pdf) (electronic book) = ISBN 978-1-927844-17-5
Since you are a Canadian author/publisher, you are required to send copies of your publications to Library & Archives Canada. This is the Legal Deposit process.
Here is information on Legal Deposit:
http://www.bac-lac.gc.ca/…/legal-d…/Pages/legal-deposit.aspx
Thank you,

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Potential Dust Cover for "Wilderwitch's Babies 1", collage prepared by Jim McPherson ca 2008

2008 version of cover for “Wilderwitch’s Babies 1 — Decimation Damnation”

2005 working cover for Wilderwitch’s Babies. Thinking it might be too dark. Still fond of eye-stave gargoyles on back and the angry house-head on front.

Statue shot by Jim McPherson in backyard of Leighton House, London, England, late 1990s

Sundown type with spear and snake but on a horse, not Raven’s Head, statue shot in backyard of Leighton House in London, England, late 1990s

Cut-out of the eyeless face used in the cover collage; taken from a wooden plaque shot in Montreal in April 2000 by Jim McPherson

Cut-out of the eyeless face used in the cover collage; taken from a wooden plaque shot in Montreal in April 2000 by Jim McPherson

1. Wilderwitch with fearsome soul-self extracted from a wooden plaque spotted and shot in Montreal in April 2000;
2. house-head spotted and shot in Hasankeyf Turkey in 2003 then given blue eyes (also here: http://www.phantacea.info/fallof03.htm#logo);
3. Sundown figure on corner of house-head is a statue spotted and shot in backyard of Leighton House in London sometime in late 1990s;
4. gargoyles and caduceus on back from, I believe, Paris circa 2004;
5. Tuareg figure scanned in from the Vancouver Sun at some point. Even if this guy appears white, it’s reminiscent of Trinondevs of Weir.

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More cliffheads link from here
; more on the cover collages here.

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

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“Decimation Damnation” cover collages

Cover collage prepared by Jim McPherson, 2005

Variation of a cover collage prepared for what’s now called “Decimation Damnation” ca 2005

Here’s another take on the cover for “Decimation Damnation“, a web-serial that appeared in its entirety on pH-Webworld (aka Phantacea on the Web) starting around twelve years ago. (Might have been called “The Weirdness of Cabalarkon” then, at least for awhile.) New version won’t be the same, though.

BTW, it came in at 170 pages but an as yet unwritten Auctorial Preamble and a Character Companion (some of which is here) will enlarge that.

Potential Dust Cover for "Wilderwitch's Babies 1", collage prepared by Jim McPherson ca 2008

2008 version of cover for “Wilderwitch’s Babies 1 — Decimation Damnation”

Might go back to it if I go with a collage cover along the lines of the 1000 Days mini-novels.

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Wooden plaques spotted and shot by Jim McPherson in Montreal, 2000

Wooden plaques spotted and shot by Jim McPherson in Montreal, 2000; no information on the artist’s name

Isolation shot of the wooden plaque used in cover collage, photo manipulation by Jim McPherson

Isolation shot of the wooden plaque used in cover collage

Both parts of the Wilderwitch figure were taken from a snap shot in Montreal in April 2000. The wood plaques are all by the same guy; unfortunately there are no names I can find on them.

Her “fearsome” soul-self is in foreground; not looking very fearsome I’m sorry to say, but the lack of eyes does make it kind of spooky.

As an aside, and hopefully without giving too much away, what happens to Blind Sundown when he is given crablike, ommatophorous eye-stalks is anything but ducky. It’s truly beyond either fearsome or spooky.

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Caduceus with gargoyles collage prepared by Jim McPherson

Utopian Warriors of Weir manifest gargoyles atop their eye-staves; Mel-Illuminatus manifests a healer’s caduceus; graphic combines both

A hairpin shaped like a caduceus, image taken from web

A hairpin shaped like a caduceus like the one Mel-Illuminatus manifests atop her dinky eye-stave in the mini-novel

Two gargoyles atop Notre Dame, photos by Jim McPherson, 2004

Two gargoyles shot atop Paris’s Notre Dame Cathedral in 2004 by Jim McPherson

The caduceus is actually a hairpin. Not sure where it came from but the gargoyles are definitely from the Notre Dame cathedral in Paris. They were taken in 2004, when you could still walk up steep — I’d call them precipitous — stairs to the gargoyle level. Not sure sure whether you can do that anymore.

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Hasankyef House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Hasankeyf House Head Given Eyes by Jim McPherson in 2008; shot taken in Turkey, 2003

Part of the Hasankeyf ruins, shot in Turkey by Jim McPherson, 2003

Part of the Hasankeyf ruins in Turkey, 2003; suggestive of a House Head; also seen here: http://www.phantacea.info/fallof03.htm

Early version of DecDam front cover, prepared by Jim McPherson, ca 2003/4

Possibly the earliest version of DecDam’s front cover

Giving the stone, house-head ruin from Hasankeyf eyeballs must have been fun.

Can’t recall whose they were but flipping the shot does make it look almost human.

Not sure I like the text name at top of page on the tentative front covers shown but might keep it just for variety.

However, compared to the second cover at top of page, do prefer the pink background to Mythos area and the vaguely purplish overall background in first graphic.

Similar images are used on the related Serendipity and … entry as well as the entry for Mel-Illuminatus in Witches page on pH-Webworld..

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A couple more aspects of the covers at top of page are highlighted here.

Welcoming portal for pH-Webworld as of Spring 2015

Entry port for pH-Webworld, first appeared in the 2015 Spring update

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pHantaBlog pHilches phrom pHacebook

Well, it isn’t exactly filching when it’s your own; rather, when it belongs to Phantacea Publications (James H McPherson, Publisher). So have a bunch of shots previously displayed on pHantacea on pHacebook as well as google+phantacea.

Card prepared by Jim McPherson, 2013

Anheroic Fantasy Illustrated since 1978

Text is by Jim McPherson, the creator/writer of the Phantacea Mythos. He took the pictures in Mexico City while he was there in January 2016.

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Dyana the Huntress, shot by Jim McPherson in Mexico City, January 2016

This fountain is right on the Paseo del Reforma, one of the main thoroughfares in Mexico City. Suggestive of Wilderwitch, except she usually wears clothes

‘Wilderwitch’s Babies’ will probably turn out to be two or three mini-novels long, with “Tsishah’s Twilight” either the last installment or, if expanded upon, as I’m currently leaning, a standalone novel.

Here are some Mexico City shots along with a bit of a plot summary for the first book. I’d call it ‘Decimation Damnation’ except for one thing. It gives away the whole story.

Statue of a faun groping a nymph, shot in Soumaya Museum by Jim McPherson, January 2016

Not sure who this is by but its in the Rodin area of the free Soumaya Museum in Mexico City; subtitled ‘Everyone know what fauns are good at’ by Jim McPherson, it’s a reminder that Wildman Devish Furie appears to be turning into a faun or satyr after D-Brig 4’s escape from Hadd in December 1980 (Tantalar 5980)

First of all, the titular Witch (#1) did not fare very well in “The War of the Apocalyptics“. Won’t be akin to Dyana the Huntress again for months, if ever. She’s still alive at the outset of new series, though. Has already had one child, Fey Woman, who was mentioned in that novel.

The series title is plural, not singular. Dervish Furie is infertile so that rules him out as father. He also seems to be transforming into a faun and we all know what fauns are good at. That’s #2, though that wouldn’t be the Witch pictured.

Mayan god called the Tulum Diver, photo taken in Mexico City's superb National Museum of Archaeology by JIm McPherson, January 2016

Spotted and shot in Mexico’ City superb Archaeological Museum, this statue is called the Diver. It’s originally from Tulum on the Mexican Caribbean where the deity is also known as the Descending God

She spends virtually all of the opening book either on her back being operated on in order to save her leg or in a wheelchair. Not saying if the operation’s successful, who performs it or where it’s done.

Statue of Mnemosyne, the Mother of the Muses, shot outside and up at the Palacio del Bellas Artes in Mexico City by Jim McPherson, 2016

Figure spotted and shot on the veranda out the Bellas Artes Palace in Mexico City; taken to represent Miracle Memory, the Female Entity, in the Phantacea Mythos

As recorded in “Helios on the Moon“, the Untouchable Diver disappeared during the final battle for Diminished Dustmound. #3 is actually called the Diver, though I’ve seen the same or a similar Mayan deity referred to as the Descending God.

Besides it being kind of neat, I scanned it in because he disappeared in Hadd/Iraxas and that’s where Native Americans go when they die according to one theory. Not saying if he’s back, please note.

Siqueiros Nueva Democracia, shot inside the Palacio de Bellas Artes in Mexico City by JIm McPherson, January 2016

Mural spotted and shot inside Mexico City’s Palacio de Bellas Artes. It’s by Siqueiros and taken to represent Freespirit Nihila

Right side of Camarena's Humanity Freeing Itself spotted and shot inside the Palacio de Bellas Artes by Jim McPherson, January 2016

Right side of Camarena’s Humanity Freeing Itself spotted and shot inside the Palacio de Bellas Artes; taken to represent Pyrame Silverstar with a human head and only two eyes

We already know that Wilderwitch had a mother, Miracle Memory (#4), and that she needs to be possessed in order to become human. Wilderwitch is supposed to a reincarnation of Harmony, who’s now Freespirit Nihila (#5). Guess who’s vying for Memory, along with Pyrame Silverstar (#6). Harmony and Pyrame appeared together most notably in “The Death’s Head Hellion“.

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BTW, all of these places Google, as do the murals found in the Palacio de Bella Artes. pHanta-pHans may already be familiar with some of them from the Afterword for “Feeling Theocidal“, Book One of The Thrice-Cursed Godly Glories epic fantasy.

It concluded in 2012 with “Goddess Gambit“, though there was a perhaps unexpected addendum incorporated within 2014’s “Helios on the Moon“, which concluded the follow up trilogy, Launch 1980.

Didn’t conclude Jim McPherson’s Phantacea Mythos obviously.

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

Three collages prepared by Jim McPherson using images taken from the Phantacea comic books and Mythos covers

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Did Camarena show Granny becoming a Phoenix in 1964/5

Not saying she does, but Sorciere’s quest to find a way to get Granny Garuda to phoenix leads directly to events recounted during ‘The Vampire Variations‘ web-serial that appeared on pH-Webworld in the Twenty Noughts (early Two Thousands).

It’s a storyline that Jim McPherson, the creator/writer of the Phantacea Mythos, keeps threatening to revisit when he finally gets around to completing, as in completely revising, “Tsishah’s Twilight“. (Current reckoning has it as the third and final entry in the saga of “Wilderwtch’s Babies”.)

In this regard, he has discovered …

Jorge Gonzalez Camarena's Presence of Latin America, 1964–65, property of the University of Concepcion in Chile as taken from the Web

Jorge Gonzalez Camarena’s Presence of Latin America,1964–65, property of the University of Concepcion in Chile. One of its web-presences is here: https://en.wikipedia.org/wiki/Jorge_Gonzalez_Camarena#/media/File:Mural_panoramico.JPG

Have a boo at the upper right hand corner of this mural (“Presence of Latin America”). Could that be Tsishah Twilight, who wears Sorciere’s daughter, the Shah Demon, as a way to keep them both semi sort of alive in 5980/1?

Could it be Sorciere herself, some fifteen years before her horrendous murder in June 1953? More importantly, is that really Granny Garuda phoenixing (to coin a word) at her side?

Of course not. Yet … it has to be, doesn’t it. Have a closer look and make up your own mind. Already have mine.

Camarena's non-commissioned rendition of Granny Garuda phoenixing in 1938

Jorge Gonzales Camarena did not receive a commission from Phantacea Publications for painting Granny Garuda phoenixing in 1965

As for what got McPherson researching Camarena, when he was in Mexico City’s Chapultepec Castle in January 2016 he not only spotted Camarena’s “Clash of Two Worlds”, he was allowed to take a picture of it.

Having already snapped impressive Camarenas in the opera house and the Archaeological Museum he decided to look online for some more, hence this serendipitous entry.

Camarena's Clash of Two Cultures, shot by Jim McPherson 2016

Camarena’s Clash of Two Cultures as shot by Jim McPherson in Mexico City’s Chapultepec Castle, 2016; web shots of same have been used on pH-Webworld for many years

BTW, the last time he was in the castle, fifteen years earlier or thereabouts, he was actually asked to leave for trying to take pictures inside it. Then again it might not have been a bonafide history museum then.

All of which explains why he had to appropriate a shot of it from the web to use on pH-Webworld here and here.

Business card used by Jim McPherson when in Phantacea mode

Business card used by Jim McPherson when in Phantacea mode; the Pharaoh’s head is actually a parking shot on Giza Plateau as shot by Egyptian air force circa 1929/30; Sedon’s Head by Jim McPherson and Tim Hammell, ca 1978

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Second Comings

Coming this Sunday, Jim McPherson returns to Heritage Hall for another Vancouver Comicon: http://www.vancouvercomiccon.com/

Collage prepared by JIm McPherson, 2014, utilizing artwork by Verne Andru and Ricardo Sandoval

Collage prepared by Jim McPherson, 2015, made up of Ricardo Sandoval space backdrop and female sphinx from the cover of “Helios on the Moon”, plus Verne Andru’s Freespirit Nihila, 2012, and old King Cold, 1980

Coming this winter: “Helios on the Moon” finally gets digital. Watch for more here: http://www.phantacea.com/#greetings

Front and back artwork by Ricardo Sandoval, 2014; text and layout by Jim McPherson

Potential covers, with spine, for Helios on the Moon, the multiple character, 2014 Phantacea Mythos mosaic novel that concludes the Launch 1980 fantasy epic

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